Excellent guitar solo tone, choice of notes and execution throughout!  Some great sax playing, too!   :)

awesome solos and amazing blues✌⭐✨⭐✨👏🏼

this guy is fantastic, for real...every song is a masterpiece for me

Awesome blues guitar feeling all over the song and such a beautiful sax soprano solo, Bravo Frans!

MUSIC IS A LARGE HEALTHY FRUITS EVERYONE FEEDS ON

Daily Drops

Gunshot blues is the first track I have written and recorded. I recorded the track at HQ Studios in Manchester. I first started writing the song about 7 years ago but then moved onto writing the next song and then the next song and so on. I finally got around to finishing this one last year and taking it to the studio to record. I play the guitars, bass and there is an organ somewhere in the background. I then attempt to sing as well. Drums are a mix of samples put together by the producer. There is some other percussion in there such as tambourine and I don’t know if there is a technical name for it but “shaky egg”? My Dad did those as he came with me to the recording studio when i did this track and I wanted him to be a part of it. See what you think…..

gunshot blues

Lonely Road.lead vocal.Frank Scimia

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

The Sanctuary Garden is falling asleep as the sun is setting down and a mermaid song is coming from the sea.

DAW:     LogicPro
Master: Ozone 11
Artwork: me and AI

Sunset

Sparkling Dream

This is how the sun feels when it first hits your face on a frosty morning... when the wait is finally over... just when you thought that the darkness was eternal, and you succumbed to the acceptance of being a creature of the night...

Available for download here 💿
https://scratchkelly.bandcamp.com/track/eve-of-euphoria

To What Extent

Eve Of Euphoria

Download

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Spotify

Resistance

Recorded in Modesto, Ca.   Featuring Gibson 335 Electric Guitar solo. Alto Saxophone solo. Fender Rhodes Electric Piano Rhythm. Hammond B3 Organ background Rhythm. Fender Electric Bass. Full Drum kit set.

Bluez at Home

Ream Dream

DISSOLUTION.  (French)

"2016.
Meldonium,
Never heard of it.
2020.
Melbourne,
First round defeat,
Love-two.
32,
Maria is done."

Melbourne 16/20 - From "MARIA"
Music composed by Thomas O'Higgins Horna
Produced at Kolima Forest Studios.

Poster photo retrieved from AP
Edited for a movie that most definitely exists.

Full EP available on:
bandcamp: https://thomasohigginshorna.bandcamp.com/album/maria
Spotify: https://open.spotify.com/intl-es/album/5DjtzKV7hKfVioknzfSdi6

This track is not to be used to train AI.

Melbourne 16/20

Full EP on bandcamp

Just one step further and Amenhotep will save me, or will he yet 
The guardians are grounded, and sleep in the silence of the potion to forget
we all forget 
All the hounds howling in the distance, a dread quartet
Unlock the espagnolette 

Moving windward through the suburbs
Wild flight is my name, the interdictal bane
My weapons here are useless, in this consequence of rumours
As a conjurers legerdemain

With wild crowds throwing missiles, to bring down the government
Tendentious armies take positions in our now encumbered state
Sending messages to morons, 
In the endless dead debate

Amenhotep Will Save Me

cool vocal track & vocal arrangement by Ian Greaves aka https://soundcloud.com/ipg1
I had fun to create this unusual backing, which gives space to the wonderful vocals.
.... Cover image, I grabbed it from Ian's site ...
Check out Ian's version: https://soundcloud.com/ipg1/each-level-deeper
... lyrics to read: https://soundcloud.com/ipg1/each-level-deeper-vox-08-bpm

Each Level Deeper // Ian Greaves - Vocals // Backtrack by joerxworx

Artist Picture. Shyntwirl
Art Cover Editor. Shyntwirl
Colorist. Shyntwirl

Produccer. Shyntwirl
Programmer. Shyntwirl
Synthesizers. Shyntwirl
Beats. Shyntwirl
Distortion. Shyntwirl
Super Beats. Shyntwirl
Kicks. Shyntwirl
Fx. Shyntwirl
Mix. Shyntwirl
DJ. Shyntwirl
Improvisation. Shyntwirl
Remixed. Shyntwirl
Equalizers. Shyntwirl
Reverb & Echo. Shyntwirl
Keyboard. Shyntwirl
Background Expansion. Shyntwirl

Experimental / Techno / Descontruction / Underground / Hardhouse / R&B / Alternative / Synth / DJ / Mix / Kicks & Beats / Reverb & Echo / Improvisation

PROD. Shyntwirl

Shyntwirl - ¡SUPER CRAZY! (PROD. Shyntwirl)

Guitar twice with some oompa oompa bass, then some ukulele and synth

Surfedelic

Surfedelica

Mist Covers The Mountains

Follow me on socials

Insta: @newmoney_uk
Twitter: @newmoney_uk

Blessed

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Greetings.. Thanks for listening..Born in Holland, came to the US when I was 10 years old.. I've Been playing, composing, writing, arranging, recording, mixing, mastering, engineering, producing music of all genres..Playing electric guitar, Slide, Dobro, Nylon Guitar, Bass, Accordion, Flute, Keyboards, Piano, Organ, Synthesizer, Vibraphone, Harmonica, Drums & Percussion since I was 10 years old, self taught.. many different styles and genres to choose from. These songs are the representation of a lifetime's work! 
Superior recordings.. using the best Microphones, Neuman U-87's, Dynamic Microphones, Ribbon Mics, Shure SM-57 & SM-58, and a variety of dynamic and condenser microphones used in these recordings with today's latest software, Pro-Tools, Mastering Labs,  Reaper, Audacity and various hardware and software products from Germany, Australia, France, and various places from all over the globe. 48 Channel Mixing console, Various outboard effect units...Thank you for listening!

Ream Dream

Frans Beelaard

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ROCK IZY (THE LYRICS LUMINARY)

SENNID

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