very cool instrumentation Frans man !! lovely fretwork and tones !! :))

sax and hammond are awesome and all the track is a little masterpiece👌✅great my dear friend💥🙃⭐🙇‍♂️👏🏼🔥🍇🍒🍇🍒🍇🔥🍇🔥🍇🍒🍒🍇

That was really nice hammond organ. Was it a real organ? I know my piano had several organ sounds but they don't sound as good as this.

The organ is majestic, everything is swinging, perfectly, jazztastic. Awesome

Nice. Satriani feel to this maybe. they way you tie wind to lead guitar is like no other. Always produced so well 👌🏿🫡🔆🔆

nothing more than exceptional. The organ solo is out of this world. Beautiful.

Toujours magnifique ! Sans aucun regret ! On ne s'ennuie aucunement ! Bravo les amis musiciens !

DANGEROUS SAILING OF THE HARDCORE CROWN

2024/2/26

Website

暦 (koyomi)

ThrillMonkey/AnandaTuk collaboration

Check out AnandaTuk's music at: https://soundcloud.com/user-11396379

Be Like That -with AnandaTuk

Let's go to the beach there's nothing else to say 🤩

A Due Act

Let's Go To The Beach

Art can sometimes be radical and have a strong impact on people. Hardcore is the attitude of sticking to self-expression without pandering. I don't care if my songs are art or not. Oh, the English word "hardcore" also means that "art can go beyond a hobby or a job and become life itself. That stoicism and passion" is what makes it hardcore. I would like to emulate this meaning.

№318 Art is hardcore (318)

Cinematic and Orchestral Music
Picture by MarWin55
Franck C Production
Music by Franck Charles
ASCAP
https://www.youtube.com/watch?v=tB4QzfTFg8A

Expedition

Recorded in Modesto, Ca.   Featuring Hammond B3 Electric Organ solo. Selmer Alto Saxophone solo. Gibson L5 Electric Guitar solo. Acoustic Stand-up Bass. Hammond Electric Organ Rhythm With Bass. Stand-up Acoustic Bass. Gibson L5 Electric Guitar Rhythm. Drums Acoustic full kit set. Percussion Tree  Chimes. Zildjian Ride & Crash Cymbal. 

Carmel

Sailin

Sailing

Crown

Timeline
(Verse 1)
Timeline
Can I solve the puzzle? Does the answer even exist?
Is it abstract in the making 
options, choices taken 
where’s the voices?
It’s a cruel game we’re playing, 
did we ever have a choice?
never had a choice is what I’m saying
I know, the question as well, as the answer 
in time we’ll all understand the meaning as well, 

(Chorus)
the only answer is, 
the truth is infinity, infinity is the truth, 
the answer is the question, 
and the question is the root
why so absolute 
not to mention a reason to be, 
existence is infinity, and the truth will set you free, 
never before, never before 
infinite, choices…The answer is …more!

(Verse 2)
What was done in the past
Effecting us now,
 we walk different timelines,  But they’re way ahead …how?
Time vibrates, like tectonic plates!
Given shape to our lifelines, final fate
What’s the cause of it all?
The crisis of it all,    The axis, recall
We exist,   one in all, One and all
Everything and everyone…

(Verse 3)
🎵In a constant state of time,
Doesn’t matter when or where, 
you’ve traveled the timeline, 
existence is existence,
And who are we to say,
What will happen in the future,
If we didn’t exist—- today 
…..in this timeline🎵

(Chorus)
(interlude)
(Chorus)

Timeline

Andy Rivera VS French Montana & Swae Lee (Dramantic Remix)

We are pleased to present track 8, the final track, from our latest album, 'Haunting One Seven,' full album available on Bandcamp, we hope you’ll enjoy!

outstation.bandcamp.com/album/haunting-one-seven

Waiting For Someone

Last spring, I had a jazzy musical interaction with songbirds to produce Magnolia. This spring, I explore the genre of jazz once again but this time with a mockingbird.

A few weeks ago, I recorded a mockingbird singing a jazzy serenade a cappella from his perch on my neighbor's chimney. And oh my! The bird sang like he was the hot new kid on the block, and the whole neighborhood had to listen!

The Northern Mockingbird (Mimus polyglottos) can sing up to 200 different songs, some of which are original and others mimic the sounds of other birds and creatures, including insects and machines. 

I added electro — keyboard, piano, bass, and electronic drum kits — to the mockingbird audio recording using my MIDI and DAW, and I hope you find the music as amusing and entertaining as the jazzy mockingbird’s song.

Chill jazz fusion at 85 bpm

Audio of mockingbird recorded live April 2, 2025. The LoFi audio is raw, unaltered except for cuts to delete car noise and the conversation of neighbors, so that the music wraps around the birdsong.

With props to Harper Lee’s book, To Kill A Mockingbird, whose main character Atticus Finch teaches that it’s a sin to kill mockingbirds because they harm no one with their songs — a symbolic theme of the book — it’s wrong if not evil to attack or destroy innocent people.

“Mockingbirds don't do one thing but make music for us to enjoy…. they don't do one thing but sing their hearts out for us.”

…………………….
DAW: Apple Logic Pro X
MIDI: Akai Professional Keyboard
E-INSTRUMENTS:
Concert Grand piano
SoCal Ballad Piano
Ambient Lead
Warm Glow Chords synth
Lunar Strings synth 
Fingerstyle Electric Bass
Deep Round Synth Bass
E-DRUM KITS:
Drum ‘N Bass Remix 
Trip Hop Remix 
Trip Hop Remix Phaser
Trance Remix
2-Step Remix 
African
Latin 

COVER ART is a composite using AI-generated images created by the DaVinci app and then designed in Photoshop.
………………..

.

Mockingbird

„Towards the Dawn" from the album Tides of Melancholy is an emotional journey between darkness and light. The track captures the essence of sorrow and hope, unfolding in delicate yet powerful melodies. With a tender piano performance accompanied by a soft violin, the song takes the listener into a world of reflection and inner transformation.

In an atmosphere that is both contemplative and uplifting, the track symbolizes the transition from difficult moments to new possibilities. Melancholy blends with a hint of hope, as if the darkness is being pierced by the first rays of morning.

Perfect for fans of cinematic, ambient, and instrumental music, looking for a sound that is both profound and uplifting.

„Towards the Dawn“ aus dem Album Tides of Melancholy ist eine emotionale Reise zwischen Dunkelheit und Licht. Der Song fängt die Essenz von Trauer und Hoffnung ein und entfaltet sich in sanften, aber kraftvollen Melodien. Mit einem zarten Klavierspiel, das von einer weichen Violine begleitet wird, entführt der Track den Hörer in eine Welt der Reflexion und des inneren Wandels.

In einer Atmosphäre, die gleichermaßen nachdenklich und erhebend ist, symbolisiert der Song den Übergang von schwierigen Momenten hin zu neuen Möglichkeiten. Die Melancholie vermischt sich mit einem Hauch von Hoffnung, als würde die Dunkelheit von den ersten Strahlen des Morgens durchbrochen.

🎶 Album: Tides of Melancholy
🔗 Folge mir für mehr Musik.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

Hinweis: Dieser Track wurde vollständig von mir komponiert, aufgeführt, arrangiert und produziert – ohne den Einsatz künstlicher Intelligenz.
Echte Musik mit authentischen Emotionen und Persönlichkeit zu erschaffen, ist mir wichtig. Vielen Dank, dass du zugehört hast und für deine Unterstützung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Tide Of Melancholy

Towards the Dawn

Recorded In Vermillion, South Dakota. Featuring Jim McCullough on Drums & Percussion, Frans on Gibson SG Electric Guitar & vocals.

Kick-n-It

Don't Bring Me Down

Don't bring me down 3

inspired by the traditional song "Jack-a-Roe," which most folks have heard played by the Grateful Dead, and not difficult to play as a "round," when you're looping along . . .

-----------------------------------------------------------------
B2K: electric guitar, loops, MIDI: electric piano, cello, trombone

and endless gratitude for both the intrepid:

Oh: drum kit/trap set/e-drums, and

Tree: bass guitar, e-bass
-----------------------------------------------------------------

Electric Guitar: 1984 Alembic Electrum (prototype)

Pedals: Musictronics: Mutron Octave/Divider, Mutron Phasor II, Mutron III (envelope); Tube Works Real Tube Overdrive, Ibanez AD-9 Analog Delay, Thomas Organ Cry Baby Model 95, Ernie Ball Volume, Saturnworks 6-pedal connector - Loops: Digitech Trio+ - MIDI: Roland GR-20 Guitar Synthesizer + GK-3 Divided Pickup

Guitar Amp/Speaker: Fender Rivera-era Super Champ - 8” JBL K-110 speaker

Looper recording: Looper pedal stereo direct to Tascam Model 12, (24 bit @ 48kHz) - initially all live, one take, edited for duration only.

Jack-A-Roe
Music By Traditional arr. Grateful Dead
Words By Traditional

Jack-a-Round-a-lope

Little to say about this song; both lyrics and music (all organic but for programmed drums) were done very impulsively, so it may show my primal inspiration without reworks or additions. Hope you'll enjoy it!

Pic from: https://vincentmars.com/2013/11/20/the-sensual-paintings-of-fabian-perez/

Translated Lyrics:

YO PENSÉ (LA SEXTA VEZ) / I THOUGHT (THE SIXTH TIME)

Yo pensé: esa mujer no es peligrosa…
  (I thought: that woman is not dangerous …)
No esperé enamorarme como un idiota.
  (I did not expect to fall in love like an idiot.)
Me pregunté: ¿qué tiene en los ojos que tanto me tienta?
  (I wondered: what’s in her eyes which tempts me so much?)
y me acerqué para hablar con ella y verlos de cerca.
  (And I got closer to speak with her and watch them closely.)

Y si era la primera vez, ¿por qué no extrañaba hacerlo con ella?
  (And if it was the first time, why didn’t I feel strange doing it with her?)
Y si era la primera vez, ¿por qué parecía que era la sexta?
  (And if it was the first time, why did it seem to be the sixth one?)
Y si era la sexta vez, ¿por qué hubo preguntas después de la escena?
  (And if it was the sixth time, why were there questions after the scene?)

Y si fue la única vez, ¿por qué no puedo apartarla de mi cabeza?
  (And if it was the unique time, why cannot I take her out of my head?)

ER41FI08 97-17

Factor Integrante

Yo pensé (La sexta vez)

(Don't follow me here, best on my main page ;)

Greetings.. Thanks for listening..Born in Holland, came to the US when I was 10 years old.. I've Been playing, composing, writing, arranging, recording, mixing, mastering, engineering, producing music of all genres..Playing electric guitar, Slide, Dobro, Nylon Guitar, Bass, Accordion, Flute, Keyboards, Piano, Organ, Synthesizer, Vibraphone, Harmonica, Drums & Percussion since I was 10 years old, self taught.. many different styles and genres to choose from. These songs are the representation of a lifetime's work! 
Superior recordings.. using the best Microphones, Neuman U-87's, Dynamic Microphones, Ribbon Mics, Shure SM-57 & SM-58, and a variety of dynamic and condenser microphones used in these recordings with today's latest software, Pro-Tools, Mastering Labs,  Reaper, Audacity and various hardware and software products from Germany, Australia, France, and various places from all over the globe. 48 Channel Mixing console, Various outboard effect units...Thank you for listening!

Sailing

Frans Beelaard

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SCHUDY Jean

*BACK DOOR JAMS [LIVE] & STUDIO B

Owidram

home dj & Jeus Hdez <.Artist’s Direct Portal SC.>

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