Another fantastic piece frans! well done 👌

wow..   such a huge variation of sound, in perfect harmonic "sync"  love the pipe,  like the way the guitar and pipe/wind are "talking" back and forward..   that is super cool,  i also like how the "Mouth Harp"  are flirting with the bass..    THIS IS TRUELY ART!!

i have it with always found my way to this track..   it sounds fantastic..   those flute/wind thing..  just sounds amazing my friend  :O)

Flute immediately +steals my heart--AND, YOU float someone above the highest clouds with your expertise of enlisting its flirty & charming voice! The intermeshing of guitar & percussion are  constantly entwing & really make one's mind dance along!  Superior demonstration of iconic talent!  Always enjoy how you capture the senses & make one forget any tension! 🔥🔥🔥🔥🔥🙌🏻💯💯💯💋💎🎶🥇 Gobble, gobble!  It's ok to be a glutton for your sonic gourmet dishes!  Wishing you all the best to continue to astound! 😍

The entire instrumentation is impressive 👍👍👍👍👏👏👏🎸🎸

Retro-Tone ...... likes and reposts 3

This song will go private shortly. Exclululusive From a section of songs that will apear in 2024.
I will comment back to anyone who post feedback.
xx Ray xx

TRUTH RAY - ASTRAL YOUTH

COtu: Production, Synths, Guitars
Mastered To Analog Tape by Marc Felish

Antidote

Buy HD

Jon Lock: Original Music: Bass, Drums, Organ, Horns, Vocals, Lyrics
https://soundcloud.com/jon-lock-5
https://jonlock.bandcamp.com/music
The Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield

Funky as oily ass soggy french fries
Funky as stinky bass fishy pot pies  
Funky as poopy grass squishy with flies 
We be keep it funky and we shittin’ no lies 
Would it be funky if the bips didn’t bop, oh
Would it be funky if the hips didn’t hop, whoa
Would it be funky if the bass didn’t pop, no
Would I be a junky if I didn’t want it to stop, yea
He got blisters on his fingers and they starting to peel
He got two big blisters and it’s starting to get real
He gotta keep ‘em outta water if he want ’em to heal
Wear them gloves in the shower and when washing yo meal

Uh oh, who had the funk and then let the funk go
Uh oh, yo here we go, the funk is on the loose footloose and deucin’ on the flo’

Dip dip scoodley dip, cool whip all over my chips
Sippin’ on limp shrimp, wimps are the news skool pimps 
A plop a glop a top my new flip flop design
A crop a hops and a drop a slop for my swine 
Yo we got the flu shot that you got but we caught 
The new-dle two-dle funk crew-dle bug-adoodle  
Jibber Jabber don’t stop a hey hey hey a all day
Now come on over I’ll scoot right over and stay while Jon plays 
Funky see funky do funky spunky skunky crew
Funky rhymes funky lines funky crunky drunky times
Funky might makes funky right funky pluky dynamite 
Funky here funky there funky spunky everywhere

Wow, now that is damn funky, can you smell that bass, whew we, smells like burnt liver on hot summer day, Jon is on Fyre!

Why’s it funky when you haven’t funked for a week and then you start to itch ’n tweek 
And your knees be gettin’ soft ’n weak as the pressure reaches to a peak 
And a little bit starts to drip and leak  
That’s TMI
He got funk like pumpkins got pie 
Funk like bumpkins get by
Funk like stuck in deny
All funk like skunk ’n gettin’ high
Funkin’ til the day that we die

Uh oh, who had the funk and then let the funk go
Uh oh, yo here we go, the funk is on the loose footloose and deucin’ on the flo

The funk 
It be 
Booming
Out the 
Trunk a hunk a junk ol’ clunk a mine
A chunka chunka went the bass and I got a fine
Combine with my divine design, rewind inclined to be funkinsteined 
I declined, I tor’ it up in yo face 
You turned up the bass
That’s right, you could hear it all over the place 
Funky is as funky does do you has pizazz
Funky is too funky that’s true and we has en masse
Funky is what funky wants how does he slap that bass
We be keep it funky now common shake that azz
Funky like a rusty spike infection on my toe
Funky like a crusty tyke with boogies out the nose 
Funky like my musty psych with dusty old pillows 
We be make it funky ’n got the stank to show
Will it still be funky if we, what
Spayed it with some poo-pourri,  hell yea
Will it still be funky if we, what
Made it from som’in’ all bourgeoisie, hell no

That’s what I been tryin’ to tell ya, the funks gotta be made from something nasty, it’s gotta be inta something kinky, it’s gotta talk all dirty, breath be stankin’ ’n such 

Uh oh, who had the funk and then let the funk go
Uh oh, yo here we go, the funk is on the loose footloose and deucin’ on the flo

Yea, so what do you think Jon, you feeling that?
Oh yea
Alright, alright, alright, yo since you supplied me with that mad funky beat, I figured I’d go all mad scientist and flip what you sent me, and maybe you can lay down some of them golden vocals of yours
How’s that sound?
Sounds good

Well, the Couch King baby
Let’s turn the clock back to ’65
That’s where I like to hide out
It’s the place I really thrive
Well look out
Take your time now
This funk moves like a big fat cow
Yea, the Couch King baby
I tried to run but I could not hide
I tried to run 
But I could not find a place to hide

Funk'n Blisters

Jon Lock, Russ Sinfield, and the Couch King -Funk'n Blisters

Hoping you are all keeping warm out there!
Thank you for your kind plays likes and reposts not forgetting playlists too!!

((c) Vocalatti  2024

Looking Glass

Lyrics and music: Michele Ansani (1998).
Inspired by a Robert Musil's short story ("The Perfecting of a Love", 1911).
Cover photo is from Pietro Corrao.

Like some others I have already posted, this is a song from the late 1990s, recorded then with a Korg D8. I remixed the surviving file, working on volume and equalisation after separating the tracks, and adding some stuff. 

LYRICS (ENG / ITA)

nervously looked at the stranger
at that moment his beard lit up for a moment
she guessed there solidity, naturalness
and everything reconnected, she was there...

It flashed in her mind that already other times
The thing had begun in the same way, it was so...
And at the thought for an instant a voluptuous horror touched her
A voluptuous abulic horror
as before a sin yet unnamed

she wondered if he could have noticed
that she was looking at him
and her body filled with a slight sensuality
she seemed to be swimming in darkness before him
dissolved and impalpable like pale foam

so they travelled close
and little by little crept back into her thoughts
that restlessness
she tried to tell herself
that it was only the disturbance
of that sudden solitary journey
among strangers
soon afterwards instead she believed
that it was the wind that enveloped her
in a rigid frost

there was suddenly
a light high and clear on her past
as on an indescribable landscape of mysterious order
was a strange sense of the future
as if everything
that seemed long past
still lived on

furtively she sought the stranger
at that moment his hand for a moment
caressed her
she sensed in it a natural solidity
and everything reconnected
they were there ...

and thought of days
strangely distinct
from all the others
open before them
like a fugue of remote rooms
and joined with a hasty laugh
to the conversation

----

nervosamente guardò lo sconosciuto
in quel momento la sua barba per un attimo s’illuminò
v’indovinò solidità naturalezza
ed ogni cosa si ricollegò, lei era lì…

le balenò in mente che già altre volte
la cosa nello stesso modo incominciò, era così...
ed al pensiero per un istante la sfiorò
un orrore voluttuoso abulico
come davanti a un peccato ancora senza nome

si chiese se potesse essersi accorto
che lei lo guardava
e il suo corpo si colmò di una leggera sensualità
le sembrava di nuotare nelle tenebre davanti a lui
dissolta e impalpabile come pallida schiuma

così viaggiarono vicini
e poco a poco ritornò ad insinuarsi nei suoi pensieri
quell’inquietudine
cercò di dirsi
che era solo il turbamento
di quell'improvviso viaggio solitario
fra gente estranea
subito dopo invece poi credeva
che fosse il vento che l’avvolgeva
in un gelo rigido

vi fu improvvisamente
una luce alta e chiara sul suo passato
come su un paesaggio indescrivibile dall’ordine misterioso
era uno strano senso di futuro
come se tutto ciò
che pareva da lungo tempo passato
vivesse ancora

furtivamente cercò lo sconosciuto
in quel momento la sua mano per un attimo
l’accarezzò
v’indovinò solidità naturalezza
ed ogni cosa si ricollegò
erano lì ...

e pensavano a giorni
stranamente distinti
da tutti gli altri
aperti davanti a loro
come una fuga di stanze remote
e si unirono con un riso precipitoso
alla conversazione

La Conversazione *

Sunny Autumn Day
Lillithe: Music composition and Production


Sunny Autumn Day

God Bless

You Don't Need 'Em

Cast of Characters:

J.J. Terrell–@j-j-terrell – drums, bass, organ, triangle, and composition

TexMex Shaman–@texmex-shaman –Stephen– mix, mastering, and production

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–PRS semi hollow body electric guitar

This song began with JJ on a late Saturday night, coming up with it on the drums, bass, and organ. He even added some real triange, if you listen for it, you'll be delighted. He had a killer jazz groove on his mind when he composed it, and was able to really bring it to life on all levels. He originally wrote it as a solo piece, but asked Josh if he would like to add a guitar part. Josh jumped at the opportunity to play an original jazz song on his guitar, and in a few days, recorded more than 20 takes of it. He finally landed on the one you hear in here now. 

  They asked Stephen to mix, master, and produce it for them, which he did in his typically professional way.

  This was a fun, exciting collaboration, featuring just JJ and Josh, but the rest of the Eclectic Collective will be back with them next time. We hope you enjoy listening to this as much as we enjoyed making it.

Losing the  Paparazzi (Eclectic Collective)

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo. Flute solo. Gibson L5 Electric guitar Rhythm. Trumpet Background. Horn Section, Alto, Tenor Baritone Saxophones. Fender Electric Bass. Roland Synthesizer Bass. Jaw Harp. Godin Electric Guitar Rhythm. Drums, Full kit drum set. Percussion Bongos, Timbales, Cowbell, 22" Zildjan Ride & Crash Cymbal.

Carmel

Tonk

Within each of us, a universe of potential resides, waiting to be explored. 
It's a unique blend of passions, talents, and dreams, just waiting for the chance to shine.

You are a masterpiece, a work of art, crafted with love and care. 
Every stroke, every curve, every color, makes you who you are. 
You are one-of-a-kind, a beautiful and extraordinary being.

It’s time to embrace your individuality. 
Let go of the fear of being different and embrace the power of being yourself. 
Your uniqueness is your superpower. 
It sets you apart, makes you special, and allows you to make a significant impact on the world.

So, let your light shine brightly. 
Chase your dreams, follow your heart, and never give up on yourself. 
The world is waiting for you to unleash your full potential. 
You are capable of amazing things!

Believe in yourself, and watch as your dreams become reality.

Valentino

The power of dreams- Valentino

Composed, arranged, performed, and produced by:
Carlos Vivanco

Cosmic Rain

Funk Attack

Overstimulated By Sound

Africana Brass

BL Mastered
Tribute to ALL Incognito drummers.
Tribute to Pat Metheny Group

Doobie 𒁍

Newborn and the Slow Death of Ego

Hi....This is my Artist repost and support page.  There are no limits, if I like it I'll repost it !
You can listen to my music and productions here https://soundcloud.com/abloamberelli

Greetings.. Thanks for listening..Born in Holland, came to the US when I was 10 years old.. I've Been playing, composing, writing, arranging, recording, mixing, mastering, engineering, producing music of all genres..Playing electric guitar, Slide, Dobro, Nylon Guitar, Bass, Accordion, Flute, Keyboards, Piano, Organ, Synthesizer, Vibraphone, Harmonica, Drums & Percussion since I was 10 years old, self taught.. many different styles and genres to choose from. These songs are the representation of a lifetime's work! 
Superior recordings.. using the best Microphones, Neuman U-87's, Dynamic Microphones, Ribbon Mics, Shure SM-57 & SM-58, and a variety of dynamic and condenser microphones used in these recordings with today's latest software, Pro-Tools, Mastering Labs,  Reaper, Audacity and various hardware and software products from Germany, Australia, France, and various places from all over the globe. 48 Channel Mixing console, Various outboard effect units...Thank you for listening!

Tonk

Frans Beelaard

Recent comments

Jesus Flores Guitarrista

Jesus Flores Guitarrista

Jesus Flores Guitarrista

ElectroTrek

Related tracks