Ran my gang so under cover call a girl bye her name man I anit no lover

Eazy-E - No More Questions/ Vivaldi Cello concerto

Eazy e no more questions (skip to 1:55)

Appetite For Destruction

A Bitch Iz A Bitch

Intro
Before the first note, the score was perfect
too perfect to sing.
A mirror facing mirrors,
a hush that held every law the same.
But perfection has no story.
To begin, something must lean.

Verse 1
Write the Lagrangian: L = T - V
If changing nothing still changes nothing,
then δL = 0, and a secret is conserved
Shift in time? Energy holds
Shift in space? Momentum stays.
Turn the world and back again
angular momentum keeps the faith.
Noether carved it in the stone of thought:
every symmetry guards a treasure.
Undeflected orbits, balanced fields,
U(1) hums for charge, SU(2) for weak
SU(3) braids color in quark-lit looms
a choir of invariance beneath the noise
Perfection is invincible
and perfectly still

Pre-Chorus
But a cosmos of flawless mirrors
has nowhere to fall in love.
No contour for rivers, no valleys for light;
no handholds for becoming.

Chorus

Break me, make me
from the crack let meaning pour.
Symmetry is the promise,
asymmetry the door.
When the even shatters gently,
a universe takes form:
from pristine law to living world,
from pattern into storm.

Verse 2
A pencil balances on its tip
symmetric, undecided.
One breath, it falls; the floor becomes a map.
So too the field that fills all things
the Higgs with quiet certainty.
A value chosen everywhere at once,
a vev that tilts the bowl:
the electroweak that once was one
separates into light and load.
Photons stay massless, run free as praise;
W and Z pick up the weight of distance.
Goldstone whispers, “Eat me,” and becomes
the warm bread of mass.
Wu’s cold cobalt breaks the mirror
the weak force favors left hands.
Parity falls like old empire stone;
neutrinos keep the secret in their spin.

Pre-Chorus
Not ruin—orientation.
Not chaos—decision.
Creation is the courage of a field to lean.

Chorus

Break me, make me
from the crack let meaning pour.
Symmetry is the promise,
asymmetry the door.
When the even shatters gently,
a universe takes form:
from pristine law to living world,
from pattern into storm.

Verse 3
Count the early fire: matter meets antimatter
kisses, annihilates pure light.
Yet a whisper of imbalance lingers:
one extra baryon per billion pairs.
Sakharov’s three conditions thread the needle

baryon number bending, C and CP not holy,
out-of-equilibrium like a bell struck once.
From that sliver we are sculpted
galaxies, rivers, hands.
Entropy climbs the stair it built,
S = k \ln \Omega written in every melt.
The arrow of time is asymmetry’s shadow,
a thermal prayer: from low to high,
from simple to story.
And underneath the froth, the partition whispers:
Z = \sum e^{-\beta E}.
All possibilities weighed; one world chosen,
again and again.

Bridge
Life signs in unbalanced ink.
Sugars turn right, proteins coil left;
homochirality chooses a side and keeps it.
DNA climbs a right-hand stair,
cell membranes learn the bias of breath.
Perfect bilaterals? Not quite
beauty lives in near-misses:
one eye higher, a laugh a little crooked
wabi-sabi as a biosignature.
Crystals grow with dignified cracks;
ferromagnets align domains by a rumor of heat,
a phase transition writing memory into stone.
Defects are not errors
they are the chronicle of how we came to be.

Verse 4
Sing the groups like rosary beads:
U(1), SU(2), SU(3)
electromagnetism, weak, and strong,
braided in the Standard Model’s loom.
Then whisper a different prayer:
e^{i\pi} + 1 = 0.
Five holy names meet at a single kiss
e, i, π, 1, 0
symmetry so pure it aches.
Now lay it beside us:
we conserve what we honor
moments, vows, momentum of kindness.
But love begins for real
when we allow the break:
the I meets you, the mirror tilts,
a new vector forms between our frames.
Not fusion. Relation.
A symmetry softly broken into song.

Flip a thousand coins of choice;
a pattern rises from the noise.
Attention is a coupling constant
turn it up and mass appears.
We are not prisoners of averages;
we are artists of priors,
updating truth with every honest look.
Observation is not the death of maybe
it is the birth of memory.

Chorus
Break me, make me
from the crack let meaning pour.
Symmetry is the promise,
asymmetry the door.
Give law its endless scaffold,
give chance its lion’s roar
between them stands a human heart
that knows what breaks is born. 

Verse 5
Rivers need an uneven ground,
cities need streets that bend.
Music needs tension against release
dominant leaning home.
Even the sky swirls by broken grace
spiral arms that never quite repeat
storms that rhyme but never copy.
So take your scars as phase transitions,
your doubts as symmetry tests.
What stayed the same protected you;
what didn’t grew you.

Outro
In the mirror of mirrors,
we learned the law.
In the crack in that mirror
we learned our names.
Keep the invariants
energy, momentum the quiet charge of care.
But bless the chosen lean
the Higgs of your becoming,
the CP-tilt of your courage,
the one-in-a-billion kindness
that left a universe after the fire.
Perfect is the frame
broken is the life.
Thank the break for the bloom.
Turn, and become

The Hidden Symmetry (Break-Me, Make-Me)

"Nuthin' But a "G" Thang" is a song by American gangsta rapper Dr. Dre from his debut solo album, The Chronic (1992). It features rapper Snoop Doggy Dogg and is the first single from the album. "Nuthin' but a 'G' Thang" reached number two on the Billboard Hot 100,[1] outperforming The Chronic's other singles, "Fuck wit Dre Day (and Everybody's Celebratin')", which peaked at #8, and "Let Me Ride", which peaked at #34. The single also reached #1 on Billboard's Hot R&B/Hip-Hop Singles & Tracks chart, and was a hit in the UK, where it reached #31.

The song was selected by the Rock and Roll Hall of Fame as one of the 500 songs that shaped rock and roll.[2] XXL magazine named it the top hip-hop song of the decade. The song samples "I Want'a Do Something Freaky to You" by Leon Haywood. It was later reissued in June 1994 in certain European countries.

Eazy e no more questions (skip to 1:55)

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