wow ! a glimpse of a sketch from possibly no definitely my favourite album of all time (a tough one between Colour Of Spring and Laughing Stock - but I wasn't prepared for so much Velvet Underground love here, just heaven sent thanks for sharing Tim !

Listening to last 3 albums on a loop at the moment and have loved these albums since their release - they are for all time !

Like light shining through in the morning after a great loss. Beautiful, but with a pervasive sadness.

Thank you sooooo much! What a gift for humanity... Mark was sent from heaven for sure. The holy Hollis..

happy birthday mark. always moved by spirit of eden since the first listen   and this rehearsal is transcendent. thank you tim for sharing. if there are any more of these rehearsals to share there are eager ears awaiting...🎶🙏🏼❤️

Viridescens

Francesco Cavaliere and Tomoko Sauvage embody a tactile audio visual display, radiating the color green into sounds and painting meditative music. By transforming collected objects into invented instruments and scenography, each motif becomes a dedication to a specific situation, an anecdote or a symbol, sometimes real and other times absurd, that the artists have encountered through their travels and conversations: the Chinese myth about a man wearing a green hat, naming convention of Japanese traffic lights, or even the imaginary chants of frolicking twin dolphins. This inspired the duo’s personal research on experimenting with raw and synthesized idiophones, stage landscape design, spontaneous field recording and organized improvisation.

B 1 Cavaliere - Sauvage - Twin Emerald Dolphins

This is a mixed down composite version of Browser Music 4.

The individual parts and instructions for playing them are as follows:

Open each link below in its own web browser tab or window and press play on each. The four parts are meant to play at the same time but don’t have to start together. You can stop / re-start individual parts and change their respective volumes as you wish. Like the components of a mobile sculpture, each part can be considered on its own or in any combination.

Part One:
youtu.be/4fE2awB7_d0

Part Two:
youtu.be/kT9ZastGvqE

Part Three:
youtu.be/Hzd_ydrGCqE

Part Four:
youtu.be/EpPkit3i8Vg


This is music without development, where nothing much happens (or rather: the happening is evenly distributed throughout). This is also quiet music – perfect for playing in the background on your web browser while you are doing something else on your computer. You can even listen to other music / watch other videos / make Zoom calls, etc. while playing Browser Music in the background.

Bandcamp

Browser Music 4

https://www.nts.live/shows/naomi-asaturyan/episodes/naomi-asaturyan-1st-may-2022

Naomi Asa 010522

London’s abundant waterways and parks provide an oneiric muse for Cucina Povera and Ben Vince’s resounding debut full-length collaboration, an engrossing suite of weightless sax, synth and disklavier-bedded, noirish nocturnes that land somewhere between Grouper and Terry Riley. 

Centred around Maria Rossi aka Cucina Povera’s muzzy vocal loops and the faintest melodic motifs, London-based composer and multi-instrumentalist Ben Vince accompanies on saxophone, synth and piano, shrouding Rossi's vocals in swirls of dimly lit psychedelic smoke. As a newcomer to London, Rossi was "caught up in a sort of wondrous overwhelm” - a feeling that seeps through every movement of the almost hour long album. Working mostly at the Roundhouse, the pair find a musical confluence between Rossi's words - "fluid, dreamy, hazy ideations" - and Vince's shadowy renditions.

Vince's plasmic echoes and Rossi's aerial delivery form a poetic union, twisting and painting each sound in pearlescent shades. Rossi's folk roots shine through like cracks of dawn sunlight on 'Sumu Puistossa' ("fog in the park"), reverberating over organ and dream-zone sax; her words tip into muted surrealism thanks to the controlled chaos of Vince's bleak treatments. His grasp of jazz is transfixing: bending sax motifs like ghostly memories of music from another timeline, smudging them into the soundfield. It’s most effective on 'Siellä Näen Kaiken' ("there I see everything"), where sickly, dissonant notes flicker like an almost-extinguished candle alongside motorised furniture music courtesy of a Disklavier.

Born out of wonder, daydreaming innocence and creative discovery, 'There I See Everything ‘ is the sound of two exploratory collaborators swimming into each other's ideas. From the Terry Riley-esque transcendence of '∞' to the sacred incantation of long-form closer 'Pikku Muurahaiskeko' ("little anthill"), the pair expose a new layer of creativity with each turn, gradually zooming out from discreet, vulnerable beauty to encompass a gently orchestrated chaos of sustained, sublime tension.

Cucina Povera & Ben Vince - Sumu Puistossa

60 minutes of leftfield sounds and art pop that soundtracked the career of independent film muse and counterculture icon Chloë Sevigny. Selected by Florence Scott-Anderton.

https://www.nts.live/shows/sounds-on-screen/episodes/chloe-sevigny-20th-january-2023

Sounds on Screen: Chloë Sevigny 200123

Breakfast, in Flo motion - served by Flo Dill, every Monday to Wednesday.

https://www.nts.live/shows/the-breakfast-show-flo/episodes/the-nts-breakfast-show-w-flo-1st-february-2023

The NTS Breakfast Show W Flo & Mark William Lewis 010223

Maritz

Blissfully Unaware (of you)

From the forthcoming album SG - For Lovers Only / Rain Suite (Faitiche 33)

SG - Western Affect

From the LP "Velocity of Sleep" co-released with XKatedral 2017

Kali Malone "1113"

A late-stage rehearsal straight to cassette for reference. Recorded shortly before going into the studio, probably at John Henry rehearsal rooms. This is Mark on guitar, Lee on drums, and myself on piano and organ (the bass was always addressed in the studio once the basic track was down, which is why it doesn't feature here).
It's best to take the 8 minutes out and listen to the end, preferably in headphones, and in a quiet space,

Eden rehearsal cassette

Artist: Haji K.
Title: Black Against An Orange Line
Format: 12 inch vinyl, Digital
Release date: 25th of March 2020
Edition: 200

Introducing Black Against An Orange Line, the debut from Haji K. (aka Nico Niquo, Nico Callaghan). Pressed on 12inch black vinyl with Artwork by Emily Bramich. Mixed and Mastered by Ryu Yoshizawa.

Black Against An Orange Line consists of four long-form pieces that hover between classical instrumentation and digital synthesis. The album showcases a new dimension of Nico's work through a hybrid language of hazy, hypnotic Dub-Techno and vivid Drone. In touching on the Ambient and Grime palette of Nico's previous albums, however, Black Against An Orange Line posits itself as a suitable follow-up to his last record on Daisart, and sets the stage for future outings from the artist and label.

From the artist: "This music is deeply influenced by my working process at home: the days I have at home, away from work or study; the ones where I can let the entire day slip away. I work at my computer all day, watching the sun's light drift from one end of the garden through the softly billowing gumtrees onto the other end, over the concrete and the faded brick everywhere in inner-urban Melbourne. I try to stay offline as much as possible. Upon reflection, it seems very hermetic and closed-in. But I like to see it in a somewhat dreamy way. This is "home"-music, background music if you will - but I wouldn't dare say it's relaxing music. This is my own take on the give-and-take between the daydream and the chaos of this process, locked away in quiet, patient ambient spaces. It's all centred on that moment at the end of the day where the sun dips below into the underworld, and the sky appears so black against the orange band of the horizon. I want to make a pilgrimage, a Haj, to that moment. I want to make music to communicate that space over a grander, longer scale you can slip into and disappear."

@niconiquo

Eden rehearsal cassette

in memoriam

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