Bestiario pour guitare, piano et trio a cordes
Daniel Alvarado Bonilla (2019)

Commande de Radio France pour l'émission "Création Mondiale".
Score published by : Babel Scores 
https://www.babelscores.com/fr/DanielAlvaradoBonilla

-I. Enérgico
-II. Calmo, nocturno
-III. Fluído, alucinatorio
-IV. Calmo, misterioso
-V. Contínuo, como una toccata

Ensemble Almaviva
Pablo Márquez - guitar
Ezequiel Spucches - piano
Ana Millet - Violon
Lucía Peralta - Alto
Louis Rodde - Violoncelle

Enregistrement fait à la Seine Musicale (Boulogne Billancourt) le 12 septembre 2020.

Bestiario

Quartetto Maurice- 17.08.2022, Kursaal Audutorium, San Sebastian, Spain
to Frau Ada Dinçer
Mix-Mastering: Mehmet Ali Uzunselvi

String Quartet No: 1- Loquela Codex

Pièce mixte pour violon et électronique.

Œuvre commandée et réalisée au Studio Césaré CNCM [Centre National de Création Musicale] à Reims.

Violon : Colin Heller

Antanáklasi IV [2021] pour violon et électronique

je ne suis qu'une voix [2019] • for ensemble, electronics and AI generated voice

Ensemble C Barré
Conductor • Sébastien Boin
RIM • Charles Bascou

Co-production IRCAM & GMEM Marseille

je ne suis qu'une voix [2019] • for ensemble, electronics and AI generated voice

13 March 2024, Orchestre Philharmonique de Radio France, cond. Kristiina Poska, Auditorium de la Maison de la Radio et de la musique, Paris (FR)

Co-commissioned by Radio France, L'Orchestre National des Pays de la Loire and Brno Philharmonics

“Confluere” (from Latin “to flow together”) for chamber orchestra, like one river flowing into another, was composed to be performed just before the W. A. Mozart’s 40th symphony in G minor. The composition takes its first theme - the sighing “sospiro” figure and repeats it breathlessly, almost obsessively through different layers of the dense orchestra texture, while slowing it down extremely. This minor second-based motive is being explored through various angles and colours, harmonies and timbres, gradually expanding its range up to the limits and thus preparing the listeners for the arrival of the Mozart.

"Confluere" for chamber orchestra (2024)

I am never anywhere / anywhere I go (2024)
for spatialized trio and special instruments (big barrel and aluminium cans)

Premiered on 04.2024 in the Foyer of the Conservatory of Mantua, Italy

Performers: 
mdi ensemble
Giorgio Casati (Cello)
Paolo Casiraghi (Bb Clarinet)
Sonia Formenti (Piccolo flute)

"I am never anywhere, anywhere I go" is a piece for spatialized trio and sound object. Clarinet, piccolo and cello are disposed at the vertices of a triangle, in the center of which a special instrument is placed: a barrel that acts as a resonator to a metal grid, which the musicians gradually approach to play through bows and cans.
The spectral and timbral properties of this 'new instrument,' as well as the visual and gestural implications it brings to the performance, are the object of research in this work. The attempt at an organic homogeneity of sound, despite the different sources from which it comes, together with the extremely resonant acoustic environment of the foyer help to accentuate the concept that gives the piece its title: "wherever I go, I am nowhere."

I am never anywhere / anywhere I go (2024), for spatialized trio and special instruments

Codex de Monsieur Günter Brus 
for vocal quartet (2024)

performed by Cantando Admont 
Cordula Bürgi, Conductor
April 30, 2024, Wiener Hofburgkapelle, Vienna

Elina Viluma-Helling - Soprano
Aleksander Rewinski - Tenor
Benjamin Harasko - Baritone
Ulfried Staber - Bass

Audio by Mehmet Ali Uzunselvi

Codex de Monsieur Günter Brus

All across the world

Piano, accordion, saxophone, percussion and electronics. Premiered by Vertixe Sonora, CGAC Santiago de Compostela.
In 1952, the British mathematician Lancelot Hogben gave a lecture to the British Interplanetary Society, explaining the details of an early radioglyph scheme for interstellar communication.
This lecture, entitled “Astraglossa or first steps in celestial syntax”, was later developed by the author in a book of essays about various scientific topics.

Hogben suggested that numbers be represented as ordinary pulses (e.g. five pulses for the number five) and mathematical concepts, such as "plus,""minus," or "equal," each by a distinctive signal – a radioglyph. Assuming that numbers are the most universal languages, he considered this method as the only way to find common understanding between humans and extra-terrestrials.

In this musical adaptation, two aerospace engineers try to put Hogben's theories in practice in order to establish communication with alleged extra-terrestrial beings.
Whether they will succeed and the unexpected responses they may get, remains to be seen.

Astraglossa Ensemble Version

Performed by Musica Nova Ensemble
Conductor: Emanuele Vallone

Artwork by Nicola Zanellato


“Una foschia sonora, attraverso cui si intravede ben poco. L'addentrarsi a passi incerti verso l'Inferno, tra le grida dei propri demoni.”

~ Lorenzo Callegaro

Catabasi (2019) (LIVE) [use headphones!]

Electronica B • Minor Crush

for Microtonals Accordions ©Xamp
Electric Guitar, Amplified Harpsichord, 
Piano, 3 Percussions, 3 doublebass,
& Wind Ensemble (with NO electronics)

For my beloved friends <3
Tribute to Mark Fell

Conducted by Julien Leroy
With Duo Xamp (F.Vicens & J.-E.Sotty)
R.Reber (Guit.), P.Hattat-Colin (Pno.),C.-U.Kim(Clav.),
& Musicians from the CNSMDP Orchestra
Live Recording by Jean Marc Lyzwa 18th September 2020
Paris CNSMDP
Edit & Mix Samir Amarouch
Master Charles D. Wajnberg

Electronica B • Minor Crush , for 21 musicians | 2020 • J. Leroy

✍🏻 Composer
🇦🇹 Graz Kunstuni - Composition student
🎓 Classical Piano
🎧 listen to some noise!

Catabasi (2019) (LIVE) [use headphones!]

Luca Bardelle

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