All submissions to Haiku 257:

http://www.naviarrecords.com/2018/12/05/naviarhaiku257-daybreak/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- Publish your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit www.naviarrecords.com/about/naviar-haiku for more options)

- Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track may be included in Naviar's weekly podcast and monthly free (pay-what-you-want)compilation. Please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Haiku #257: daybreak; / from the middle of the rain / a skylark song

VIAGGIO Mario Pettenati

i made this earlier before i saw the haiku. early morning, rain on the window, it seems to fit.

two synths - helm and a live 10 vocoder synth. improvised and a bit of processing in audacity

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Together with Basho, Onitsura (1661–1738) helped redefine the haikai no renga (linked verse) and elevated it into a literary genre in its own right. Around this time, the opening stanza of this collaborative linked poem (hokku) started appearing as an independent poem, which Masaoka Shiki will rename haiku in the 19th century.

“A good poet” is someone who can make a verse interesting.
“A master” is someone whose verse does not sound interesting but has a flavor deep inside.
A still higher stage is when a poet has reached the utmost of the art and his poem presents neither color nor fragrance.
Only at that stage can one be credited as having achieved the quintessence of haikai.

(Uejima Onitsura)

Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku

 

Deadline: 12th December 2018

haiku by Uejima Onitsura https://terebess.hu/english/haiku/ryokan.html

picture by Aaron Burden https://unsplash.com/@aaronburden

floating rain - naviarhaiku257

This track was created for the Naviar Haiku group.
257 week haiku
naviarlab.tumblr.com/
Yamaha mx 49 + guitar reverb pedal tc hall od fame

2018-06-12

daybreak; from the middle of the rain a skylark song (Naviarhaiku 257)

This track was created for the Naviar Haiku group.
257 week haiku
naviarlab.tumbir.com/
*** Skylark song, is a public domain recording from Freedownload.org. Rain and thunder are my personal recordings.

Daybreak - From The Middle Of The Rain A Skylark Song (Naviarhaiku 257)

Naviar Haiku 257
Daybreak (abstract)
daybreak;
from the middle of the rain
a skylark song

haiku by Uejima Onitsura https://terebess.hu/english/haiku/ryokan.html
picture by Aaron Burden https://unsplash.com/@aaronburden

Daybreak (abstract) (naviarhaiku257)

Inspired by a haiku by Uejima Onitsura https://terebess.hu/english/haiku/ryokan.html for Naviar Haiku Project
Picture by Aaron Burden https://unsplash.com/@aaronburden

Samples used:
Medowlark Sounds by Daniel Simion (http://soundbible.com/2180-Meadowlark.html)
Crested Lark by dobroide (https://freesound.org/people/dobroide/sounds/19955/)
Feldlerche by grimmeisenstrobel (https://freesound.org/people/grimmeisenstrobel/sounds/269081/)
Leeuwerik2_kort by HerbertBoland (https://freesound.org/people/HerbertBoland/sounds/28139/)
RAIN clean loop by klankbeeld (https://freesound.org/people/klankbeeld/sounds/268199/)

Daybreak; / from the middle of the rain / a skylark song

Daybreak; / from the middle of the rain / a skylark song (naviarhaiku257)

A delicate exploration of the intricacy and fragility of life, nature and the surrounding world. It is love...mortality...the sublime...a personal mantra...every thing.

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Blair Coron: Piano / Keyboard / Synth / Nintendo DS / Acoustic Guitar 

Lesley Barr: Violin 
Roo Geddes: Violin 
Robyn Harris: Violin 
Rhona Macfarlane: Violin 
Kirsty McIntyre: Viola 
Catriona Mulholland: Cello 

Nicole Stapinski: Flute 

Scott Morrison: Harp 

Scott Glanville: Mandolin 
Callum Elks: Guitar 

All: Vocals 

Recorded and Mixed by Paul McInally at 45 A-Side Studios 
Mastered by Ed Woods

#pianoday2020

To The Garden

6 snapshots by David Walther, performed by Lois Cornils, flute.  Was the sound track for TJ Norris' "Auto-Portamatic" as shown in the Outflix Film & Video Festival in NYC.

6 snapshots: Cornils

"I think I am the same as an artist and as a person. Music is my way of communication and I see the art, the music as a whole thing, with no borders, divisions, or even genres." - https://soundcloud.com/haniarani

Hania Rani is a pianist, composer and musician who splits her life between Warsaw, where she makes her home, and Berlin where she studied and often works. She has written for strings, piano, voice and electronics and has collaborated with the likes of Christian Löffler, Dobrawa Czocher and Hior Chronik, and released an album with her Polish group tęskno last year. She has performed at some of the most prestigious venues in Europe - from the National Philharmony in Warsaw, to Funkhaus in Berlin, to The Roundhouse in London (where she made her debut at the Gondwana 10thanniversary festival last October) and at festivals such as Open'er, Scope Festival and Eurosonic. Her compositions for solo piano were born out of a fascination with the piano as an instrument, and her desire to interpret its sound and harmonic possibilities in their entirety and in her own way.

'Esja' is her debut solo album and for Rani it is her first, real, personal statement as an artist. "No hiding behind the "collaborations" or "projects" anymore. For the very first time, finally - just me, as I am".

Recorded at Rani's apartment in Warsaw (the piano room has a beautiful reverb and the space has become part art studio and part sound laboratory for Rani) and at her friend Bergur Þórisson'sstudio in Reykjavik, Esja is a series of beautiful melodic vignettes. Sensual, sensitive, rhythmic, atmospheric, free but harmonious, beguiling and hypnotic, collectively they project a sense of unlimited space and time.

Esja

Hawaii Oslo

Hania Rani - Hawaii Oslo (Piano Day 2019)

Gouttes de Dieu (神の雫) : Kami no Shizuku
A tribute to Japanese culture and its imaginative worlds imbued with emotional purity and lyricism, this track references The Drops of God, a popular manga series about the world of wine. It explores two contrasting sonic layers: soft, running droplets of notes come rest on a bed of deep, extended ones, drawing the listener into a romantic reverie.

Art cover by bananeparis

A special thanks goes to Frederick Rubie for lending me his Bechstein piano to record this piece, and to Mathias Durand for his sound recording and valuable listening skills. 

#pianoday2020 #GetMorePlays

Gouttes de Dieu (神の雫)

Peaceful classical composition written in C mixolydian/C harmonic major with choir, flute and piano

Lullaby

woodwind, brass, strings percussion, choir, solo voice.

Evening´s Dance

Strangers is a transformation of my previous released song We Are Just Strangers, part of the award winning short film ‘Andras’. It is transformed into a neo-classical solo piano version.

Strangers - Sofia Dragt - Pianoday2020

hello all
here is my composition for the samplehero competition based on the vintage harp library
i try for this one to create an hybrid composition using modern synth, classical string ensemble and the vintage harp
thanks for listening

cosmozik composition

the harp

This track was created for the Naviar Haiku group.
372 week haiku
naviarlab.tumblr.com/

2021-02-19

at the sight of the sea.. (Naviarhaiku 372 )

Cinematic ambient, downtempo & other experiments.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Daybreak; / from the middle of the rain / a skylark song (naviarhaiku257)

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