地點：22°58'54.8"N 120°09'15.2"E
12分20秒

走在鯨魚的背脊

時序進入三月初春，有別於一月寒流來襲時的冷冽刺骨，從進入漁光大橋的那一刻起，便不禁被繁花盛開在老魚塭、池塘、小巷道路兩旁的苦楝樹吸引目光，淡紫色與綠色以及水面倒映天空的藍色，相互輝映；下橋之後右轉、沿途高聳的木麻黃樹林搖曳著和清澈的晨光相伴，騎到底把車停在秋茂園遺址的鐘塔下方，再往前步行海天一色即映入眼簾，象鼻般捲曲的小砲台上擠滿迎著潮水而來的釣客、不遠處的航道上採蚵漁船頻繁進出，豐收滿載；沿著沙灘向南步行穿過月牙灣，從廢棄蚵棚搭建的「夢想之框」到漁網釣竿浮球等延伸入海面的作品「海潮你的方向吹來」、再往前到大型漁筌似的「筌屋」以及張開雙手伸向天際的「將變成樹與天空」，沿途收錄了早晨到向晚之間不同時刻的聲音片段，將月牙灣的一整日，收斂在一段純粹的聲音敘事裡。

Walking on the Back of a Whale

After my previous visit in the biting cold January, I came here again on a fine spring day in early March. From the moment when I step on the Yuguang Bridge, I feel myself drawn to the flowering cape lilac along the old fish farm, pond, and alleys. The white, lavender, and green flowers along with the soft blue and pink reflected from the pond all complemented one another harmoniously. After passing the bridge, turn right and walk along the path lined with towering swamp oaks, swaying with the clear morning sunlight. Ride the bicycle to the end of the path, and park it under the clock tower at the previous Chiu-Mao Garden site. As you walk further, the sea and the sky immediately come into view. Anglers crowd around the furled trunk like batter fort as the tide changes. Oyster fishing boats come and go along the nearby waterway, having a good harvest. Walk toward the south along the beach and cross the Crescent Bay, you will see Frame of Dreams, an installation built from a discarded oyster shack, and then The Sea Blows Your Way, a work consisting of a fishing net, fishing rods, and floats that extend into the sea. When you walk further, you will see Quan House, a large fish trap inspired structure, and Will Become Trees and the Sky, a work that seems to reach for the sky with its open arms. As my ramble continues I have collected various sound recordings from morning to nighttime of the Crescent Bay, condensing them all into a pure sound narrative.

聲音地誌-漁光島 SoundGeography YGI_ 01.漫步漁光島 01 Rambling on Yuguang Island

22°58'29.4"N 120°09'48.4"E
4分16秒

漁光島南端、靠近內側鯤鯓湖的秘境8字形步道，天氣好的時候仔細聽得見海風吹過濱刀豆莢晃動的聲音，這片秘境種滿了瓊崖海棠、木麻黃、大葉山欖、水黃皮、土沉香、臭娘子、亞球馬茶、蓮葉桐、紅柴、濱樹杞等岸際防風固沙又耐鹽的常綠植物，還有多元的鳥類生態，以及附近國小生的聲音嘹亮。

On a fine weather day, I can hear pods of beach beans swaying when the breeze blows through the trees at the south end of Yuguang Island, near the secret infinity shaped trail close to Kunshen Lake. The secret trail is filled with evergreen plants which are wind-breaking, sand-fixing, and salt-resistant, such as beach calophyllum, swamp oak, Palaquium formosanum, Millettia pinnata, Aquilaria sinensis, Headache Trees, Dwarf Pinwheel Jasmine, Sea Hearse, Taiwan Aglaia, and coralberry. There is also a diverse bird ecology and the loud and clear sound of the nearby elementary school student during their breaks.

聲音地誌-漁光島 SoundGeography YGI_ 02.秘徑 The Secret Trail

22°59'16.1"N 120°09'11.4"E
3分53秒

漁光島北側、靠安平港的岸際是蚵仔養殖的集散地的，尚青的蚵仔不分晴雨每天早晨在這裡經由漁船和人工採收上岸，一籃一籃還攀附著海草並閃爍著海水的光澤，有些吊臂直接上了卡車載走，有些則交由青蚵嫂們在岸邊一間間的剖蚵區新鮮現剖，每個人快速俐落地翻開蚵仔外殼、剃肉、集中、傾倒殼渣，一條龍的生產線，伴隨著電台的台語歌和時不時幾句笑鬧、說著「哩愛甲跨買某？」；另一位蹲坐在甲板上的大姐，烈日下拉起一串一串的蚵仔、將大顆的肥美的帶殼的傢伙用紅色剪刀一一卸下、敲一敲辨認是「有肉的聲音」之後放入簍子（有些是蟲害的空包彈），說是特別為燒烤店預留的，看我好奇一邊閒聊了起來，從芝麻黑點大的蚵苗附著學問、到近年幾乎沒有颱風近來，缺乏海流揚沙等因素造成蟲害影響而減產等，養蚵人家的辛苦談，一邊伸手說「你看，這個扁扁的就是害蟲」、一邊把它丟在岸邊我的跟前。

Oyster farms are on the northern side of Yuguang Island, along the shore of Anping Port. Fishers harvest fresh oysters here every morning, rain or shine. The seaweed is still clinging onto the baskets containing the oysters, glistening with sea water. Some oysters were loaded directly onto trucks with a boom, while the oyster maids shuck the rest of the oysters along the shore. Everyone opens, rapidly and skillfully, the oyster shell, cutting the muscle attaching to the shell, putting the oysters together, and dumping the shells. Everything is processed on the production line, accompanied by Taiwanese songs on the radio and chit-chat from time to time, asking me, “Do you want to give it a try?” Another lady is sitting on the deck, pulling strings of oysters in the burning hot sun. She removes large oysters one by one with her red scissors, knocking them to ensure its freshness (some are dead ones due to pests which sound hollow). She puts fresh oysters in a separate basket, reserving them for a barbeque restaurant. Since I show my curiosity, the lady tells me all about oyster farming, from the knowledge of oyster-breeding, the reduction of oysters due to the lack of typhoons, the lack of flowing sand by sea currents in recent years to the hardships of oyster farmers. While she’s talking, she hands me something and says, “Look, this flat stuff is a pest,” as she throws it beside me.

聲音地誌-漁光島 SoundGeography YGI_ 05.蚵仔採收 Oyster Harvest

8/11 19:00 2013
Legacy mini @amba
https://www.facebook.com/events/594907980540130/?fref=ts

upset underworld  (2013 demo)

作品《無處 nowhere》
經常使用田野錄音作為素材的聲音藝術家 - 許雁婷，去年六月來到聲響實驗室，參與好抖實驗，嘗試了一些收音和多聲道在創作上的可能性，也開始了一段未知但有趣的過程。

從一個確切的場景出發，隨著聲音與空間的轉換，逐漸難以辨識虛實，最後將抵達聽眾心中的某處，跟著場景的變化，聽眾彷彿進入一個奇幻的旅程。

許雁婷
關注聲音蘊涵的文化脈絡與紋理，作品常反映聲音與環境、個人／集體記憶的關係，以及聲音之於周遭世界另種角度的體認。以田野錄音為主要素材，混合電子和物件聲響，甚至拾得物件，她的探索擺盪在錄音聲音與物件的紀錄及虛構、敘事及想像特質間，以聲音紀錄片、音景、裝置、表演與實驗音樂等形式呈現。

作品曾於台北國際藝術村、台北市立美術館、成龍濕地國際環境藝術節、澳洲伯斯Fremantle Arts Centre、法國Arte Radio、紐約The Castle Rockaway等展出；曾於台灣失聲祭、混種現場、澳洲液態建築(Liquid Architecture)伯斯活動、2018 Asian Meeting Festival於台北藝術節等演出。另亦常與舞蹈劇場合作。

創作概念訪談：
https://youtu.be/fErKtN4zGco

更多許雁婷的作品請至：
https://soundcloud.com/yenting-hsu

*建議使用耳機聆聽

無處 nowhere - 許雁婷 Hsu Yenting

聲音地誌-桃園 SoundGeography Taoyuan _ 阿堅師 Chef Lee

original music video
https://www.youtube.com/watch?v=FYykyYjQAM0
Simon & Sowut (S/S)
https://www.facebook.com/simonandsowut
Sowut ---> @andersontfmusic
Simon ---> @simon-chen-3

PIKACHU ピカチュウ (Sonia Calico Remix) - SIMON & SOWUT (S/S)

Original: 趙詠華 Cyndi Chao【最浪漫的事 The most romantic thing】

最浪漫的事

鄧麗君 Teresa Teng - 償還 (Schizyway Remix)

Original:
張惠妹 A-Mei - 一個人跳舞

Keyboard:Mark Kuo
Horn:Eric Yang
Drum:Joe Wei

一個人跳舞

Free Download

SUBB - Poison (Extended Mix)[FREE DOWNLOAD] YOUTH ENERGY

《 聲音地誌 Sound Geography 》系列出版刊物為逐漸累積成型的「聲音紋理資料庫」，此創作計畫2015-2021年間陸續蒐羅了幾個城市樣本 : 日本的山口、臺灣的高雄、恆春、北投與臺南臨海，日本東京、菲律賓達沃、馬來西亞亞庇、汶萊的斯里巴加萬、澳洲雪梨等地，未來也將持續進行下去。當以身體開發成為感受眾多聲響的聽覺器官時，透過聲響素材與相關蒐集如口述、訪查、影像與素描線條的聯覺轉化表現等，試圖將聽覺視覺化，為每個在地環境豐富的文化底藴，以檔案創作的方式研究關於聽覺與視覺之間的經驗連結，並希望持續留下不同城市地域之間的對照樣本。

The publication of Sound Geography series is meant to establish a “voice- drawing database” through gradual accumulations. This creative project currently covers several cities: Yamaguchi (Japan), Kaohsiung、Hengchun and Beitou (Taiwan). The sample cities in progress--Tainan (Taiwan), Tokyo (Japan), Davao (Philippines), Kota Kinabalu (Malaysia) and Sydney (Australia)—since 2015 are due to be finished by 2021. When the “body” is developed into an auditory organ perceiving numerous voices and sounds, the visualization of hearing is made possible through the synesthesia, transformation, and representation of verbal accounts, interviews, image freezing and abstract/concrete sketch lines. By collecting sound materials recounting stories of local people, things and happenings, Sound Geography records/databases the plenitude of culture in each local area, and studies the empirical connections between hearing and sight. At the same time, it aspires to leave illustrative samples gathered from different cities and areas.

聲音地誌-漁光島 SoundGeography YGI_ 05.蚵仔採收 Oyster Harvest

SoundGeography

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