"Welcome to the Ringling Brothers Circus! We hope that you enjoy our magnificant displays of... stuff and things! However, as you were all informed before you entered the tent, to make the experience more enjoyable, dropping acid is your best bet! Now, all one needs to do if you were supplied a tablet is to simply swallow it, then chase it with whatever fluid you may have purchased from concessions. However, if you were supplied a strip, please open it as you would a band-aid, and apply the side with the yellow smiling face gently to your tongue. We will give you a moment for it to settle in, and in the meantime, just sit back, relax and, peak an ear for our grotesque avantgarde band! Now, let's take it from the top - a one... a two... a one, two, three -"

A remix by clipping. - https://soundcloud.com/clppng
Hunger of the Pine available on 'This Is All Yours'
Available on iTunes here: smarturl.it/TIAYitunes
Available on CD - http://smarturl.it/TIAYcd // LP - http://smarturl.it/TIAYvinyl
Hear more here: smarturl.it/TIAYPlaylist

Story 4: Sleeplessly Embracing (a remix by clipping.)

GENG PTP's (@genggrizzly / @purpletapepedigree) set from Friday, January 31st at Mood Ring NYC.

Club Melody presents LNY Year of the Snake at Mood Ring featuring a full-stacked AAPI lineup. Get ready to bounce to club-forward sounds spanning from bmore club, juke/footwork, hard drum, jersey club, breaks, and other electrifying sounds hailing from the East / Southeast Asian diaspora. This event acted as a fundraiser to help provide donations to those severely affected by the devastating Palisades and Altadena fires in California.

GENG PTP for Club Melody: Year of the Snake | 1.31.25

howlow(clippingremix)

It feels like I’ve been writing about DEAD BODY LOVE for as long as I have been recording harsh noise.   What else can be said?  I can’t express enough how much of an influence Italian harsh noise has had on my own personal works, but It also lets me and several peers investigate the techniques and styles of the 1990s harsh noise and the atmosphere that was created expressed from different regions of the world.  The more I listen and revisit the material of 90s Japanese harsh noise, the 80s UK power electronics and the celebrated rougher tendencies of 90s Americanoise, the Italian material and different projects flare up that dictate a powerful ‘Coles Notes’ of harsh noise and how it can be deconstructed and eventually materialized into vivisected lines and layers of crumbling, throbbing, cracking and creaking sound.  
I always trail back to MAUTHAUSEN ORCHESTRA and its insurmountable importance to abrasive sound and its developments, especially in sub sect harsh noise genres of the 2010s; the project’s more minimalist and focused influence on later Italian projects such as the 1990s DEAD BODY LOVE as DBL’s material exemplified aspects of crushing avalanches of crumbling sound, layered and sometimes delayed, a major player against and with the Americanoise sound of the 1990s expressed by MACRONYMPHA and SKIN CRIME to name a couple.  Then you take the obsessions and the lines of moving sound and have them expressed by something like the fanatical ATRAX MORGUE. 
Fearsome concentration and jarring meditation on lines of warbling and predatory analog synth work portray something invariably real about the obsession acted out from the Italian project ATRAX MORGUE.  A different display of penetrative and studied sound seethes from ATRAX MORGUE as now the listener and ‘fan’ of Italian Industrial and harsh noise is confronted with another genre defining sound that pits throbbing and rough synth against haunting and manic vocalizations, disturbing the listener with its undeniable dedicated concentration.   The resulting split tape with material from DEAD BODY LOVE and ATRAX MORGUE isn’t as black and white as one might think.  DEAD BODY LOVE makes use of dark and rough early industrial-like lines and meld into the eventual crushing forces that he is known for.  In the vein of ATRAX MORGUE, samples are also manipulated and drawn out for the listener reminding us of his more delay heavy work.  ATRAX MORGUE’s material works with DBL’s material almost seamlessly via further haunting and throbbing dark material, slowly churning and deconstructing into his own distinct sound of heavily concentrated focus and mania for singular sounds and how they can repeat, move and create total atmosphere.  
A celebrated once in a lifetime example of a split release re-issued on vinyl by Urashima. 
- Sam McKinlay

Dead Body Love - Cancer Baby Extract (from Dead Body Love - Atrax Morgue Split LP)

Crunchy Vomit 2

your Sacrafice

circus of Malignancy

"If by noise you mean uncomfortable sound, then pop music is noise to me." https://soundcloud.com/merzbow
This only took an hour, more or less, to fabricate. Blah.

https://enimapod.bandcamp.com/track/enimapod-muzak-for-merzbow-industrial-power-electronics-muzak-experimental-75-bpm

Muzak For Merzbow

Enimapod - Muzak For Merzbow [Industrial/Power Electronics/Muzak/Experimental] - 75 BPM

https://enimapod.bandcamp.com/track/enimapod-owsley-acid-house-ebm-100-bpm

Note: Certain elements are taken as additions to instrumentation as opposed to being lyrics, in spite of being constructed from chopped up voice bits, therefore being absent in the listed lyrics.

Lyrics:

Get it out, shout at the roof tops... this... is... great!


This is great!


Just say I'm from the world.
Just say I'm from the world.

What world?
What world?
Jupiter? Jupiter, Jupiter... Seems to me we had a man from there.

New Jim Crow, New Jim Crow
New Jim Crow, New Jim Crow
New Jim Crow called The War On Drugs.
New Jim Crow called The War On Drugs.

Imprison our minorities at record clips
New Jim Crow, New Jim Crow

New Jim Crow, New Jim Crow
New Jim Crow, New Jim Crow
New Jim Crow called The War On Drugs.
New Jim Crow called The War On Drugs.

Everybody thinks I'm high and I am.
Everybody thinks I'm high and I am.

Practically every one of the top 40 records being played on every radio station in The United States is a communication to the children to take a trip, to cop out, to Groove.
To Groove.
To Groove.
Psychedelic, Psychedelic
Take a trip.

When prohibition was going on in the U.S...
Pushed it underground,
Pushed it underground,
Pushed it underground, 
into the black market.
Pushed it underground, 
into the black market.

Legalize, tax, regulate, legalize,
Legalize, tax, regulate, legalize,
We spent a trillion dollars.
We spent a trillion dollars.
Thousands of people have died because of the literal Drug War!

Take a trip, take a trip,
Groove, groove, groove, groove.

New Jim Crow, New Jim Crow
New Jim Crow, New Jim Crow
New Jim Crow called The War On Drugs.
New Jim Crow called The War On Drugs.

And then when people have problems with drugs - cause' they will, right? about 20% of all drug users have a problem - 80% of all drug users are usually moderate users no matter what the drug is - well then you get those people help! It's a medical problem, don't put em' in a fuckin' cage, lock em' up and, throw away the key!

Just say I'm from the world.
Just say I'm from the world.

Jupiter? Jupiter, Jupiter... Seems to me we had a man from there.

circus of Malignancy

Axon

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