きらきら - 湊あくあ

点描の唄  Cover 湊あくあ 猫又おかゆ【ホロライブ】/Tenbyou no Uta, Minato Aqua and Nekomata Okayu (cover)

歌ってみたぎゅっと  湊あくあ Cover

あいわな - 湊あくあ

あくたんのこと好きすぎ☆ソング

【アニメMV】エイムに愛されしガール / 湊あくあ

星座になれたら / 湊あくあ Cover

#きみいろプリンセス

Verse 1
We’ve been stuck on repeat, same old melody
Every time you say you’ll change, you just prove me wrong to me
I kept waiting for the day when your words would finally stick
But you spin me ‘round in circles, and I’m getting motion sick

Pre-Chorus
You pull me close, then push away
You love to lose what you can’t replace
I’m not your fool, I’ve learned your ways
And I won’t play your game

Chorus
I will decline
And it tears me up,
you know that I have tried,
Finally I’ve had enough
Way too many times,

I can’t rewind
the hands of time
No longer by my side
But you can’t be true
Even if I wanna see you

So, no-no

Verse 2
Your smile’s like sugar but your touch is ice
You paint me dreams in color, then you fade them overnight
I’ve danced under your thunder, felt the lightning in your kiss
But every storm you bring just leads me back to this

Pre-Chorus
You pull me close, then push away
You love to lose what you can’t replace
I’m not your fool, I’ve learned your ways
And I won’t play your game

Chorus
I will decline
And it tears me up,
you know that I have tried,
Finally I’ve had enough
Way too many times,

I can’t rewind
the hands of time
No longer by my side
But you can’t be true
Even if I wanna see you

So, no-no

Bridge (half-spoken, Ace of Base style)
No-no, you can’t keep me here
No-no, I’m not yours, my dear
No-no, I’ve got eyes to see
No-no, you’re not good for me

Final Chorus
I will decline
And it tears me up,
you know that I have tried,
Finally I’ve had enough
Way too many times,

I can’t rewind
the hands of time
No longer by my side
But you can’t be true
Even if I wanna see you

So, no-no

Even If I Wanna See You

No Competition

This was my first foray into writing for a female voice, and the inspiration came from the most random place - a hat I saw during March break in Daytona Beach back in the late 80s. The hat had this crude but brilliant saying on it that stuck with me for decades: "I'd slap you, but shit splatters." Even as a teenager, I thought that was the perfect metaphor for dealing with toxic people.

The whole concept is about choosing not to engage with drama because getting involved just gets you dirty. "I won't let your mess stain what matters" - that's the core message. Sometimes the smartest thing you can do is walk away and let karma handle the rest.

I wanted hard, grungy female vocals for this because it needed that tough, no-nonsense attitude. The combination of electro beats with heavy guitars gives it this modern edge while keeping that raw, aggressive energy. The female voice adds this extra layer of strength - like someone who's been through enough crap to know better than to waste energy on people who aren't worth it.

Lines like "Your drama's a circus, I'm not the clown" and "You thrive on chaos, stirring the pot" came from watching people who seem to live for creating problems. The pre-chorus builds that tension - "Oh, you're testing my patience, pushing my line" - before hitting that explosive chorus.

The bridge is probably my favorite part: "You want a fight, but I'm not your game / I rise above while you wallow in shame." It's about having the maturity to not take the bait, even when someone's trying to drag you down to their level.

Working with AI to create those grungy female vocals over electro-rock beats was a completely new experience for me. It opened up a whole different dimension of songwriting that I'd never explored before."Shit Splatters" - My First Female Vocal Track

This was my first foray into writing for a female voice, and the inspiration came from the most random place - a hat I saw during March break in Daytona Beach back in the late 80s. The hat had this crude but brilliant saying on it that stuck with me for decades: "I'd slap you, but shit splatters." Even as a teenager, I thought that was the perfect metaphor for dealing with toxic people.

The whole concept is about choosing not to engage with drama because getting involved just gets you dirty. "I won't let your mess stain what matters" - that's the core message. Sometimes the smartest thing you can do is walk away and let karma handle the rest.

I wanted hard, grungy female vocals for this because it needed that tough, no-nonsense attitude. The combination of electro beats with heavy guitars gives it this modern edge while keeping that raw, aggressive energy. The female voice adds this extra layer of strength - like someone who's been through enough crap to know better than to waste energy on people who aren't worth it.

Lines like "Your drama's a circus, I'm not the clown" and "You thrive on chaos, stirring the pot" came from watching people who seem to live for creating problems. The pre-chorus builds that tension - "Oh, you're testing my patience, pushing my line" - before hitting that explosive chorus.

The bridge is probably my favorite part: "You want a fight, but I'm not your game / I rise above while you wallow in shame." It's about having the maturity to not take the bait, even when someone's trying to drag you down to their level.

Working with AI to create those grungy female vocals over electro-rock beats was a completely new experience for me. It opened up a whole different dimension of songwriting that I'd never explored before.

I'd Slap You But, Shit Splatters

あくたんのこと好きすぎ☆ソング

Sui

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