I like that percussive sound, very unique.

I love the way those drums cut through the very atmospheric and interesting music - great stuff!

strong end section to me - I like the way you conjure different moods through your tracks.... good luck

Good sounds that i like, nice softer drums in the back and nice pads. Good luck in the challenge:)

music is good .. but the mix is a bit odd

One Synth Challenge #96: Nabla

Snare - Nibble 96

Track created for One Synth Challange #96, using only the VSTi Nabla (Full Bucket) as the sound source.  FX processing using native DAW or free 3rd party VSt's.

DAW: Reaper 5.33

Track details:
26 * Nabla
24 * ReaEQ
11 * TAL Reverb II
 2* TAL Reverb 4
 1 * TAL Dub Delay
 2* Twin Delay
 4 * Pecheneg Tremolo
 1 * Classic Delay
 2 * Classic Compressor
 2 * Classic LImiter
11  * JS Midi Note Filter
  1 * JS Bass Manager/Booster
  3 * LFX-1310 (autopan)

Master:
TDR VOS SlickEQ
Ferric TDS
Limiter No. 6

DR: 12

Enjoy

DoctorBob - Hey Jay - (OSC#96 Nabla)

submission for the KVR One Synth Challenge 96: Nabla

Darksynth FX - Dreams of Peace

Made for KVR OSC 96
FL Studio 12.3
16 instances of Full Bucket Nabla
DAW FX's:
1x Soundgoodizer
5x Fruity Reeverb
1x Fruity Delay 2
1x Fruity Limiter
1x Fruity Parametric EQ 2
3x Maximus
3x Fruity Stereo Shaper
Other FX's:
3x Amplio 2

Deep Blue (Full Bucket Nabla)

This one did not turn out as I wanted.  Probably not the correct synth for this song experiment.  I really like Nabla, don't get me wrong.  But after about day 15 of work I discovered that I really wished I had gone in a much different direction that played more into the strengths of the synth instead of trying to bend the synth into "this".  Looking back I think a slower more orchestral piece would have worked out better.  But, by that time I felt it would be impossible to start fresh and finish anything by the deadline.
What I set out to do was mirror the overall structure of my last track but try to shrink it into a smaller package.  Perhaps the themes cannot be developed in such a short time frame that works for the listener.  Not staying long enough on one "mood" for the listener to really feel the transition to the next so overall it just smears together and sounds too alike.  I also wanted to avoid "peaking" too early in the song like last time.  I find it difficult to build up to maximum twice in one song.  I don't know, hopefully comments will tell.
I have a feeling that I created a sonic tunnel again.  The bigger I try to make a sound it seems the more constricted the sound space becomes.  While personally I like how the sound space kind of pushes and pulls I can see where most listeners will find it uncomfortable and not pleasant.  In order to create a feeling or release I tried to instill a feeling of tension/pressure in the sound space.  I can see where some might  find the tension too annoying, perhaps I pushed it too far.  Again, hopefully comments will tell.
Reverb, I doubt I got it correct this time.  I just can't seem to find one that I gel well with.  Hopefully there will suggestions as to how to improve my reverb usages as well.
Anyway, thanks for listening (and reading my ramble).
Any and all comments to help me improve are welcome.

Frostline-NP3-OSC#96

Created For February 2017 Edition of KVR One Synth Challenge.

Synth Of The Month Is: "Nabla" by Full Bucket Music

Thank you for listening. 

Hope you enjoy the lurid music

Dee.P.Tree - Lurid (KVR One Synth Challenge Version)

Made for KVR OSC 98
FL Studio 12.3
16 instances of Eclipsis
DAW FX's:
1x Soundgoodizer
1x Fruity Limiter
5x Fruity Parametric EQ 2
1x Maximus
Other FX's:
2x Amplio 2

Don't Stop (Eclipsis)

For KVR-OSC 98 - Zebra by U-he

34 instances of Zebra in Reaper v5.33

Dynamics: GClip,  ReaXComp,  FerricDTS, TDR Feedback Compressor
Filter: ReaEQ, MQ57
Delays: ReaDelay
Reverb: TALRevIII
Satturation: TSE808
Stereo: GStereo, MidSideMangler, MAutopano
Analyzer: Span, TT Dynamic Range Meter

Commercial Plugins: Acon Verberate, Sknote Rev250

Dynamik Range according TT Dynamic Range Meter: DR=11

Photonic - Calm Before The Storm

KVR OSC 98 - Tasty Tatsyn  - Cosmic Embrace - Tone 2 Icarus

My submission for this month's KVR One Synth Competition. This month it was "any synth" and I chose to use Reaktor Blocks Wired (the free one!). 14 instances. Fx from Ableton Live 9 (EQ, Compressor, Glue Compressor, Reverb, Delay, Limiter), plus Frontier, Replika, Sigmund, Toraverb, Camel Phat, and Ozone 6.

Bluerobot - Peculiar Particles

Uplifting Melodic Trance track Created for KVR One-Synth Challenge Using KV331 Synthmaster One
Title pinched from factory patch by Arksun - used for main soaring lead.
No of instances of Synthmaster One - 24 
Many Patches designed from scratch - inc. Snare, Hats, deep boom, SweetArp, Supersaw, Choral, Choral ARP, 2 way slide, Rez Fall, Pizzicato, Random Mods.
Some Factory patches modified - inc. Kick, Shakes, Toxic Trance ARP, Silk String, Soar with Me, Mercury Sweeper, Bells. 

DAW - MuLab
DAW Fx Used - 
Track Fx - 4 Band EQ x2, HiPass filter x2, LowPass filter x1, Limiters x1
Group Fx - HP filter, compressor and limiter on PADS, 4 Band EQ and compressor on BASS, Limiter on HIPERCS, Limiter on Kick & Snare
Master Track - Voxengo Marvel GEQ, Audio Limiter.
Sidechain compressor - kick to pads and bass (gentle pumping)

3rd Party Fx:- 
Hy-MBDrive x1 on BASS Group
Magware:- (on Master Track) Maximal 2 CM, 

Analysers - Vengeance VPS Scope CM, Photosounder Spiral CM, Voxengo SPAN
DR= 8
For anyone interested the Mulab project file is here:-
https://www.dropbox.com/s/exejwm0tnd8hvdc/Richard%20Semper%20-%20OSC98%20Project%20Files.zip?dl=0

Richard Semper - Soar With Me OSC98

OSC#99: vst2413

This is a little bit bizarre, but then so is vst2413. 8}

v2413p: 2
v2413s instances: 29
DAW:MULab (www.mutools.com)
DAW FX: parametric EQ, 2 Band EQ, 4 Band EQ, Lowpass, Highpass, Amp. Distortion, Mid-Side Processor, TeaVerb, tight room, delay cross, simple echo, OnBeat, PingPongBeat,VintageEcho, Sat.Repeats, binaural

3rd Party FX: LoudMax64, OTT, SlickHDR, Nova-67p, Auburn Sounds Panagement, Ambience, Abstract Chamber

Taron-Stulta Mundi

One Synth Challenge 100
Lord of the Springs free VST synth used for all sounds
Made in Ableton Live

The Modern Prometheus (Zebralette)

Metis (OSC 105)

Composed using only the Thorn synthesizer from Dmitry Sches.

A few external FX used, but not many, as the synth has a robust built-in FX section.

mmGhost - Metis (OSC 105)

Join the challenge by going here: https://shorturl.at/bhBFQ

Frostline-NP3-OSC#96

Frostline

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