Fantastic vocals go so great together with the guitar! Excellent song!

great voice man! I like the production on it

beautiful well-written song, great production that signature modulated minimalism of yours :)

A voice of great versatility and intensity!👏

Silent Nemesis In The Mirror

TheAnthem

One Last Lullaby

This is my first collaboration with Clive / @winkandwoo 
We decided to make a song after he commented on the artwork for another one of my tracks (Metaplasticity) where he said it looked like a 'chewing gum sea'. I suggested it was a great song name so went for it. I am super happy with the results, hope you'll enjoy it too!

Lyrics :-
What is reality?
With these marshmallow clouds
Lollypops are all around
The trees are candy canes
There is sherbet on the ground
We swim so far
In the chewing gum sea
We swim so far

Chewing Gum Sea - Winkandwoo & tea are sea

Scotty: guitars, lyrics, vocals
Tommy: bass

Passions Unleashed Dub

After a few months of absence, here is a new title ! 
I used a vocoder for the voice of the robot, in short I had fun making this one ! Its sounds very different from the others, as usual :)
I hope you enjoy and listen u soon :)

One two three four

_F R E E__D O W N L O A D_ but if you want you can buy the digital title in high quality at the following link(which of course would make me even more happy): 
https://crumius.bandcamp.com/track/cello-freak

Cello Freak

🖤Buy

Off the Rails (Kaerian and Laar / Muterial Open Collab)

A collaboration between 
Kaerian @https://soundcloud.com/kaerian-1
Laar @soundcloud.com/user-325797522
Muterial @soundcloud.com/muterial and his open collab: Muterial – Off-the-rails

Vocals and Lyrics: Kaerian @https://soundcloud.com/kaerian-1

Music: Laar @soundcloud.com/user-325797522 
Recorded with Squire Jaguar, Squire CV 70s Jazz Bass and Fruity Loops. Drum patterns are taken from FL FPC plugin

other "Off the rails" collabs here -> soundcloud.com/muterial/sets/off-the-rails-collaborations

Off the rails
get off the rails
you'll find much different beauty, you'll see
don't be afraid to be alone
don't be afraid to go on your own
believe me you don't need your phone
no, you need to get lost
and to get out of the frost
can you imagine a second
the world differently
can you take a decision
without someone to agree
look differently
try sometimes differently
can you be brave enough
to stand up by yourself
can you be coureagous enough
to choose for yourself
despite what may happen
follow the flowers
follow the smell
that attracts you
whatever happen
remember
you are the one
you are alone

Off the Rails (Kaerian and Laar / Muterial Open Collab)

Blueprint for track that became 'Sandycove Milk'.

Inspired by wondrous music by Conin, whose track 'Kitty's Wake' reminded of the rich clay of Joyce's 'Finnegan's Wake'. This track, about the opening pages of Joyce's Ulysses, borrows coffee spoons, forever those of T.S. Eliot, in an effort to add sweet milk...drawn from the milk-well of honeyed Sandycove.  The lyric speaker is, notionally, Stephen Daedalus. For practical purposes, the lyric speaker is James Joyce himself. His aim? To hit Haines for a guinea [a pre-decimal unit of currency] before heading to France on a ferry. Whilst Haines still feels guilty (sheepish) about having fired his pistol at an imaginary cat he thought he saw in the fireplace in the Martello tower in Sandycove (now the Joyce Museum....a sacred...magical place, whose attendant Joyce scholars told me about the Haines' imaginary cat episode....it is all true...yet also dovetails eerily with the first chapter of Ulysses).

The reference to Haines having consumed Absinthe is a narrative fiction, invented to offer an explanation for his dangerous behaviour. No peer reviewed evidence capable of demonstrating Absinthe has hallucinogenic properties, exists, to my knowledge.


Lyrics

[chorus]
Gotta learn me some Italian
Gonna get me a guitar
Gotta learn me some Italian
Gonna get me a guitar

Hellenise me now
She come and go
talking bout Michelangelo
there will be time
there will be time

do I dare to eat a quiche?
I shall wear enchanted trousers
and float upon the beach

I’m still dreamin
something happened last night

Haines downed a snot-green bottle of Absinthe
started shooting at his Schrödinger's cat
in the fireplace
looks real sheepish this morning
gonna hit him for a guinea [a pre-decimal unit of currency]
and get outta here
gliding on the Emerald sea
to Paris
with Haines’ guinea in my pocket
when I’m at sea

gonna go uptown now
hitting the top deck of this here Martello
gonna watch the mailboat
glide on an Emerald sea
gonna rest my shiny elbows
on the jagged granite
just leavin the harbour

and here comes stately Buck
bearing a bowl of lather
crossed razor and mirror as well
holding the bowl aloft
and intoning...intonin

Introibo ad altare Dei
sacred chalice
sacred cross
and now I’m lookin at the sea
Thallata...sweet mother
Hellenise me
mailboat clearin the harbour
rage of Caliban inside me
cos of Haines....[firing a gun inside the Martello tower when drunk the night before, at a giant cat he imagined was sitting near the fireplace]
sweet Thallata
buttercups on the quilt
powdered musk and gauds of amber beads
calm now like the sea
there will be time
there will be time

Martello

Here's another in the series of semi-live recordings with Nat Daniels. Nat took an ancient recording I did back in the 80's and salvaged it, embellished it into something that gave me a really pleasant surprise. The song delivers a simple message about overlooking the most important aspects of our time in this life, often too willing to fall into step with what everyone else seems to be doing. Don't lose sight of the true relationships, the true friends and the simple, real connections. My thanks to Nat for her usual abilities to transform anything into a special experience.

Craig Durgy: guitar & vocals
Nat Daniels: piano, bass, vocals & production

Music & Lyrics by Craig Durgy

You count your blessings, you count your years
And the day’s long gone
You start undressing as another day nears
And your mind turns on
All of a sudden as the light’s dying down
You see what you could not
Love took a little but love took a little a lot

You’re working steady, you’re on the go
And the week’s long gone
The feeling’s petty but it’s all that you know
And you can’t slow down
All of a sudden as you’re driving home 
You look at the home that you’ve got
Love took a little but love took a little a lot

The radio plays and a sentiment stays
There’s a face that you’ve looked at for years
You idle in lines of idling minds
That unwind in their own rear view mirrors
The face is one, and then another
And it hurts as each one disappears

You’ve got a husband, you’ve got a wife
You’ve got a lover and the best things in life
You heard a story, you made it stick
No need to worry cause you laid it thick

Then in a moment, it’s happened before
The eyes in the mirror look away
They turn to someone you loved so much more
And you know what they’re trying to say
Ignore the moments and just earn your pay
Then you’re dead and you’re starting to rot
Love took a little but love took a little a lot

One Last Lullaby

Paul Haas

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