Mental absolutely bangin 😎🔊🔊🔊🔊🔊🔊🔊

NEUS, MEGAN - Overload



A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration.

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint.

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014.


For An Endless Night (Jel Ford Remix)

DC140 For An Endless Night (Jel Ford Remix)[Drumcode]

<p>We are very proud to present our brand-new &#8220;Abilities&#8221; V/A compilation which perfectly showcases were phobiq stands right now, and where the future will take us. Bringing a wide variety of artists together, from Balthazar &amp; JackRock and Kostas Maskalides to Skober and Alex Mine plus many more, the road is definitely paved with outstanding craftsmanship and an impeccable approach to the sound.</p>

Skober - Your Body Must To Move (Original Mix)



Pan-Pot - The Other Remixes [SNDST015]

VINYL: bit.ly/1OehZwS
DIGITAL: btprt.dj/1Rk9Lp2

As the dust finally begins to settle after the release of Pan-Pot's massive album 'The Other', it's time to unleash a collection of heavy hitting reworks from the best and brightest stars of todays techno elite. Through careful consideration and an acute attention to detail, we couldn't be more elated to confirm ten artists we know and love to contribute their unique vision to Second State's first ever remix package.

Kicking things off with a heavily twisted alteration of 'Attention' is Nicole Moudaber and it's a tangled, dark trek through dense acoustic layers of audible madness. Next up is the Hamburg duo

Extrawelt with their twist on 'Optimistic Grey' and they deliver a beautiful blend of emotion and groove they are synonymous for.

Following suit is another passionately romantic number from man of the hour, Stephan Bodzin, and his take feels like floating through a sea of clouds, resulting in a timeless classic to be a focal point in any set for years to come.

Next in line is Ray Kajioka's take on '808 Nirvana' and it's a cosmic ride, ripe with swirling atmospherics laid over big churning drums and rolling cymbals.

Following up on the second 12“ of this LP is a man who needs no introduction: Carl Cox. And in true Coxy fashion he turns 'Riot' into just that: a big room, tension building monster!

Broken Engine' is the next track to get worked over and Wigbert delivers a stunning mix of shimmering tones and growling bass resulting in a lush venture through a cosmic backdrop of flickering stars in deep space.

Joseph Capriati ensues with his vision of 'Fugitives' and he brilliantly keeps the vibe of the original yet adds his trademark big room flair to take it to another level of driving euphoria.

Enlisting the talents of Alan Fitzpatrick to remix one of the slower listening tracks on the album turned out to be magic. With his signature percussion, Fitzpatrick takes the parts and creates a dive deep into sultry smooth waters of seduction.

The first of our last two remixes, which are digital exclusives, come from Paul Ritch and he delivers a grinding rendition of 'Riot', expertly crafted for the more euphoric peak time occasions.

Last and certainly not least is a man on the rise, Kevin Knapp with his twist on his own collaboration with Pan-Pot: 'Get In'. An expertly crafted tech house jam exploding with energy and attitude perfect for any moment, day or night, indoors or out.

No matter the time or place, there is something here for everyone and we are truly fulfilled and honored to present this package of cutting edge artists to celebrate this landmark moment. We know you will enjoy!

@pan-pot
@secondstateaudio
@joseph-capriati


Vinyl

Pan-Pot - Fugitives (Joseph Capriati Remix)

Dutch producer and DJ Reinier Zonneveld is racking up accolades about as fast as new fans are losing their shit to his far reaching beats. Having already released on Richie Hawtin’s Minus label and the ever-influential Traum Schalplatten, Zonneveld’s latest, an EP titled Rushchamber, is out on the increasingly important Stil Vor Talent, an imprint run by tastemaker Oliver Koletzki.

The 3-track EP captures the variation Zonneveld is known for and kicks off with “Sharp Bust,” a careening, pure techno number with detuned horns and whirring rushes. The titular track 2, “Rushchamber,” weaves in groovier house influences in the beat, and “Flatchat” levels off somewhere in the middle. The collection reflects the wide palate that Zonneveld, who was raised on classical music, brings to the studio. 

Reinier Zonneveld - Sharp Bust

Now in its second decade, with a steady stream of the most forward thinking and cutting edge techno productions, Drumcode has one of the biggest selections of releases from industry heavy hitters, whilst not forgetting its future by bringing the newest talented producers into the limelight, where Layton Giordani is now a name firmly within that line up.

The New York born, but now EU based producer first had recognition back in 2014, and his debut release came via Drumcode with his track “Rivington” on the A-Sides Vol5 compilation in 2016.

Full force into 2017, Drumcode has announced the release of Layton’s debut album with “Where It Begins” this February. Consisting of 12 original tracks, the album packs a punch when it comes to no-nonsense techno. Successfully weaving relentless drums and catchy vocal hooks into a selection of thick, brooding, atmospheric tracks.

Teasing us with a sample, Drumcode has released “Good Violence” – thumping from the get-go in true Drumcode fashion, this track is a pure dance floor destroyer. Laced in some heavy low end power, slapping percussion and a hypnotic synth pad to build up that late night tension just right.

Layton Giordani - Good Violence - Drumcode - DC170

Hypnotize

Sam Paganini - Hypnotize (Feat. Zoe) (Original Mix) [JAM]

Drumcode continues its commitment to releasing the scene’s most cutting-edge techno. With releases this year already from Adam Beyer, Pig&Dan, Alan Fitzpatrick, Dense & Pika and Julian Jeweil, this July see’s the return of Enrico Sangiuliano with ‘Astral Projection’.

After his remix of Moby’s of ‘Why Does My Heart Feel So Bad’ back in November last year, Enrico sought creative inspiration from his travels, transcending that into his productions and long studio sessions during the winter months. The result brings a mind and body melting release from the Italian producer.

The title track ‘Astral Projection’ is a captivating, big room techno masterpiece. Deep reverberations punch alongside a sinisterly crisp percussive drive. Launching into a groove laden synth modulation of low end textures, it breaks down into an ethereal amalgamation of pads and synths before the vocal launches, taking this track to another level.

‘Blooming Era’ has destructive dancefloor intent. There is no holding back with the low end synth modulation which Enrico has mastered to perfection. A tightly woven percussive flare moulds flawlessly with the rolling oscillations of the beast of this track.

If you have seen label head honcho Adam Beyer playing anywhere on the globe in the last 5 months, this has been a peak time favourite. Road-tested to the max, and with much success.

Enrico Sangiuliano - Blooming Era - Drumcode - DC176

Catarse

Wehbba - Catarse

Exclusive interview: www.6am-group.com/interview-and-premiere-alex-mine-lost-remix-roberto-capuano-carl-cox-terminal-m

Rewind back to 2015, and this was the year that Alex Mine actually produced the original track ‘Lost’, a track which remained homeless yet waiting to be unleashed on the right label. It wasn't until he bumped into Monika Kruse whilst in Barcelona for Sonar, where she signed it after the first listen to her beloved Terminal M imprint.

Initial feedback was outstanding, but it really all started to happen when Carl Cox said he loved it, and wanted to do a remix, alongside fellow Italian producer Roberto Capuano. Carl drops a funky, chunky groove rework with tech house vibes, whilst Roberto throws in his techno cut. A hypnotic combination of synthetic movements, vocals and acid rhythms.

Follow Alex Mine
SoundCloud: @alexmineofc
Instagram: www.instagram.com/alexmineofc
Facebook: www.facebook.com/alexmineofc

Follow Roberto Capuano
SoundCloud: @robertocapuano

Follow Terminal M
SoundCloud: @terminalm

Follow 6AM Group:
Website: www.6AMGroup.com
Facebook: www.facebook.com/6amgroup
Twitter: www.twitter.com/6amgroup
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SoundCloud: www.soundclod.com/6amgroup
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Veerus - Heavy (Original Mix)

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