LA VIE DEVANT NOUS !

Qu'on se le dise

Grass Is Green

Meld drifts through sun-faded memories and neon afterimages, fusing chillwave haze with Italo-disco pulse. It's the sound of life happening and unraveling at once, warm, weird, and a little haunted.

The skeleton in the sunglasses? He shows up sometimes. Part mascot, part reminder, part mirror. He's always vibing, but never quite at ease. A symbol of the part of us that wonders what it all means, even while the beat goes on.

meld

Silence

Attempted to make a chill ambient track. Started out with Field recordings from a recent bush walk. Added synth and guitar, worked with unquantized for the first time, wanted to try and capture a more "human" sound. Drum samples recorded around the house and processed on the Digitakt II.  Hope you Enjoy it.

Fractured

C Maj - 120 bpm - 4/4
Demo track. Elusiv is a melancholic and atmospheric track about a loved one, where silence lingers and unspoken words shape the distance between two souls.

For more information:
Website ➔ shatterechoes.com

LYRICS:
[ Intro ]
I…
A lot like you
A lot like you
I…
Baby

[ Chorus x 4 ]
I…
Baby
I…
Baby
I…
A lot like you
A lot like you
I…
Baby

Credits: Original Artwork by edouardpaquay.com⁩

Elusiv

"Digital Palestrina" EP is inspired by counterpoint exercises on Palestrina’s themes and re-imagines Renaissance polyphony through experimental piano textures. Every sound — from rhythmic pulses to ambient swells — originates from the piano itself. Think Nils Frahm meets algorithmic minimalism. 

DIGITAL PALESTRINA

DP 003

DigitalPalestrina

i Tunes

[ Theme Absorbed ] DYB

While the band is currently in the studio working on their next album, In the Valley of the Sun offers a sound infused with catharsis, layered with textured guitars, and offers a calmer sonic landscape than what the band usually delivers in concert.

The instrumental track remains faithful to the band’s experimental post-rock style, while hinting that they are working on new material that could be presented during their tour as early as November, in a much more dissonant live setting as Foster mentions:

"It’s been loud, noisy, and truly intentional in my studio recently, which is particularly galvanizing for me since I’m working on a surprising new creative project… Surprising because it wasn’t actually planned at first, and I saw its inspirational essence spark in my heart in such a way that it took precedence over everything I was foreseeing to immerse myself in at that point…"

Qu'on se le dise

Compagnie Betty Blues

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