This is a second recording made in 2020 of the fallow deer 'lek'. This happens around in the second half of October in the UK. The males tend to congregate in in small groups or mating territories where they exhibit lekking behaviours such as sticking to particular 'stands' where they will repeating grunt and bellow.

This recording was made with a Sony M10 and a spaced pair of clippy EM172s. The mics were placed where I had observed a large group of rutting males the night before.

PS DEER MALEGRUNTS MULTIPLE VERYCLOSE MOVEMENTACROSSSTEREOFIELD M10

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Ghosts of Sine and Vine [disquiet0326]

Several tracks of staked warbling sine waves produced in pure data. These use mutiple sine waves with the shifting volumes to give a warbling effect. Some of the bassier tracks had a side chained beat pumping them using an expander gate- this was in time with the end-of-vinyl click sample. some other added crackle  and click samples . Compiled in pro tools. Only two of the drone tracks had delay/reverb the rest of the tracks are dry.

Samples:

https://freesound.org/people/DanielsonIII/sounds/68400/
https://freesound.org/people/ludvique/sounds/71854/

More on this 326th weekly Disquiet Junto project (Wave Turntable: In collaboration with composer Danny Clay, make music for his exhibit with artist Jon Fischer using only sine waves and turntable surface noise) at:
https://disquiet.com/0326/ 5
More on Clay and Fischer at:
http://dclaymusic.com 8
http://feather2pixels.com 1
More on the Disquiet Junto at:
https://disquiet.com/junto/ 2
Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co 3:
https://llllllll.co/t/disquiet-junto-project-0326-wave-turntable/ 2

Ghost Of Sine And Vine

The work is in two movements - Fraying and Prolonged. The first presents a sonic object that gradually disintegrates. The second reframes this object and slows it down, so that the process of decay is frozen, and the object appears almost immortal. The work grew out of reflections on 1 Corinthians 15 and Jiang Zhi's Love Letters (2014). In Jiang Zhi's photographs, flowers are on fire, but are not harmed by the flames.

Alto Flute - Isobel Doughty
Oboe - Caitlin Heathcote
Clarinet in B flat 1 - Heather Ryall
Clarinet in B flat 2 - Julia Raga Pascual
Horn in F - Karen Starkman
Trumpet in B flat 1 - Catherine Pollit
Trumpet in B flat 2 - Thomas Thornton
Tenor trombone 1 - Samuel Dye
Tenor trombone 2 - Jake Jones
Harp - Teresa Raff
Piano - Ábel Misha Gille Esbenshade
Violin 1 - Kanon Miyashita, Tilman Fleig, Yuriko Matsuda, Zora Orfgen
Violin 2 - Camille Saïd, Anastasia Egorova Wise, Zoe Hodi
Viola - Michaela Bartošová, Jeremy Tonelli-Sippel
Violoncello - Lucy Neil, Pieter-Jan De Smet
Double bass - Jess Martin, Cole Morrison
Conductor - James Hoyle

Recorded in October 2018.

Reframe (2017)

Music by
P è n i n ș o l a r
Sonopoetry by
https://soundcloud.com/ilaria_boffa
Image by
Imitation Haic
Design by
P è n i n ș o l a r

Stillness Studio

A lockdown measures finitude, shade tolerance. Like deciduous trees we bend, leaves upon the river. Tedium & anguish cement the ground building solidarity. Andrà tutto bene, they stick it on walls while streets familiarise with stillness. Stay put, for anomalies are schizoid, internally disjointed.
The risk, the perception of it, Gaussian figures, contain, delay, collective responsibility. An equaliser, they say, we’re all enrolled, sorted in descending order.

Science. What does it mean guided by science? Is intensive care a fact? The utmost care. Fatality is the wrong yardstick. What a solace to share the same vision, herd immunity. Herd immunity.

Ultimately, where is love? Love in the time of the outbreak.
A pandemic, 4 weeks behind.

released March 22, 2020
℗all rights reserved

Purchase on Bandcamp

P è n i n ș o l a r Ilaria Boffa - Rather Than Miasmata

There is an UFO landing in my backyard almoust every evening.
So I am quite an expert.

Ion Engine

An arpeggiator walks into a bar. It was reverb night.

Slow, sombre and atmospheric.

Somewhere a sun is rising.

Sophism

Illuminate

This is the world premiere of the new work for double-bell horn, developed during the Virtual Brass Academy with Christine Chapman and Ensemble MusikFabrik, July 2020. This performance took place on July 30th, 2020 - in Cologne.
I am indebted to Ensemble MusikFabrik and the fantastic work they did with us in introducing us to the worlds of double-bell instruments, and to the ever-expanding repertoire of new music for these instruments they are bringing to the world.

The work explores a sense of dual forces that act and react upon each other, and how the relative mediator (the performer) indeed interacts with the score, the instrument and it's two bells, and finally how the theatre of the piece - both through actions and the position of the instrument - is transmitted to the audience. In the four sections of the piece that each explore a different facet of the manipulation of the horn - first through the use of a contra-bassoon reed to produce aggressive yet fulfilling multiphonics; then in the second and third exploring the two bells and their range of possibilities. The final section condenses the instrument down to only it's single-bell form and the mute and interacts briefly with it to express a settling within the performance. Gasping, grunting, growling and grandeur are all some of the ideas explored in this short miniature.

Image: LIGO/Caltech/MIT/Sonoma State (https://www.vox.com/science-and-health/2017/6/1/15721268/gravitational-waves-ligo-future)

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moyen age 3

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