Disquiet Junto Project 0569: Think Thank
The Assignment: Make music inspired by something or someone you’re thankful for

Step 1: Think of something or someone you’re thankful for.

Step 2: Make a piece of music inspired by what came to mind in Step 1.

. . .

This project’s deadline is the end of the day Monday, November 28, 2022, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, November 24, 2022.

. . .

More on this 569th weekly Disquiet Junto project — Think Thank (The Assignment: Make music inspired by something or someone you’re thankful for) — at: https://disquiet.com/0569/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0569-think-thank/

The cover image for this project is from DALL·E 2, where “open door, party inside, digital art” was the prompt.

Disquiet Junto Project 0569: Think Thank

Proposed sonic signature for Wikimedia properties.
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More on this 560th weekly Disquiet Junto project – Sonic Disambiguation (The Assignment: Help the Wikimedia Foundation develop a sonic logo) – at: https://disquiet.com/0560/

Thanks to Mahmoud Hashemi, of Listen to Wikipedia, for suggesting the Disquiet Junto take this project on.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0560-sonic-disambiguation/

soniki (disquiet0560)

Composed and performed by DD (june/july/september 2022)
Upright piano, synthesizers, upright bass, orchestral (strings) samples, acoustic drums

Photo by Karim MANJRA


This particular track is a pure experiment, I was recording my acoustic piano, using some mechanical rubber mutes for a different project, and did this take just for me as a test.
I didn't know what to do with it, and abandoned.
Then, I overdubbed many different instruments over the past few months, an upright bass+acoustic drums rhythm section, an unexpected old-schools synth. Later I added an orchestral section.

There's a lot of work on this track but still I don't know where it's going nor what was i attempting when I started it. An experiment, a true one.

For this challenge:
https://llllllll.co/t/disquiet-junto-project-0569-think-thank/

An Undertow Of Resilience (disquiet0569)

Project Details: https://disquiet.com/2022/11/24/disquiet-junto-project-0569-think-thank/

Arigatou - disquiet0569

Disquiet Junto Project 0569: Think Thank
The Assignment: Make music inspired by something or someone you’re thankful for

Laurie Andersons "Big Science" was one of the first "avantgarde" LPs I owned in a time, when teens like me used to listen to Kim Wilde or so. I remember listening endlessly to especially "From The Air", "O Superman" and "Example #22". 

Since then the beginning of the "voice sample" from "Example #22" is what I speak into microphones to test them. And as I had a podcast recording this week, I started the track with a sample from this recording. 

I noodled it thru some granulators and added some other stuff. I absolutely wanted to add some "O superman"-vocoder-oh-ohs with a XILS V+ I bought last week (don't miss the 75% sales, especially the XILS 4 https://www.xils-lab.com/products/xils-4-p-148.html, and no, I'm not connected to Monsieur Oudin) and it nearly drove me insane to get Reaper and the V+ to run as a vocoder. But it worked. 

The resulting track may be considered as what I have in mind when I think of these tracks from Laurie Anderson, which I am thankful for. Please notice that it is 40 years since "Big Science" – wtf am I old …

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More on this 569th weekly Disquiet Junto project — Think Thank (The Assignment: Make music inspired by something or someone you’re thankful for) — at: https://disquiet.com/0569/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0569-think-thank/

krakenkraft disquiet

Beispiel #23 [disquiet0569]

This track is a token of gratitude to the creators of the open source software I use in my work. It was constructed using Pure Data, Samplebrain, Audacity & various vst's.

More on this 569th weekly Disquiet Junto project – Think Thank (The Assignment: Make music inspired by something or someone you’re thankful for) – at: https://disquiet.com/0569/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0569-think-thank/

The cover image for this project is from DALL·E 2, where “open door, party inside, digital art” was the prompt.

Soundforest (disquiet0569)

More on this 569th weekly Disquiet Junto project – Think Thank (The Assignment: Make music inspired by something or someone you’re thankful for) – at: https://disquiet.com/0569/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0569-think-thank/

The cover image for this project is from DALL·E 2, where “open door, party inside, digital art” was the prompt.

Particulate (disquiet0569)

More on this 569th weekly Disquiet Junto project — Think Thank (The Assignment: Make music inspired by something or someone you’re thankful for) — at: https://disquiet.com/0569/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0569-think-thank/

The cover image for this project is from DALL·E 2, where “open door, party inside, digital art” was the prompt.

nawak

disquiet0569

More on this 569th weekly Disquiet Junto project — Think Thank (The Assignment: Make music inspired by something or someone you’re thankful for) — at: https://disquiet.com/0569/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0569-think-thank/

Our House In The Middle Of A Mad House (disquiet0569)

Industry 6.35 - Filmstadt Underground (atze187/Frid Mars/RÖBOT)

Pleshmant

Intrépido y vago tlacuachito

Music For The Sleeping Gods

Taina (Amor Glorioso)

A soundscape between dream and transcendence.
“Ambient meets Spirit – Floating Realms” drifts through luminous dimensions of light, sound, and memory. Electronic textures merge with soft panflutes, Asian harmonies, and deep dark-techno sub energy. Every sonic wave feels like a breath — sometimes pulsing, sometimes floating, sometimes silent.

The album opens like a digital temple gate: orchestral strings unfold across ethereal pads before sub-bass currents rise and fill the space with infinite depth. Between mechanical rhythm and spiritual melody, a dialogue emerges — between human and machine, earth and data, body and soul.

“Floating Realms” is not music you listen to — it’s a state of being.
An audiovisual dream woven from code, emotion, and light.
Perfect for moments when you close your eyes and let yourself drift away.

Neon Spirit (Panflute Dream Sequence)

When darkness fades, a new sound awakens
Close your eyes - Feel the light

Echo #1 - DAWN

The Gothsicles Drunk Cuts

"As the remaining rays of light disappear, Nightfall comes."

Next to Slam, Nightfall is probably one of the most recorded songs in the history of Any Questions?. I first began working on this track during late night solitary recording sessions at Der Palast des Goldes in Fall 1989. While MC2P4 and LTJTHC slept in the upper floors of the studio, I would retreat into headphones and lose myself in this slow tempo, vox string heavy groove. My Rickenbacker 4003s was still a weapon of choice in these early days of Any Questions? and I would effect it with heavy delay. If I remember correctly, 4096ms.

Unquestionably, this song was influenced by my relentless listening of The Cure - Disintegration. After being released in May 1989, I would listen to it almost daily. Seeing both Cure shows at the Spectrum in Philadelphia in September 1989 further cemented it's hallucinogenic effect on me.

The version of Nightfall that I share with you now is a live recording from Fall 1989 which was recorded at P&G Studios. It features LTJTHC playing "live" drum machine to the sequenced synth parts that I programmed as I ping pong along with delay drenched Rickenbacker 4003s bass lines.

Any Questions? - Nightfall

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

disquiet0569

Debroc

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