Vessel (Release Date: March 30, 2018)

Frankie Cosmos http://frankiecosmosband.com/ 
Facebook  https://www.facebook.com/FrankieCosmos/
Twitter https://twitter.com/frankiecosmos
Instagram https://www.instagram.com/frankiecombos/?hl=en

Sub Pop Records  http://www.subpop.com
Twitter  https://twitter.com/subpop
Facebook  https://www.facebook.com/subpoprecords
SoundCloud  http://soundcloud.com/subpop
MegaMart https://megamart.subpop.com/
Podcast http://subpop.fm/

Frankie Cosmos - Jesse

Jericho Sirens (Release Date: March 16, 2018) 
http://smarturl.it/HotSnakes
 
Hot Snakes
Facebook: https://www.facebook.com/HotSnakes/
Bandcamp: https://hotsnakes.bandcamp.com/
Instagram: https://www.instagram.com/hotsnakesband/

Sub Pop Records: http://www.subpop.com
Twitter: https://twitter.com/subpop
Facebook: https://www.facebook.com/subpoprecords
SoundCloud: http://soundcloud.com/subpop
MegaMart: https://megamart.subpop.com/
Podcast: http://subpop.fm/

Jericho Sirens

Hot Snakes - Six Wave Hold-Down

'The Other' (Release Day: April 13, 2018)
http://smarturl.it/TheOther 

King Tuff: http://kingtuff.life
Twitter:  https://twitter.com/KINGTUFFY
Facebook:  https://www.facebook.com/kingtuffy
On Tour:  https://www.subpop.com/artists/king_tuff/tours

King Tuff - Psycho Star

"No Going Back" digital single available now 
Spotify: http://spoti.fi/2EInjYw
Apple Music: https://apple.co/2sGU0DQ

Yuno
Facebook: https://www.facebook.com/yvvno/
Twitter: https://twitter.com/yvno
Instagram: https://www.instagram.com/yvnx
On Tour: https://www.subpop.com/tours/yuno

Yuno - No Going Back

Nicole (feat. Ben Bridwell)

Mendocino (feat. Luke Steele)

When I See (feat. Conor Oberst)

Kaleidoscope (feat. Sabina Sciubba and Brad Mehldau)

"Big Sky" (Release date: December 3, 2018)

Spotify: https://u.subpop.com/BigSky_spotify 
Apple: https://u.subpop.com/BigSky_applemusic
Order Now - Sub Pop Mega Mart https://megamart.subpop.com/releases/orville_peck/big_sky

Orville Peck
Facebook https://www.facebook.com/orvillepeck/
Twitter https://twitter.com/_orvillepeck
Instagram https://www.instagram.com/orvillepeck/?hl=en
SoundCloud https://soundcloud.com/orvillepeck
BandCamp https://orvillepeck.bandcamp.com/

Sub Pop Records: www.subpop.com
Twitter: twitter.com/subpop
Facebook: www.facebook.com/subpoprecords
SoundCloud: @subpop
MegaMart: megamart.subpop.com/
Podcast: subpop.fm/

Orville Peck - Big Sky

'Pony' (Release date: March 22, 2019)

Spotify: https://u.subpop.com/2LxyV4M
Apple: https://u.subpop.com/2GvHxd2
Order Now - Sub Pop Mega Mart https://megamart.subpop.com/releases/orville_peck/big_sky

Orville Peck
Facebook https://www.facebook.com/orvillepeck/
Twitter https://twitter.com/_orvillepeck
Instagram https://www.instagram.com/orvillepeck/?hl=en
SoundCloud https://soundcloud.com/orvillepeck
BandCamp https://orvillepeck.bandcamp.com/

Sub Pop Records: www.subpop.com
Twitter: twitter.com/subpop
Facebook: www.facebook.com/subpoprecords
SoundCloud: @subpop
MegaMart: megamart.subpop.com/
Podcast: subpop.fm/

Orville Peck - Dead of Night

Audiences will impose meaning as they see fit, relative to their own contexts, and the convergence of our emotional literacy can draw us to one another. In 2018, Ripperton gifted the ESP Institute with 'Sight Seeing,' and we quickly became tourists joining the artist's departure from the comforts of his known creative narratives, however, with his tender monument of devotion, 'Contrails,' we now find ourselves blissfully lost in his code. These expansive 73 minutes are punctuated midway by a poignant solitary confession — “I’m afraid of what I might find, but I’m even more afraid of not facing this fear. I love you. I love you more than my life.” — in accordance with the fundamentals of Minimalism, the vast negative space bookending these words undoubtedly amplifies their significance.

“I’m afraid of what I might find…” Communication comes easy for some artists; the tools are obvious, logical and tangible, the dialogue is palatable and their art is often inoffensive. For others, there may be conflict, trauma or fear that result in pragmatic challenges — the tools feel foreign, deep complexities give way to creative paralysis, and communication struggles to find its form and emerge — the art becomes as much a therapeutic confessional as is a formal exercise.

“…But I’m even more afraid of not facing this fear…” Within the residue of the artist’s emotional labor, full of nuance, reservation and vulnerability, is potent code that can neither be taught nor learned, an elusive unknown whose shadows some spend a lifetime chasing, trying in vain to articulate or translate, often at their own peril.

“…I love you. I love you more than my life.” It’s this code that inexplicably tethers the soul to art — music being perhaps the most magnetic attractor of all — capable of true love upon first encounter. The blood flows like rapids, the hairs on the back of the neck stand erect, the heart surrenders absolutely to a romantic chemistry and a mutual bond is forged, a love to defend with vigor. We own the music and the music owns us. We are enamored, without words, simply head-over-heels. 
crédits
paraît le 7 juin 2019

* MIXTAPE VERSION INCLUDED AS ALBUM-ONLY BONUS.

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