for Clarinet in Bb

Daniel José Cirigliano, clarinet

Pulse

Duccio Ceccanti, violin
live recording from the concert ~ 𝗡𝗘𝗪 𝗟𝗜𝗙𝗘 > 𝟮
𝗜𝘀𝗼𝗹𝗮𝗺𝗲𝗻𝘁𝗼 𝗲 𝗠𝘂𝘀𝗶𝗰𝗮 𝗮𝗶 𝘁𝗲𝗺𝗽𝗶 𝗱𝗲𝗹 𝗟𝗼𝗰𝗸𝗱𝗼𝘄𝗻 𝗮 𝘀𝗲𝘁𝘁𝗲𝗰𝗲𝗻𝘁𝗼 𝗮𝗻𝗻𝗶 𝗱𝗮𝗹𝗹𝗮 𝗺𝗼𝗿𝘁𝗲 𝗱𝗶 𝗗𝗮𝗻𝘁𝗲

Skin I, for violin solo

Piano: Jan Michiels
Conductor: Martyn Brabbins
Orchestra: Antwerp Symphony Orchestra

Concerto voor piano en orkest

dead wasps in the jam-jar (ii) (2016)
for string orchestra, objects, and sine waves

Commissioned by musica femina münchen e. V.
Münchener Kammerorchester conducted by Clemens Schuldt
Photo credit: Florian Ganslmeier

dead wasps in the jam-jar (ii) (2016), for string orchestra, objects, and sine waves

paw-marks in wet cement (2015–17), for piano, two percussionists, and amplified ensemble.
Performed by Wilhem Latchoumia, and the EOC conducted by Daniel Kawka.

Clara Iannotta : paw-marks in wet cement (2015–17), for piano, 2 perc, and ensemble

Please, use headphones or good loudspeakers.

dead wasps in the jam-jar (iii) (2017–18)
for string quartet and sine waves

Commissioned by Festival d’Automne à Paris, with the support of the Ernst von Siemens Foundation, and the Proquartet Association.

Live recording at November Music
Quatuor Diotima (Franck Chevalier, Pierre Morlet, Constance Ronzatti,Yun Peng Zhao)

dead wasps in the jam-jar (iii) (2017–18), for string quartet and sine waves

for oboe, bassoon, violin, viola, double bass

Camerata Bern
Patricia Kopatchinskaja, soloist

This piece got the first prize at the «Sound-Magical-Space – S.M.S.» Call for Scores by Camerata Bern, thanks to the audience vote

Choir

Frames of light

Please, use headphones or good loudspeakers.

You crawl over seas of granite (2019–20), for amplified, detuned string quartet
commissioned by JACK Quartet, with the support of the Ernst von Siemens Foundation

Live Recording, JACK Quartet, 16 January 2020, Berlin

You crawl over seas of granite (2019–20), for amplified, detuned string quartet

Subtitle :  "La fille avec les yeux d'automne"

Carlo Prampolini, piano


This work was born as due to a necessity to experiment with different ways of organising pitch/harmony material as directly related to formal articulation(s). It may seem like an 'impressionistic' work or improvised, but it is the result of a precisely controlled pitch/harmonic material whose evolution in time creates an arch-like form (progressively evolving from pentatonic material, then to diatonic, followed by chromatic, polytonal, to free atonal, and vice versa)

© SABAM. All rights reserved.

Evans Koçja - Fantasie, pour piano ("La fille avec les yeux d'automne")

Composer of contemporary classical music.

https://www.universaledition.com/en/News/In-conversation-with-Evans-Kocja/
https://www.universaledition.com/evans-kocja-8059

Evans Koçja - Fantasie, pour piano ("La fille avec les yeux d'automne")

Evans Koçja

Recent comments

Regout

Patros15

Pamela Illanes-Tatsuoka Composer

Related tracks