Indie

Open Roads

Nellie

Smith Westerns have cleaned up nicely. Just over a year ago, the Chicago foursome were of the strictly "lo-fi" persuasion, stirring up hot, filthy garage-rock candy out of Marc Bolan and Beatles signifiers. It was youthful music in feeling and sound-- their noisy full-length debut was recorded while they were still in high school-- but the remarkable hooks buried therein were clear enough to land them on the increasingly stacked Fat Possum roster. And suddenly, they had a studio budget the likes of which they definitely hadn't enjoyed before. Though the leap is audibly huge, Dye It Blonde's many successes aren't wholly the result of its gilded production values and ambition. This band was able to furnish first-class melodies from the beginning. Now they've grown along with their resources.

You can hear the progress right away in "Imagine, Pt. 3", a song originally released as part of a split 7" in April 2010. Sped up here just a touch, it's also been re-outfitted with a far creamier set of synths and guitars. The way the latter seem to clasp hands during the coda is particularly breathtaking, frontman Cullen Omori and guitarist Max Kakacek letting their individual lines mate rather than duel. While the melodic foundation was already sturdy throughout, here, what once sounded ragged in stretches is now plush-upholstered from start to finish. Every single piece of Dye It Blonde is similarly decadent, whether it's the sweet whine of semi-titular closer "Dye the World" or the twilight jangle of "End of the Night".

In an interview not long after the album's completion, Omori noted that this otherwise new set of songs was influenced by 90s Britpop luminaries like Oasis, Teenage Fanclub, and Suede. All are present sonically and spiritually, be it in brash tones, melodic IQ or the sheer scope of these recordings. Where a Smith Westerns hook may have once sounded like another fuzzy member of the Nuggets family/genus, it now unfolds like crane-shot, mainstage festival fare. "Still New" for example floats some phasered guitar interplay before Kakacek rips a hole across the chest of the song with a woozy line so big it essentially serves as a chorus. Like "Weekend", whose central, hair-flipping lick also hugs all its parts together perfectly, the song just sounds so drunk-- drunk on love, drunk on heavy petting, drunk on drink, or maybe just drunk on a some combination of the above. In song, it all depends on the lean of Omori's voice and the whip of his chord changes, the curves of his brother Cameron's bass lines.

That moony/beery-eyed feel bleeds through every corridor of this album and in turn forms a crystalline expression of what moves this band. Their use of the studio in augmenting that never goes overboard, though: this music still retains the innately psychedelic, lamplit, tongue-kissed sense of atmosphere that set it apart. There's perhaps no better instance of all that than "All Die Young", the album's centerpiece. It's a ballad turned hymn whose grand, tumbling scale and "Oh Yoko"-indebted outro celebration are peaks on an album rich in them. In its closing moments, Omori sings what sounds like, "Love is lovely when you are young." They were convincing before, but now they seem like experts.

— David Bevan, January 18, 2011 [Pitchfork | Best New Music | 8.4]

All Die Young

Give it a HEART on Hype Machine - http://awe.sm/bKRbt

Download the new EP - bit.ly/MyTypeEP

Lyrics:

Oh my love,
I know I am a cold cold man.
Quite slow to pay you compliments.
Or public displayed affections.

But baby don't you go overanalyze,
No need to theorize
I can put your doubts to rest.

You're the only one worth seeing.
The only place worth being.
The only bed worth sleeping's the one right next to you.

You're the only one worth seeing.
The only place worth being.
The only bed worth sleeping's the one right next to you.

Oh my love,
I know you're used to desperate men.
Who say the words that others said,
For too long and for too often.

But baby you can lay off a little bit,
No need to smother it
I can put your doubts to rest.


You're the only one worth seeing.
The only place worth being.
The only bed worth sleeping's the one right next to you.

You're the only one worth seeing.
The only place worth being.
The only bed worth sleeping's the one right next to you.


SAINT MOTEL - Cold Cold Man

Currents

The Less I Know The Better

Cage The Elephant
"Trouble"
Live from Grand Rapids, MI 
May 06, 2016

Trouble [Grand Rapids 6/06/16 Bootleg]

Cage The Elephant - Trouble

Discover who you are in God's kingdom. How can you live in heaven on earth? What are the rights and responsibilities of a citizen of the Kingdom of Heaven? 
Pastor Heath Harris
Sanctuary Family Worship Center
Feb 5 2017

When the Kingdom Comes: Citizens of Heaven

Tongue Tied - Grouplove

Albert Hammond Jr’s fourth solo album Francis Trouble explores a deeply personal topic – the stillborn death of his twin brother, Francis, and the lingering effects that event has had in his life and music.
In November of 1979, Hammond Jr’s mother, Claudia, miscarried. Although they rushed to the hospital, Claudia and Albert Hammond Sr. were told that the baby was far too premature to live. Albert continued to grow inside of his mother undetected until she was nearly six months pregnant.

Stream on Spotify: ffm.to/mutedbeatings/spotify
Stream on Apple Music: ffm.to/mutedbeatings/applemusic
Buy on iTunes: ffm.to/mutedbeatings/itunes
Buy the album: ffm.to/francistrouble/

Lyrics:
I was so quiet 
But you were excited 
Waiting for romance
Someone come talk to me 
Lonely out on this tree
There is a need to feel safe
How do we get to this place
With eyes on my back
I'm set to attack
I've come to take your hand

Hold on (x8)

Don't know what to do
Don't know what to do
Don't know what to do with you

I was so quiet but you were excited
Waiting for the dance
They all just waltzed in a second behind me
I stood there like some dumb kid
The music played and the boys would take you far from where I was
I was still hoping that you were the victory to what felt like love

Hold on (x8)

Don't know what to do
Don't know what to do
Don't know what to do with you

Hold on (x8)

Francis Trouble

Albert Hammond Jr - Set to Attack

Hot Rod

I Always Knew

Cage The Elephant - Social Cues

Indie-pop band from Oslo, Norway

“Makes us feel rather jolly in the morning” – Rob da Bank, BBC Radio 1
“Catchy-as-hell” – Amazing Radio
“Very catchy and dancy” – Rolling Stone Magazine
“Ridiculously catchy” – JAJAJA music

www.kid-astray.com
www.facebook.com/kidastray

Kid Astray - The Mess

crystal smooth cosmical electronic  sound....just lay back and enjoy...

Cage The Elephant - Social Cues

SAM

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