Really captivating track with great guitar

Rocking on down the highway ☺️🎸🎵🎶

Nice track.  Guitar work is really great.  Like the diff toned guitars.

I love the rock guitars❣️ Great track‼️

Encounter_00X

For those who follow me and while waiting to recover from my hearing problem, I searched in the box of the Métapop period...special thanks to Ashesndreams for her acapella.

LA HORA EXACTA  feat Ashesndreams

Jam session in Antjes studio with Xiao Shang Guo improvising to some harmonic ideas, slightly changing... 

Chris' song

This is a story about the music in my head
This is the soundtrack to a book I never read
Are you an impostor, guilty of future crimes?
Or just an innocent bystander, trying to think of a rhyme
You saw me dancing and thought I was insane
Because you couldn’t hear the music in your freshly washed brain
Do you want to survive in the jungle or exist in a zoo?
I know how I feel, how about you?

You Saw Me Dancing And Thought I Was Insane

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by Elevated Jam Tracks and all credit goes to him for the music track creation which I have listed below. Check out Elevated Jam Tracks on YouTube and Bandcamp. The links below are to the original material by the artist.  

Obtained from: Elevated Jam Tracks
YouTube site: https://www.youtube.com/@ElevatedJamTrack
Backing Track Title: Passionate Uplifting Ballad Groove Guitar Backing Track Jam in F#
YouTube Track channel: https://www.youtube.com/watch?v=02s4ZCo-3Jk
Bandcamp Website: https://elevatedjamtracks.bandcamp.com/
@ElevatedJamTracks

Date: 9/1/24
Song Title: The Recollections, Remembrance and Reminiscence
The lead, improvising over the track was done with the following;
Picture with Track: Is what the Guitar looks like.
Guitar Used: 92 Jackson DK1 PRO with EMG HH configuration
Color: Black Jackson 
Strings: Ernie Ball Super Slinky 9-42 and Hybrid 9-46
DAW: Reaper
AmpSim: Toneforge Jeff Loomis 
Preset: Creepy Ambient Clean
Interface: Focusrite 2i2 2nd Gen


Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.

The Recollections, Remembrance And Reminiscence

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by Rock On Jam Tracks and all credit goes to him for the music track creation which I have listed below. Check out Rock On Jam Tracks on YouTube and Bandcamp. The links below are to the original material by the artist.  

Obtained from: Rock On Jam Tracks
YouTube site: https://www.youtube.com/@rockonjamtracks
Backing Track Title: Blistering Heavy Hard Rock Backing Track For Guitar In E Minor
YouTube Track channel: https://www.youtube.com/watch?v=iQRKu89Qsjo
Bandcamp website: https://rockonjamtracks.bandcamp.com/track/blistering-heavy-hard-rock-guitar-backing-track-in-e-minor

Date: 9/1/24
Song Title: 
The lead, improvising over the track was done with the following;
Picture with Track: Is what the Guitar looks like.
Guitar Used: 92 Jackson DK1 PRO with EMG HH configuration
Color: Black Jackson 
Strings: Ernie Ball Super Slinky 9-42 and Hybrid 9-46
DAW: Reaper
AmpSim: Tim Henson Neural DSP 
Preset: Smooth 80s Lead
Interface: Focusrite 2i2 2nd Gen

Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.

Walking The Road To Salvation

Recorded in Modesto, Ca.   Featuring Gibson 335 Electric Guitar solo. Alto Saxophone solo. Trumpet solo. Steinway Brothers Acoustic Piano Rhythm. Fretless Bass. Roland Synthesizer Bass. Acoustic full drum set full kit. Percussion Cowbell. Ago go Bells, Congas, Bongos.

Carmel

Funky Ride

Megacosm

Sublimation

P-Shadows in The Snow

Oh Happy Day

Cast of characters:

Mistermark-- @user-432503709 -- Mark – backup organs (Wurlitzer and B3), VST steel drums, vocals, lyrics, composition, production, mix

J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano voice and lead organ

Llanpsych-- @llanpsych -- Tez – Epiphone Les Paul electric guitar

TexMex Shaman– @texmex-shaman –Stephen– Fender Custom Shop Telecaster electric guitar and mastering

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass

This song began with Mark, who fleshed out the entire thing, from the rhythm section, to the organ that you hear in there, to the lyrics and vocals, before he laid it on the rest of us. We all got a chuckle from the tongue in cheek humor of the lyrics, and were excited to work on a song about an anachronistic adventure of a soulful caveman. 
  Ken was first up with his version of the the beat, finding the soul in the rhythm. Josh was next up, of course, using his "normie" bass for the his version of the line. Once the rhythm section was in place, it was JJ's turn to shine, adding his slick, soulful e. piano to the mix. 
  Now that they had a solid foundation on which to play, Stephen and Tez added their guitar magic to the mix. Stephen with the rhythm and the fills, and Tez with the ripping solo at the end. Mark also added the festive VST steel drums that you hear throughout at this point, too. Now that the music was laid down, he perfected his awesome vocals to complete it.
  It was in the can at that point, and just needed Mark to throw a pro sounding mix on it. Then, Stephen mastered it in his always expert way to finish it off.
  Mark wanted to record an old skool classic Soul song (a la Al Green), which he did, all on his own. But then, once he unleashed it onto the EC gang for their interpretation, they ran with it in a whole new, almost tropical direction, and it was decided to release 2 versions of the song, both of which you can find on Mark's page. Stephen does double duty on guitar for both versions. 
  This was a real team effort, even though it's really Mark's baby. The Eclectic Collective has many different methods of creating music. This one was a great exercise in trying to bring about Mark's vision. We hope you enjoy listening to it as much as we enjoyed creating it.
Original lyrics by mistermark:
(Verse 1)
Walking through this concrete jungle
I’m just trying to stay out of the way 
just me and ol’ Rex, my furry companion 
we been fielding funky looks all day
then somebody saw me kicking rocks with my bare toes
he said buddy have you lost your way?
then I sat right down and I started to cry
and this is what I had to say…

(Chorus)
I’m a caveman, I can’t catch a break
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say 

(Verse 2)
Sittin’ in my man cave watching the clock crawl
there's nothing good on my tv 
my big grubby hands can’t flip thru the channels
i cant even hold a cup of tea
I was chatting on the phone making plans with a lady
a little bit of company
but my date split QUICK when I opened the door
man I wonder what’s wrong with me

(Chorus)
I’m a caveman, I can’t catch a break now
the ladies say I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

(Verse 3)
The big city’s fine but something’s on my mind
I feel a little incomplete
I miss my old club, for rustling up some grub
and the touch of grass below my feet
I’ve been around longer than all your creation, 
like the rocks and trees and streams
I wanna get back home, where forever I’ll roam
even if it’s only in my dreams

(Chorus/outro)
I’m a caveman
I can’t catch a break 
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

I’m a caveman, 
must be come kinda mistake
everybody says I’m so passé 
well I’m a - a caveman
It’s too much to take
but

Caveman( EC Version) -Eclectic Collective

Midnight Healing

☀🌞🏄🏻‍♀️👙💙🌊⁂©All Rights Reserved 12-2024
©Lyricist & Creator: Lady ElectroTrek
***

Letras en español:
________________________________________________________________
(Verse 1)
Las olas me llaman al mar
Bajo el sol de la mañana
Mi tabla es mi compañero
El viento canta
Nunca se va

(Verse 2)
El agua salada brilla
El horizonte me guía
Con cada ola me siento vivo
La libertad en cada respiro

(Chorus)
Navegando en la ola
Siento el alma volar
Navegando en la ola
El mundo puedo olvidar

(Bridge)
El cielo azul es mi techo
El océano mi lugar secreto
Las olas rompen el silencio
En este mundo encuentro refugio

[Verse 3]
La espuma blanca me abraza
Cada surf es una danza
Cierro los ojos
Floto en paz
El mar y yo
En eterno compás

(Chorus)
Navegando en la ola
Siento el alma volar
Navegando en la ola
El mundo puedo olvidar

_____________________________________________________________
TITLE: I BELONG TO THE SEA
ENGLISH LYRICS:
----------------------------------------------------------
(Verse 1)
The waves call me to the sea
Under the morning sun
My board is my companion
The wind sings
It never goes away

(Verse 2)
The saltwater shines
The horizon guides me
With every wave I feel alive
Freedom in every breath

(Chorus)
Sailing on the wave
I feel my soul fly
Sailing on the wave
I can forget the world

(Bridge)
The blue sky is my roof
The ocean my secret place
The waves break the silence
In this world I find refuge

(Verse 3)
The white foam embraces me
Every surf is a dance
I close my eyes
I float in peace
The sea and I
In eternal rhythm

(Chorus)
Sailing on the wave
I feel my soul fly
Sailing on the wave
I can forget the world

Waves Of Delight

I Belong To The Sea

Winter Melody * Instrumental

Basically Sunday blues riff played on Friday   So not so blue

Goofing Around

Cars

"Intangible Fate" is another one of those instrumentals that's been swirling around in my head for years, waiting for AI to help me bring it to life. The artwork captures exactly what I was hearing - this cosmic spiral of energy with broken chains floating through space, like destiny itself is being shattered and reformed.

At 140 BPM in C# minor, this track has this driving, relentless energy that never lets up, but it's not frantic - it's purposeful. That tempo gives it this sense of inevitability moving forward, like fate itself has a heartbeat. And C# minor? That's one of the darkest, heaviest keys you can work in. It automatically gives everything this ominous, cosmic weight that perfectly matches the theme.

This track explores that feeling when you realize your fate isn't set in stone, that even the most inevitable-seeming forces can be broken free from. The swirling vortex represents all those unseen currents that seem to control our lives, but those broken chains show that sometimes you can break loose from what feels like cosmic inevitability.

Musically, this one has a more progressive feel than my pure heavy tracks like "Nuclear" or "Silent Rage." The C# minor tonality gives it this deep, space-like darkness, while that 140 BPM keeps everything moving with purpose. There's complexity in the composition that mirrors the cosmic theme - sections that spiral and build like the artwork's vortex, then moments where everything breaks apart before reforming into something new.

The guitar work weaves through multiple themes, representing different aspects of fate and choice colliding with each other. Where some of my instrumentals are about raw power, "Intangible Fate" is about transformation - that moment when you realize you have more control over your destiny than you thought.

Intangible Fate - Instrumental

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Smirk On My Face will be released August 22, 2025 please support Rob Olsson and myself by listening to it a million times each!!

Cars

Single Use & Recycled

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HOBOCOP

THE BOY

Jonathan Beckenstein

~Mark F

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