Name: Rail Yard Blues by Single Use & Recycled in Electromagnetic Techno signatures w/Sloppy Joe #Playlist
Duration: 2 min 43 s
Description: This a riff I can’t stop messing around with Each time I upload it it’s slightly different than the last and I think it’s growing into something.

Love it! Especially hearing your voice amid this manic rail yard of dancing demon guitar. Your right hand, holy hell!

Hey Bill man, this is a wonderful offering. Love how you work with the beat when it changes. Amazing work here, brother man!

Cool crazy blues jam.  Loving the over reverb on the vocals.

The best!  Always happy to hear you do vocals and that guitar is awesome 😎

Hahahaha: Your guitar 'runs' too. Great to listen to you jamming out.

Electromagnetic Techno signatures w/Sloppy Joe #Playlist

This song is like a tear that felt from my eye, a heavy drift through what we are living in…

The Dispute

BRYAN ADAMS!! YOU MANIAC!!

Just a  little bit of vocals☺️
More of an instrumental for now

Everything I Do(Maniac)

Production & mastering by BotNikStudio2, Bottna, Sweden.

HIGH AGAINST A CLOUD

Remix and re-invention of an earlier track from many years ago. Messier 83 (see the image), also known as the Southern Pinwheel Galaxy, contains structures within structures. The images are stunning. This track has interlocking aspects, hence the title.

The Ferns of M83

A new version of my original Better World song.  In collaboration with Morten Jeamland. 

Vocals & backing vocals by Heidi K
Lyrics by Heidi K

Production by @mortenjeamland

Cover photo: Heidi K

Better World (new version)

Better World (new version) - Jeamland & Heidi K


Icy blue the colour of her eyes
Hard to make her even realize
She’s the one who makes me happy, so happy
The type of girl that doesn’t know she’s pretty, so pretty


And when she sends for me, I will run to her
Giver her all the loving that she needs
When she asks for me, I’ll appear to her
Her greatest wish is my command

Genie, I’m your genie
Release me, come on baby


The lamp I’m in throws no shade her way
Cause I bring all the lightness to her darkest hours
Rub me right, I’ll make it go away
Master over me and all my powers


And when she sends for me, I will run to her
Giver her all the loving that she needs
When she asks for me, I’ll appear to her
Her greatest wish is my command

Genie, I’m your genie
Release me, come on baby

Music & Production by Noobly
Lyrics & Vocals by Todd J McLean
Cover art entitled, "Middle Path' (mixed media) by Todd J McLean

Genie

Metal Music Box

ciernes

Industrial drums with noisy ambient and sax solo

1 - C

'shit at and hit'
Thanks to grandma Billie for the phrase. A wonderful woman. I've yet to hear of this phrase existing prior, nor of it from anyone else since.
Scotty: Two yamaha storia II takes through a fender mustang III amp with differing fx, channeled accordingly, maybe, hopefully, and a handful of vocal takes layered. 

I can't get up today.
I've got no words to say.
Everything always replays,
and causes me dismay. 

I feel like I've been shot at and missed, and shit at and fucking hit. 

If there is a god,
why the fuck would they
make us in the mould
to have to feel this way?
Everyday.

shit at and hit

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – acoustic guitar, synth, and composition
Mistermark-- @user-432503709 -- Mark –- vocals, lyrics, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless Warwick bass
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
J.J. Terrell– @j-j-terrell – piano, B3 synth voice, synth sax, and JJ's angels (voice synth)
TexMex Shaman– @texmex-shaman –Stephen– master and production

This song started as a project that was begun on his guitar and synth, then shelved by our master songwriter, Chris. He always gives us magic to work with, and as soon as he shared this one with the rest of Eclectic Collective, we all jumped on it.
  Mark heard his part first, and set about writing some great lyrics to sing with his solid, inimitable voice. His lyrics are about a hypothetical future where we've turned to technology in search of human connection, only to realize that it has only isolated us more, and that we really already had that connection to begin with. The narration is from a future perspective, like all this has already happened, and its speaking to us from the future, almost like a warning. 
  The rhythm section was still absent, though, but not for long. Ken added his groovy, perfectly in the vibe drums to it next. Josh, of course followed soon after, now that he had drums to work with, by adding his fretless four string bass to the song. Now that it was sounding like a well rounded piece, Tez came through with some thrilling guitar solos that you hear throughout. JJ first added some piano, B3, and sax to the song, then later completed it with his psychedelic synth and divine voice synth that provides the "choir" you hear in there.
  Now that it was all in the bag, Mark spent considerable time and effort mixing it, then turned it over to our resident pro Stephen for the mastering.
  This is one of our favorite songs we've ever done, and it reminds us all of both Pink Floyd and King Crimson. This is a great example of what the team is able to do with a really solid, yet open musical seed, provided by a master composer. We hope you enjoy listening to it as much as we enjoyed making it.
Original lyrics by Mistermark:
The wind by the seashore, the wash of the waves

the sand on your skin and the glance that you gave

the sounds of the carnival we left it all behind 

there were words left unsaid at the back of your mind

how could I have been so blind?

 

It was so long ago now it’s just you and me 

it seems I've forgotten the way you like your tea

the house becomes quiet as the guests head for home 

the garden’s been gathered and the kids are all grown 

on their own


“The robots will help” they said “it’s better this way”
“there’s no need to work and there’s more time to play” 

our leaders assured us we’d never go poor

and nobody questions the truth anymore 

but what did we do it all for?

 

Our science sustains us like fine works of art

but are we closer together or farther apart?

we’re each on an island alone on the sea

the ocean between us expands rapidly

is this where we wanted to be?

 

It was so long ago now it’s just you and me 

it seems we’ve forgotten the way it used to be

machines tried to help us but something went wrong

the future we wanted was here all along

 

The wind by the seashore, the wash of the waves

the sand on your skin and the glance that you gave

the sounds of the carnival we left it all behind 

there were words left unsaid…

Faded Fortunes (Eclectic Collective)

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – acoustic guitar, synth, and composition
Mistermark-- @user-432503709 -- Mark –- vocals, lyrics, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless Warwick bass
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
J.J. Terrell– @j-j-terrell – piano, B3 organ voice, synth sax, and JJ's angels (voice synth), Lucky Man style synth
TexMex Shaman– @texmex-shaman –Stephen– master and production
This song started as a project that was begun on his guitar and synth, then shelved by our master songwriter, Chris. He always gives us magic to work with, and as soon as he shared this one with the rest of Eclectic Collective, we all jumped on it.
Mark heard his part first, and set about writing some great lyrics to sing with his solid, inimitable voice. His lyrics are about a hypothetical future where we've turned to technology in search of human connection, only to realize that it has only isolated us more, and that we really already had that connection to begin with. The narration is from a future perspective, like all this has already happened, and its speaking to us from the future, almost like a warning.
The rhythm section was still absent, though, but not for long. Ken added his groovy, perfectly in the vibe drums to it next. Josh, of course followed soon after, now that he had drums to work with, by adding his fretless four string bass to the song. Now that it was sounding like a well rounded piece, Tez came through with some thrilling guitar solos that you hear throughout. JJ first added some piano, B3, and sax to the song, then later completed it with his psychedelic synth and divine voice synth that provides the "choir" you hear in there.
Now that it was all in the bag, Mark spent considerable time and effort mixing it, then turned it over to our resident pro Stephen for the mastering.
This is one of our favorite songs we've ever done, and it reminds us all of both Pink Floyd and King Crimson. This is a great example of what the team is able to do with a really solid, yet open musical seed, provided by a master composer. We hope you enjoy listening to it as much as we enjoyed making it.
Original lyrics by Mistermark:
The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid at the back of your mind
how could I have been so blind?
It was so long ago now it’s just you and me
it seems I've forgotten the way you like your tea
the house becomes quiet as the guests head for home
the garden’s been gathered and the kids are all grown
on their own
“The robots will help” they said “it’s better this way”
“there’s no need to work and there’s more time to play”
our leaders assured us we’d never go poor
and nobody questions the truth anymore
but what did we do it all for?
Our science sustains us like fine works of art
but are we closer together or farther apart?
we’re each on an island alone on the sea
the ocean between us expands rapidly
is this where we wanted to be?
It was so long ago now it’s just you and me
it seems we’ve forgotten the way it used to be
machines tried to help us but something went wrong
the future we wanted was here all along
The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid…





This a riff I can’t stop messing around with Each time I upload it it’s slightly different than the last and I think it’s growing into something.

Rail Yard Blues

Rob: Vocal, Bass, drums, lyrics and mix

Lyrics 

I’ve got wind in my hair
Smile on my face
Needle point to ninety five
No one anywhere around

Back pinned to my seat 
She’s revving high
Pulling away clean and green
Front end up high

This jalopy has only one speed
It’s full throttle ahead
From stoplight to stoplight

Who want to take a ride
Take your life
Put it in my hands
Take a thrill ride

Check the oil, check the tires
Every night
Put a fresh shine on the paint job
Man, she looks so tight

I’ve got no reason to stop
No one gonna stop me
Needle up to hundred five
Red and blue lights all around

Hands pinned to my back
Feet spread wide
Got a fresh shiner on my eye
I know better

Take A Thrill Ride

A song I wrote in December 2021.. La Cueca from Chile.. lived in Santiago, in my tweens…just one about perseverance.. 🙌.. an essential part of my faith… and … writing, performing.. and recording! 

… to whom much is given.. much is required
Luke 12:48

Difficult-stripped

Electromagnetic Techno signatures

Mr Flexxright Entertainment 🧡💛💚 #dmv

Smirk On My Face released August 22, 2025 please support Rob Olsson and myself by listening to it a million times each!!

Rail Yard Blues

Single Use & Recycled

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