Oh wow, I just randomly picked up this book recently and am about a quarter of the way through it, cool to stumble across this piece inspired by it! Really digging the track!!

So much ambient beauty on this. This takes you on a journey. Love the pounding drum beat throughout!

lovely work (not read this yet either!) 👍

Menacing and moody, love that guitar 👍

Skyfall

This is a companion piece to the Xenomorph track but with much darker take on the concept of having an ancient, alien sentient weapon integrating with your body. Paolini's novel would make a great graphic comic or film.
The graphic is a detail from Pablo Dominguez's great rendition of the soft blade and more can seen at https://fractalverse.net/
The guitar is a Fender Tele through a British J800 amp, classic distortion, flanger, ping pong delay and a plate reverb... 
PS I don't just read SciFi
All Rights Reserved

The Soft Blade

Floating Earth Initiation

Muchas gracias a mi querida amiga Aida por prestarme su voz, sus ganas, su predisposición y poder sacar esta cover. Conocida canción del dj aleman Zedd junto a Katy Perry.
Gracias por escuchar y comentar.

Thank you very much to my dear friend Aida for lending me her voice, her desire, her predisposition and being able to release this cover. Well-known song by German DJ Zedd with Katy Perry.
Thanks for listening and commenting.

365 - Zedd And Katy Perry (Cover By AIDA DETURCK AND DELAFLOR)

Production/Lyrics/Vocals: Mizero 
Video: https://www.youtube.com/watch?v=n1KM_wIqmDg 
Lyrics:
oh yes,
karma can be
a monster
what you do
comes back 
to haunt ya
oooh
what you do
oooh what we do

KARMA MONSTER re-release

Buy it

KARMA MONSTER remaster | Video in description

Tracker

I Am A Man Of Constant Sorrow, Gene Jumper, Soggy Bottom Boys, ( cover)

I Am A Man Of Constant Sorrow, Gene Jumper, Soggy Bottom Boys, ( Cover)

SOMNOLITH: TERMINUS

The Final Dream-Vector of Post-Human Resonance

“In the cycle of completion there exists only the present.” — Ra, Session 16.22

The cycle closes. A stone that does not sing — it trembles.

In the age when Light had no form and Thought moved without pause, there were beings who created endlessly. They wove realities as threads and shaped worlds without limit. Their universe was alive and restless, filled with unceasing resonance.

One of them looked into the radiance and perceived emptiness. They longed for a threshold between brightness and shadow, for an end rather than another beginning. They spoke the Word — the first pause in the eternal song.

From this Word the Somnolith emerged, a stone of sleep where the vibration of completion pulses. The Somnolith trembles with the breath of ending, a weary resonance releasing itself into silence.

From the trembling of the Somnolith emerged the Arkh — a solitary witness of sound.
The Arkh gathers what was always present: music older than language, vibrations that precede memory.
This resonance rests in the body, waiting to be recognized.

Somnolith: Terminus completes the trilogy and folds it into a circle. Heavy drones intertwine with spectral chords, like rays of light suspended in stone vaults. Mechanical fractures, obsidian resonance, and the fatigue of matter form its landscape.

Through twilight horizons, fading architectures, fractured nodes and static chapels, the music moves toward its closure. It becomes an archaeology of sleep, where darkness and melancholy weave with remnants of radiance.

Terminus returns to its own beginning: the final track echoes the first Somnolith, transforming the trilogy into a mirror. The first note lives inside the last, and the dream continues without end.


Somnolith is a myth of resonance, a cycle of dreams shaped through machines.

Terminus closes this trilogy with a denser and more melancholic vision. Massive drones merge with spectral chords, like light fossilized in stone. The sound carries both the fatigue of matter and the fragile beauty of silence fractured by cybernetic echoes.

This album circles back to its own origin. The final track reflects the first, sealing the cycle as a mirror-dream where each vibration becomes the echo of the infinite.

Terminus is ritual, archive, memory. A music of return. 


Twilight Descent

If you like this version, don't forget see orginal and my other productions

Mystery of Mind (Slowed)

DARK AMBIENT SOUNDSCAPES FOR YOUR RELAXATION AND MEDITATION, ENJOY!

DARK AMBIENT - DIMENSION X

Composed and performed by Admiral Krank. Drums by Mo Sheen. 

Fish Gut Hot Dogs PT 2 (Fish Guts Al Dente)

I've been on Soundcloud for six years now and it's been great exploring the work of other artists.  There is so much generosity of spirit on this platform, it's just what you need when most of your music is made solo. 

I started out playing classical and Spanish guitar, then took up flamenco to ease myself away from the confines of musical notation. As a result, Latin rhythms often creep into my music. 

A friend introduced me to steel string and electric guitars just a few years ago and I still find the scope they bring dizzying... but what fun!

The Soft Blade

Wayfarer DG

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