where i get the meme from ---> https://www.youtube.com/watch?v=oajfkVGMP2I <----

Trypophobia meme

Who’s rank is the best?//my meme

Want to buy the soundtrack? Consider Bandcamp: 
https://nhsynthonicorchestra.bandcamp.com/album/generation-1-the-social-experiments-original-livestream-soundtrack

Hope you enjoy.
All Rights Reserved, Nathan Hanover (c) 2023

USEFUL LINKS:
https://soundcloud.com/nathan-hanover
https://nhsynthonicorchestra.bandcamp.com/
https://twitter.com/NHSynthonic
https://nathanhanover.com/
https://ko-fi.com/nhsynthonicorchestra
#original #ranboo #generationloss

Generation 1: The Social Experiments (Original Livestream Soundtrack)

The Laser Room

Five Nights at Freddy’s Movie Toreador March - SOUNDTRACK CONCEPT

All Credit Goes To: (NAndrew Mashups) on YouTube
Title kept the same, no changes to it
Cover: (NAndrew Mashups) on YouTube
Uploader: Me :/
- Cover Filtered By Me :/

MASHUP | Longestsoloever X DAGames - No Exit to Get Out

THROUGH GLASS
by MAX DEVEREAUX & KAZUYA ISHIGAMI

released July 15, 2025

Digital Album  $2 USD  or more
edition of 25 Cassette  $6 USD or more 

1.FRIED GRASSHOPPERS 03:53
2.GALVANIZED STEEL TUB 03:10
3.PARTICULATES 04:33
4.SHED FESTIVAL 05:03
5.RIVER OF RAZORS 02:17
6.CORRUPT WIND-UP 04:48
7.THROUGH GLASS 05:54
8.THE LOWEST CHAMBER 05:29
9.WORKING TO RETURN 06:09

Side A : 1-5
Side B : 6-9


Through Glass is the result of a deeply collaborative and cross-continental experiment between Japanese electroacoustic composer Kazuya Ishigami and American multidisciplinary artist Max Devereaux. Rooted in contrasting yet complementary approaches, the project unfolds as a dialogue between structured sound design and spontaneous sonic exploration.

The process began with Kazuya Ishigami, who created a series of intricate sound materials, merging electroacoustic textures, noise fragments, and ambient field recordings. These materials were then sent to Max Devereaux, who layered, reinterpreted, and expanded upon them through improvisation, using field recordings, found objects, contact microphones, and modular synthesizers. Max's additions reflect his tactile and often textural approach, combining environmental sounds and lo-fi textures with gestures that evoke both intimacy and sweeping activity.

The recordings passed once more into Ishigami's hands, where he carefully deconstructed and reassembled the sound elements into finished compositions. His final edits shaped the album into a cohesive whole, blending raw improvisation with composed electroacoustic precision. He also oversaw the mastering process.

The album’s title was chosen by Devereaux, reflecting a feeling he has carried for much of his life as an artist, especially one working within the avant-garde. To him, creating art often feels like living behind glass: present but removed, able to observe and reflect the world with clarity, yet never fully immersed in it. This invisible barrier separates the artist from society, allowing vision without contact, insight without belonging. The music on the album, with its delicate, translucent textures and fleeting glimpses of human presence, seemed to embody this sensation perfectly, like watching life unfold just beyond reach.


SHED FESTIVAL

This song was produced by TheRealSullyG!

Subscribe to his channel here for more AMAZING content!
https://www.youtube.com/channel/UCk-PPUZtKgj-GuyVaXSrhVQ/featured

We Are Number One - Otamatone Cover

https://www.youtube.com/channel/UCGrebHSMBZvJdryx4cmjNuA

Goosebumps Horrorland OST - Terror Tombs

fast food parody of old town road

original song: https://www.youtube.com/watch?v=7ysFgElQtjI

Five Nights At Freddy's Security Breach - Gameplay PS5 Trailer (Audio)

poooooop

Recent comments

Jameson Greczyn

artamusic

𝑽𝒂𝒏𝒏𝒚

Miguel Bermejo

Related tracks