يشبهُ صراخ مريضُ ينُاجي الحياة..

كسكينِ تخترقُ الفؤاد لتقتله!

لقدُ بكيتُ دفعة واحدة 
بكيتُ حِتى وجدتُ عُنقي
قِد أبتل بأدمعي
بكيتُ حِتى شعرتُ
بأنني أحتضرُ
وذِلك بعد أن أمتنعتُ عِن البُكاء
زِماناً لا أذكرُ

يا للتنفّس من قصيدٍة غيرِ مرئيّة!
بلا إنقطاعٍ، وبصورةٍ صافيةٍ، وبثمنِ الكيان ذاتِه،
فضاءٌ مُحَوَّلٌ . بِمُقتضاه
أتحقّقُ أنّا إقاعيّاً.

Zbigniew Preisner

Another World.

Alone in the void

Adagio of Ego

«One must do violence to the object of one's desire; When it surrenders, the pleasure is greater»

Portrait of Marquis De Sade, 1760.

Sentimental Reminiscence, 1914.

Music for Gourd is a composition commissioned jointly by the Hong Kong Chinese Orchestra and the Taipei Chinese Orchestra. It was completed in July 2012 in Taipei and later re-orchestrated for the Western orchestra in 2019. The entire piece, approximately 16 minutes long, is structured as a single-movement concerto divided into three closely connected sections: fast, slow, and fast. The solo instrument featured is the 36-reed modernized Sheng.
The first section is characterized by a tranquil introduction followed by a rhythmically intense dance. The harmonic language in this section is characterized by sharp dissonances, exploiting the unique playing techniques and utilizing the diverse modern soundscape of the Sheng.
The second section presents a graceful Hmong Qeej Dance featuring the traditional Hmong wind instrument also known as Lusheng. The Hmong Qeej Dance is later transformed into continuous rapid 32nd note scale passages, presenting a formidable challenge to the soloist. The Lusheng, made of bamboo pipes with free reeds, is central to the musical traditions of the Hmong ethnic group and is often used in their rituals, ceremonies, and traditional music.
In the third section of "Music for Gourd," the influence of Thai Khaen solo music is evident. The Khaen, a traditional free-reed mouth organ from Thailand, contributes to this section's lively and playful melody, characterized by rapid repetitions of single notes or chords. Incorporating the Khaen music adds a distinctive Southeast Asian flavor to the composition, enriching its cultural tapestry.
The composition concludes with a brilliant solo Sheng passage accompanied by the woodwind and percussion sections of the orchestra, showcasing the rugged aspects of "Gourd Music" and culminating in a climax of heightened intensity. This juxtaposition of traditional Chinese, Hmong, and Thai musical elements not only reflects the multicultural landscape of contemporary music but also highlights the versatility and adaptability of traditional instruments in modern compositions.
In summary, Music for Gourd is a compelling exploration of cultural intersections, featuring the distinctive timbres and expressive capabilities of traditional Chinese, Hmong, and Thai instruments. Through its innovative blending of musical traditions, this composition offers a captivating sonic journey that transcends cultural boundaries, celebrating the richness and diversity of Asian musical heritage.
This track is the live recording of the world premiere took place on September 1ST, 2019. Jipo Yang and the Taipei Symphony Orchestra, Zhongshan Hall, Taipei. Conductor: Yiu Kwong Chung

MUSIC FOR GOURD Concerto for Sheng and Orchestra (1st Section)

Zbigniew Preisner -WHEN A MAN LOVES A WOMAN

Threshold - Adam Hurst

مرآة - ايريك ساتيه

23 Run away

‏" حين تتنامى العزلة بما يكفي كي تصبح إيمانَنَا الوحيد لا مُسَلّمَتَنا فحسب ."

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Alone in the void

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