Dig the arpeggiating soundscapes here, tickling my brain appropriately, Cheers!!!

loving how dynamic this one is. really unpredictable and cool. awesome!

Dilla tribute

YOU DON'T KNOW ME

an amalgamation of beats, old and new, crap and less crap, that never made it off my laptop until now !

can i stay

Mads Kjeldgaard mixtape - Vintage electronic and tape music from Scandinavia

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ABOUT

A mix of electronic, computer, noise and tape music from Scandinavia approximately from the period of the 1950's-1970's. The interludes consist of interviews from the archive featuring the different composers. 

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TRACKLIST
Lars-Gunnar Bodin – The Room Was Described
Roberta Settels – Landscape with 3 Tape-Recorders And...
Else Marie Pade – Faust Suite - Faust & Mefisto
Kåre Kolberg – The emperor's new tie
Knut Wiggen – Summarmorgon
Interlude
Bent Lorentzen – Sodavand
Arne Nordheim – Solitaire
Jesper Hendze – Sindssyg musik
Interlude
Rune Lindblad – Die Stille Liebe
Else Marie Pade – Face it
Kaj Ellermann Christensen - Krigssymfoni / War Symphony
Ákos Rózmann – Rekvisitasalen I
Interlude
Svend Christiansen – Urværk
Interlude
Jan W Morthenson – Ultra
Bent Lorentzen – Elektronmusikkens materialer og æstetik
Bengt Emil Johnson - Through The Mirror Of Thirst (Second Passage) 
Jørgen Plaetner – Beta
Else Marie Pade – Glasperlespil II

MIXTAPE by Mads Kjeldgaard - Vintage Electronic And Tape Music From Scandinavia

Anne-F Jacques, Ryoko Akama, Takamitsu Ohta
The Magic City
C42 (XIX-I)

Release date: April 2019
www.hasanaeditions.org

The Magic City

XIX-I - Anne-F Jacques, Ryoko Akama, Takamitsu Ohta - Chris in the magic city (excerpt)

Jock Van Vliet: The Lake Within The Lake
In the world of flora, Stellaria Nemorum is the name for forest wall. 
However, the music that Joanna Pavelescu makes under this Latin alias is
certainly not for wallflowers. In fact, the basses and beats on her latest EP "The Lake Within The Lake" 
would blow any kind of vegetation out of the ground.

The titles of both the EP and the
tracks give a good indication of what the listener can expect: a pretty surreal, 
imaginative music trip through time and space. 
A dark journey full of disturbing creaks and moans and industrial 
sounds that occasionally start a surprise attack. With beats that evoke memories of the machine-experimental 
of Speedy J and sometimes relentlessly
grim, Scorn style distorted bass. 
However dark and heavy 
the ambiance is the addition of light with spatial sounds.
  As an accomplished alchemist, Stellaria Nemorum has managed to find an excellent balance in this.

The remixes also come from the Antiloungekamp,
The Hague quality label for electronic music. 
They are from Charly & Gallus (with whom it all started years ago), 
Olaf Wempe (Stellaria Nemorum's former partner in crime as the duo WG @ EET) 
and Foresense, who provides a surprising final chord with jungle beats. 
They all retain the bass-averse character, but are a 
little less heavy in terms of atmosphere.
Light at the end of the dark sonic tunnel. After which a listener with a cleansed soul and new energy can face 
everyday life again. 
After many years of musical pause, Stellaria Nemorum came back strongly with this extensive EP.

The Lake Within The Lake

The Moon In Your Deep Mouth

⠍⠥⠇⠞⠊⠏⠇⠑⠏⠻⠎⠝⠁⠇⠭⠽

London based electronic music producer @Hypercube-audio (born Rodrigo Passannanti) universe focuses on experimentation with extensive use of software effect plugins, audio editors and sound processors within the computer environment creating dense digital audio environements.
Since debuting in 1996 with a full-length Album (Earobics) on Hypnotic / Cleopatra (US) known for top acts like F.S.O.L. , Loop Guru and many more, 
HYPERCUBE has been producing and releasing numerous recordings under different names. 

"What was a crucial sonic experience in your life?" 
My first ever musical approach was with a Farfisa organ in the late 70's ,  later on i was able to play my first monophonic analog synth, a Roland SH09, and I started experimenting and recording on tapes. The album that changed my concept of music was Computer World by Kraftwerk.

Links:
https://hypercube-audio.bandcamp.com
https://www.facebook.com/hypercubeaudio/

Tracklist:
00.00: Electro magnetic fields experiment with a Telephone pick-up coil placed on a monitor running various waves 
(SC link: https://soundcloud.com/hypercube-audio/hypercube-emr)
00.33: HYPERCUBE LIVE (MIX PART 1)
38.30 : London city  Binaural recording 
42.30 : HYPERCUBE LIVE (MIX PART 2)
56.30: Neural cortex sound output captured by an Emotiv EPOC Brain to Computer interface. 
(Youtube video: https://youtu.be/GXEJWwp54zw)

"Here we celebrate memory, the most precious gift of life, the only root of dreams, inspiration and knowledge"

MNEMOSYNE #002 - HYPERCUBE

ECU STREAMING EVENT & SHOW - JULY 10>12 - mixlr.com/wecu
Full line-up on RA www.residentadvisor.net/events/1411483

Get to know https://soundcloud.com/hypercube-audio, Storytelling by @moiCflo

Electronic Music producer Hypercube (born Rodrigo Passannanti) debuted in 1996 with a full-length Album (Earobics) on Hypnotic / Cleopatra (US) known for top acts like F.S.O.L., Loop Guru and many more, the album received a substantial level of interest amongst listeners and labels of the time.
Since then Hypercube has been producing and releasing numerous recordings under different names amongst labels such as Blue Room (UK) - Klang Galerie (Austria) - Nova Tek (Germany) - Criminal Records (UK) - SPV (Poland) - Nova Zembla (Belgium) - Ressonus (Czech Republic) - Abstrakt Reflections (Argentina) and most recently on Ephedrina Netlabel (Italy) - Electron Emitter (Lithuania) - Submarine Broadcasting Company (UK) and Paracusia Media (British Columbia) including live gigs and a collaborations in the past with Andy Hughes (former member of the ORB) , top Swedish producer Hakan Lidbo and vocalist Michael Allen (Wolfgang Press - 4AD)

Hypercube universe focuses on experimentation with extensive use of software effect plugins, audio editors and sound processors within the computer environment.

INTERVIEW 

_Who inspired you to make music? I was lucky to grow up in a family with an interest in music as my Father was playing several acoustic instruments for hobby. Among all the instruments (classic guitars, mandolins, violin, flute, ocarina etc) an early Italian keyboard made by Farfisa caught my attention and soon became my very first step into music making, later on (in the early 80’s) my first analog synthesizer (Roland SH09) landed in my room to be followed by the legendary TR 808 drum machine a polyphonic synthesizer (Roland Juno 60) and a tape recorder.  

_Which tracks or artists first got you into music? Early psychedelic and progressive rock music had a strong influence in my music analysis and when Computer World by Kraftwerk was released in 1981 that changed my perspective of music forever and gave me the inspiration to follow this path.

_Who would be the bands that describe the music that you typically create? Morton Subotnick, Autechre, early experimental music in general, everyday urban noises and various state of mind.

_Which famous musicians do you admire? Kraftwerk, Aphex Twin, Pink Floyd and many more / Or if you could go open a show for any artist who would it be? Gabor Lazar

_What is your favorite song to perform? Hereditary Target https://youtu.be/jyVzI6Thyaw

_Who would you most like to collaborate with? Ryūichi Sakamoto , Autechre , David Sylvian, Jon Hassell

_What's next?  Hypercube is finalizing his next release with Cyberspeak Label (Milan) which will includes couple of remixes by high profile IDM producers (can’t mention the names yet 😊, a new album of Hypercube tracks remixed by some great artists will also be released soon on Paracusia Media.

_What are you working on at the moment? I have just mastered Nuanane latest album to be released soon, I’m also finishing a cold wave synth album under my name to be released on Subcontinental Records and putting the basis for a deep space ambient album to be released on my artist page, I have also been involved in several radio shows, compilations tracks and bespoke composition works for the media, there are also plans to collaborate with some visual artists for the creation of a video and re issue of some early 90’s techno/trance albums I was active part of.

https://www.discogs.com/artist/123745-Hypercube
https://www.facebook.com/hypercubeaudio/

HYPERCUBE - LIVE Set (wECU July 2020)

Reflections

Spoopidoops: https://pareidroolia.bandcamp.com/album/spoopidoops

grab it mate

A Closeted Claustrophobic (Pump & Fade Recs)

Hello, my name is pippy. 

welcome to my diary.

gud tra ks coming, august 27 2025

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ABOUT pippy (that's me, pippy):

enoff have asked who and what is pippy. pippy is pippy, i.e., a silly name with no meaning or basis. the idea of pippy was to create a baseless character for my music to live in, unbound by any sense of seriousness, coolness, likeability. the name and idea of pippy is to provide a 'wtf' response from whomever stumbles upon this page. i do not like creative boundaries, expectations, and preconceived notions. i think a lot of musicians get wrapped up in identity (crisis) and advertise their music with intent of being listened to, and become influenced by what is known to be likeable. i purposefully do not advertise, share, or promote my sounds to retain an honesty and rawness in what i produce. i write from whatever is on my mind, in my mind, at the moment. nearly all tracks are sloppily written in 1-3 hour bursts, and then thats it. 99% of my tracks are completely written from scratch, lots of midi work and many modulations to create a dynamic sound. i try to keep things unpredictable, to a fault.. i become bored very easily, and i enjoy this process i have nailed down. i leave it to the community and the listener to decide if my tracks are worth sharing. as you can see from the numbers, my page is quite lonely. i like it this way. but, if you enjoy what you hear, i leave my promotion in your hands. pippy enjoys creating for the sake of creating, out in the world of pippyland. i encapsulate current emotions in each track, so this is the closest thing i have to a diary. i can recall the mood, state, time, period of each piece, and it is an amazing way for me to recall my past. there is no social media maintained for pippy, no other source for these tracks. just shitty soundcloud, which is quite awful. i should invest more time in expanding to better platforms but i am a creature of habit. if you've read this far, then yer one of the few that is intrigued by the sounds and so i'll continue for u.

original concept for pippy:
pippy was orphaned due to mother passing during birth. the father was totally distraught by pippy's green colored skin, and what appeared to be red hair., as such, abandoned, pippy was sent to work in the ole' mill in the glorious 'Tube City'. pippy enjoyed his work, but one day while having tea in his shack, he heard a shriek. pippy investigated his neighbors box and was shocked to see a dead body. Tube City police arrived shortly after and attempted to arrest pippy. alas, he gave them the ole' pip-slip and made a shabby escape at the local marina. pippy sailed far away to an island where he met garp, a red faced dim-witted creature. pippy enjoyed the peaceful nature of his new life on the island, but eventually the wails came. pippy trapped on the island, was forced to turn himself in! the court hearing occurred immediately and all at once: pippy was to be sent to Penal Planet for execution. the ship took months to arrive at the block. as pippy exited and walked to the gallows, chains sweeping in the distance, he remembered th


Spotify:
https://open.spotify.com/album/3v2S5ZASfH8BVTw0HEsN5i
Apple:
https://music.apple.com/us/album/world-of-machines/1526087649?uo=4&app=music&at=1001lry3&ct=dashboard
Google Music:
https://play.google.com/store/music/album/Pippy_World_of_Machines?id=B4vjsvm4ypou2msccmb6wxkcasq

Reflections

Pippy

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