New Music (Unlisted)

For Orchestra and live electronic reduction. 
Premiere recording 08.02.2014 
Sinfonieorchester des SWR Stuttgart, Johannes Kalitzke, Experimentalstudio des SWR

Mehr als die Hälfte (2013)

"Gravity as the Source of Lightness" (2009/2013) was commissioned and premiered by the State Theater Philharmonics of Cottbus, Germany, conducted by Evan Christ. The title appears, depending on the translation, in the 26th chapter of the Dao De Jing, by Lao Zi. I found the implications of various contradicting forces described in Lao Zi's work stimulating, and some of the ideas thinking about its implications in music have flowed into this work. 
The piece deals with musical materials and quarter-tone harmonies, which have been developed in a number of smaller scaled works leading up to this piece. As an orchestra piece many practical aspects had to be solved. Part of the solution is provided by re-tuning wind instruments. Although the piece was composed while inspired by a theme with an underlying abstract nature, clear musical trajectories played an important role in composing this piece.

Gravity as the Source of Lightness, for full orchestra

SIKUS (2011), for flute recorder ensemble and live electronics

Duration:
10'26''

Instruments:
12 flutes (6 Recorders and 6 Paetzold) and live electronic

Musicians:
PRIME RECORDER ENSEMBLE, 
dir. Antonio Politano

First Permormance:
May 13, 2010 at St Jacques Church, Lausanne, Switzerland.

Composer: JUAN ARROYO


SIKUS (2010), for flute recorder ensemble and live electronics

SIKURI I (2012), for tenor saxophone without mouthpiece and electronics and live electronics. Composed by Juan Arroyo and performed by Hiroe Yasui.

Premiere in March 31, 2012 at IRCAM, Paris, France

SIKURI I (2012), for tenor saxophone and live electronics

SUYUS (2011), for chamber orchestra and live electronics

Duration:
14'56''

Instruments:
4 dancers, 16 musicians (1 fl, 1 htb, 1 cl, 1 bsn, 1 cor, 1 tpt, 1 tbn, 1 tba, 4 perc, 1 vln, 1 vla, 1 vlc, 1 cb) and live electronics

Musicians:
Orchestre du CNSMDP, dir. Zsolt Nagy

First Permormance:
October 7, 2011 in CNSM, Paris, France.

Composer: JUAN ARROYO



SUYUS, for chamber orchestra and live electronics

SELVA (2013), for three dancers, orchestra and live electronics
Shamanic Rite

Duration:
23'08''

Instruments:
3 dancers, 17 musicians (1 fl, 1 sax, 1 cl, 1 bsn, 1 cor, 1 tpt, 1 tbn, 1 tba, 4 perc, 2 vln, 1 vla, 1 vlc, 1 cb.) and live electronic.

Musicians:
Orchestre des Laureats du Conservatoire National Superieur de Paris. 

dir. Tito Ceccherini
Dancers: Jim Couturier, Louise Hakim, Sabine Rivière

First Permormance:
October 4, 2013 in CNSMDP, salle d'art lirique, Paris, France

Fondation Salabert Prize 2013

Composer: JUAN ARROYO

In Latin America, we call Selva the immense virgin forest that is shared by Brazil, Peru, Ecuador, Colombia, Venezuela, France (via the department of Guiana), Suriname, Guyana and Bolivia. In this territory, the most varied species on the planet coexist with humans. His best-known name, the Amazon rainforest it owes to the river that runs through the Amazonas River. It is in this vast maritime corridor, snake-shaped, the tribes move by canoe or boat to trade their goods with the "civilized" world. 

It was at the age of five years old my first encounter with the jungle and its inhabitants took place. Thus I discovered a different way of life and that I was faced with the difference without worrying about the judgement. Since then, I returned several times and always her beauty amazed me. 

In 2010, learning the carnage that Amazonian tribes suffered because of the exploitation of raw materials, a deep feeling of indignation came over me. These operations are conducted legally by land sales by states. The abuse suffered by Amazonian communities are still amplified by the fact that some governments prefer to deny their existence to the point that we find groups of nomads who have no idea that the land on which they move "belong" in any country. 

I wanted to pay tribute to these tribes of the Amazon and their traditional practices that may disappear at any time. So I decided to write a piece about the ritual of Ayahuasca known for its healing power of the soul. By educating me about the ritual and the role of the Shaman I've realized the importance of the breath and its healing properties of the soul. This sound blown, etched in my memory since childhood, now guide some of my aesthetic concerns. 

Selva, is a voyage within an individual in quest cure resort to this remedy. It goes through different moods, come face to himself, facing his fears, he will always have the feeling of merging with nature wild. Throughout his initiation, he will be guided by the voice of the Shaman.

SELVA (2013), for three dancers, orchestra and live electronics

VERSUS (2007) for accordion and orchestra 
Duration:
10'

Musicians
Soloist: Damien Paradisi 
Orchestra: Bordeaux Conservatory Orchestra
Conductor: Jean-Luc Portelli
Composer: JUAN ARROYO





VERSUS (2007) for accordion and orchestra

SISMO (2015 new version with microtonal accordion)

Duration: 11'30"

ENSEMBLE REGARDS:
Julien Bénéteau / Conductor
Hiroe Yasui / Saxophone
Fanny Vicens / Accordeon
Matthieu Acar / Piano
Aya Kono / Violin
Jeanne Maisonhaute / Cello
Hiromi Watanabe / amplification

Concert live recording at the Cité Internationale des Arts in Paris, France.

Composer: Juan Arroyo

SISMO (2015 new version with microtonal accordion)for saxophone, piano, accordion, violin and cello

Les Cris de Paris - Geoffroy Jourdain (dir) 
Festival de Royaumont 2012 

AND (amnesia4) [2012]

Matteo Cesari (flutes) Dario Calderone (db)
58th Venice Music Biennale (2014)
Cà Giustinian - Sala delle Colonne, Oct. 2014

own pace (amnesia 3) [2011]

Gareth Davis (bass cl) Koen Kaptijn (tbn) Pepe Garcia (perc) Dario Calderone (db) Una Cintina (org)
Amsterdam, Orgelpark, 22 ap. 2017 [live recording]

POLAR [2017]

Radiant Flux, for flute, soprano saxophone, percussion, and piano. Performed by Ensemble Inverspace.

Ensemble Inverspace

Radiant Flux (2013/16), for flute, soprano saxophone, percussion, and piano.

Klangspuren 2004 (Live)

Hannes Seidl - Angst und den Versuch, sie zu verdrängen (großes Solo) (WP)

Composición: Canela Palacios
Intérpretes: Orquesta Experimental de Instrumentos Nativos

La Permanencia

Aspen Sinfonia, Josep Caballé-Domenech, conductor
Recorded at Benedict Music Tent, Aspen Music Festival, 2007

Pasiphae, for orchestra

Øyvind Torvund - Forest Construction

Seven songs from the cycle "Für uns. Für uns" from Hannes Seidl. 
Performed by Julia Mihály, Holger Falk, JodlKlub, Hannes Seidl and Friends. 
The score of the whole cycle is available here: editionjulianeklein.de

Für Uns. Für Uns. The first half

Solo Trumpet and Orchester
with the Polish National Radio Orchestra
Recorded live at the Warsaw Autumn Festival 2010

Warsaw Autumn

T.amiper by Aleksandra Gryka

DALL'INFINITO
Alla memoria di Umberto Eco, for orchestra
Composed by Juan Arroyo and played by The National Symphonic Orchestra of Peru, conducted by Fernando Valcárcel. Live concert at Gran Teatro Nacional del Perú on november 22, 2019. Commissioned by The National Symphonic Orchestra of Peru and published by Tempéraments

Dall'Infinito

DALL'INFINITO, for orchestra

نیما عطرکار روشن: طرحی کوتاه برای ارکستر زهی (۱۳۹۷)
به سفارش نوید گوهری و ارکستر زهی نیلپر

----------------------------
اطلاعات اجرا و ضبط زنده::
نخستین اجرای جهانی در چهارمین فستیوال بین‌المللی موسیقی معاصر تهران
ارکستر زهی نیلپر به رهبری نوید گوهری
 ۵ تیرماه ۱۳۹۸، تالار رودکی، تهران

زندگینامه هنری نیما عطرکار روشن:

نیما عطرکار روشن )ت.۱۳۶۴( آموختنِ موسیقی را با نوازندگیِ پیانو و در کودکی آغاز کرد. با ورود دانشگاهِ هنرِ تهران مبانیِ نظریِ موسیقی را نزدِ اساتیدی چون حامد مهاجر فرا گرفت. و علومِ آهنگسازی را به صورتِ خودآموخته و تجربی و با مطالعه‌ی آثارِ آهنگسازان دنبال نمود. سپس با شرکت در مسترکلاس‌های علی‌رضا مشایخی به دانسته‌های خود افزود.

در سال ۱۳۸۷ با تاسیسِ آنسامبلِ م به اجرا و معرفیِ آثارِ موسیقیِ کلاسیکِ معاصر پرداخت. او در سالِ ۱۳۸۹ عازم فرانسه شد و در Ecole Normale de Musique de Paris تحتِ نظر Michel Merlet به تحصیل مشغول گشت. 
وی سابقه‌ی همکاری با آنسامبل‌ها و ارکسترهایی نظی
 KNM Ensemble Berlin, Quatuor Elouard, Living Earth Show, و ارکسترِ نیلپر را در کارنامه‌ی خود دارد و آثارِ وی در کنسرت‌ها و فستیوال‌های متعددی در آمریکا، اروپا، آسیا و خاورِمیانه اجرا شده‌اند.

او همچنین به عنوانِ مسئولِ پِنل‌های پژوهشی با فستیوالِ موسیقیِ معاصرِ تهران به همکاری می‌پردازد. در حال‌ِحاضر نیما عطرکار روشن مدیریتِ هنریِ بنیادِ الف را به عهده دارد.

-----------------------------------

Nima A Rowshan: Short Sketch for String Orchestra (2019)
Commissioned by Navid Gohari and Nilper String Orchestra

Performance information (Live Record):
Premiered at 4th Tehran International Contemporary Music Festival (TCMF2019)
Nilper String Orchestra
Conductor: Navid Gohari
Roudaki Hall, Tehran, Iran - 25 June 2019


Nima A Rowshan (b.1985) began studying music by playing the piano. By entering the Art university of Tehran in 2005, he studied with "Hamed Mohajer" and in the same time he started composition experimentally and through studying the great composers. Nima later attended master classes of "Alireza Mashayekhi". He co-founded "Ensemble-M" in 2006 to perform & introduce contemporary classical music in Iran. In 2009 he decided to pursue further studies with "Michel Merlet" at the "ècole normale de musique de Paris".

He is active as a composer and his works have been performed variously in festivals and events in the US, Europe, Asia and the middle east. He is also the manager of discussion panels in "Tehran Contemporary Music Festival" and art director of "Aleph Foundation".

New Music (Unlisted)

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