Name: Jacques Offenbach: Can Can from ''Orpheus In The Underworld'' by user165495687 in Classical Bangers 🎹🎻
Duration: 1 min 36 s
Description: A recording by the Paris Conservatoire Municipal du Gabriel Fauré's student orchestra at Salle des Fêtes, Mairie du Vème arrondissment, 2013.

Classical Bangers 🎹🎻

The Best of Classical Music / Ballet Suites "The Nutcracker", "Sleeping Beauty", "Swan Lake"

Suite from "Sleeping Beauty" ballet op. 66a Introduction - La fee de Lilas (Allegro vivace - Andante sostenuto) (Tchaikovsky)

The first time I listened this piece was here on SC thanks to the great pianist Andrew Eales. I was so impressed by the beauty of the music and the great ability of the intepreter that I wanted to give it a  try. You can find the whole Opus 12 here at the Andrew's page https://soundcloud.com/keyquest-music

Edvard Grieg - Arietta, Opus 12 N°1

Wolfgang Amadeus Mozart, Vol. 1

Requiem in D minor, K. 626 Lacrimosa

Swan Lake - Pyotr Ilyich Tchaikovsky

Swan Lake Act Two. No. 14. Scene (Moderato) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

The special thing about recordings by "The Peter Debik Movie Orchestra" is that everything is played and produced by just one person. The overture to Gioachino Rossini's "The Barber of Seville" poses a great challenge. The dynamics require special attention in the mix of instruments. The fast playing must not blur the tones even with the reverberation, but must nevertheless remain pleasantly flowing and harmonious for the ear. The elaborate production of the one-person orchestra does not place the listener far away in the hall with the conventional, washed-out sound, but with the unmistakable, crystal-clear sound of "The Peter Debik Movie Orchestra" directly at the conductor's desk of the orchestra. This means that individual instruments can even be heard in tutti passages.

Il barbiere di Siviglia

Il barbiere di Siviglia: Sinfonia

Overture to the opera "Il barbiere di Siviglia" by Gioachino Rossini [2022, one person orchestra]

The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie.

The melodies of the pieces use deliberate, but mild, dissonances against the harmony, producing a piquant, melancholy effect that matches the performance instructions, which are to play each piece "painfully", "sadly" or "gravely".

Audius Classical Music
https://audius.co/classicalmusic

Best of Satie
https://music.apple.com/gb/album/gymnopedie-no-1-single/847714522

Satie on Spotify
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Satie Album on Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Erik Satie - The Essential Collection

Classical Music - The Essential Collection

ᯤ Spotify

Erik Satie - Gymnopédie No.1

A recording by the Paris Conservatoire Municipal du Gabriel Fauré's student orchestra at Salle des Fêtes, Mairie du Vème arrondissment, 2013.

Jacques Offenbach: Can Can from ''Orpheus  In The Underworld''

Composer: Isaac Albéniz (1860-1909)
Piece: Cataluña(Suite Española, Op. 47)
Performer: Carlos Márquez

from "Albéniz: Suite española No. 1, Sonata No. 4"

Image: Alhambra Tiles
flic.kr/p/5MDHeU

Albéniz: Suite española No. 1, Sonata No. 4

Suite española No. 1, Op. 47: No. 2 Cataluña (Corranda)

Isaac Albéniz: Cataluña (Suite Española, Op. 47)

Part of 'Master of Instrumental' radio collection.

Listen to us http://moinstrumental.neocities.org/listen.html
Or play your music with us https://www.dubtrack.fm/join/master-of-instrumental

Edvard Grieg - Peer Gynt - Suite No. 1, Op. 46 - III. Anitra S Dance

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Jacques Offenbach: Can Can from ''Orpheus In The Underworld''

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