This composition examines the anthropocene’s “insensible” intimacies (Yusoff 2015 in West Texas and elsewhere. 

I use field recordings to trace out wind’s compositional and affective forces. Geophones and contact mics on electrical posts, old and new windmills, aeolian harps, electric hums and vibrations, and iterations of wind in other forms draw out inaudible frequencies and play with sensory thresholds. Recordings are my own or from freesound.org.

Air Mirrorworld

old windmill near San Angelo, TX 3.11.21

composition with air/wind, string, bells, rug, refrigerator, phone buzz, bells

Detangling Bells

Hail.m4a

poet - Majority Reef (Inside the Castle, 2020)
& anthropologist (phd candidate UT Austin) 

senses, sound, energy, toxicity, Permian Basin

user192073571

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