Felisha Ledesma

Felisha Ledesma is a multi-disciplinary artist currently based in Berlin, GER. In January 2021, Ledesma’s first full-length release on Psychic Liberation x Enmossed arrived after much experience in creating collaborative works, site-specific installations, and high-profile festival performances.

Over the past decade, Ledesma co-founded, directed, and supported various organizations focused on experimental sound and community engagement such as the Synth Library in Portland, OR, a lending library for electronic music equipment. Most recently Felisha co-founded Fors (fors.fm), creating "novel instruments that are elegant to use and adventurous in sound" in collaboration with Ess Mattisson and is studying sonic arts at Universität der Künste, Berlin.

https://soundcloud.com/felishaledesma
https://www.instagram.com/felishaledesma/
https://felishaledesma.com/

Felisha Ledesma - Room13

Taken from 'Fringe' LP/Download (E064, Ecstatic 03/09/2021)

A gorgeous swell of intimate soundscaping from Felisha Ledesma on this simmering stunner for Ecstatic, despatching two extended, richly absorbing pieces weft from everyday detritius; synths, strings, voicemail, found sounds - hitting a similar spot for us as Ulla’s diaristic 'inside means inside me’ but with a more defined play of sound-as-light that gently and memorably tugs at the earlobes and heartstrings. 

Exploring a music of presence and ultra subtle inference, ‘Fringe’ is the 2nd release by Ledesma, student of Berlin's estimable Universität der Künste, following from a debut for Enmossed x Psychic Liberation earlier this year. Using AMQR - a software synthesiser built by Ledesma together with Ess Mattisson - both pieces here shimmer with elusive timbres that occupy a realm that feels lost between worlds - neither electronic nor acoustic, but more a sort of observational sound that radiates togetherness and warmth. 

Operating at insightful levels of synaesthesia, Ledesma poetically turns ostensibly humdrum sources into clouds of smoke - emails, voicenotes, walking along the water, a poem attached to an email, walking alone in New York during lockdown, going for a swim at sunset in the desert - all turn into a smudge of memory. When ‘Beamsplitters’ opens with a tangible human presence - a voicemail from a friend - it startles with its earthly pull, eventually getting lost in a tangled spool of found sound leaving just a trace of iridescent, intimate reverie. 

On ‘Golden Mirror’ Felisha gently diffracts a lonesome guitar phrase into a humming thizz with a steeply uncanny ability to jog the memory in a similar way to how olfactory stimulus can conjure feelings of nostalgia. It’s a trick familiar from an emergent new realm of lower case composers creating something like submerged, small scale symphonies that work counter to notions of classical excess or anodyne ambient, instead focusing on microcosmic, highly peronalised sort of worldbuilding that’s impenetrable, yet somehow entirely open.

Felisha Ledesma - Golden Mirror [E064]

Felisha Ledesma - big waves of light

MARIA BC - Adelaide
JOYUL - A Stage (Ulla Remix)
BARDO TODOL Y SUS AVES SIN NIDO - Part I
KLARA LEWIS & PEDER MANNERFELT- You Need To Be Kind
SPACE AFRIKA - Strength ft LA Timpa
ASTRID SONNE - Stuck in Pause
PRINCESS DIANA OF WALES - Choir Chant
KINDTREE - 0.1
ASTRID SONNE - Fields of Grass
CITY & I.O - Bomb-blasted Stack (with vvilms)
MAXWELL STERLING - Eris
KELLY MURAN - Helix III
SEBASTIANO CARGHINI - Daydream Loopy
ROSACEAE - Courage
RONCE - Oyster Girl
PPPAINTERRR - Shut
NO DREAMS - Anti-Epiphany

LYL Radio with Felisha Ledesma & Angelo Harmsworth - 10.12.21

NTS GUEST MIX

Felisha Ledesma, exploring a music of presence an ultra subtle inference, Felisha Ledesma’s debut releases ‘Fringe’ on Ecstatic Recordings and ‘Sweet Hour’ on Enmossed x Psychic Liberation shimmer with elusive timbres that occupy a realm that feels lost between worlds - neither electronic nor acoustic, but more a sort of observational sound that radiates togetherness and warmth.

Felisha Ledesma [Reste à la fin, les cendres, curation by Mari] [10.05.2022]

Pensive melodies from Malmö.

"I needed to make something to reset, something for the new year." - Felisha Ledesma. 

Interview: www.lowendtheorists.com/theory-therapy-mixes/felisha-ledesma

Theory Therapy 60: Felisha Ledesma

Felisha Ledesma Live with 16mm projections by Mia Ferm 
Sarah Davachi Live at S1
Christina Kubisch 

@sarahdavachi @christina-kubisch @s1portland @n10-as

cyanescens 333

First Motion Cast of the winter months is by Portland’s S1 / Synth Library co-founder and recording artist Felisha Ledesma. Her mix is a blurred, collage-like representation of moments spent with self.

https://soundcloud.com/felishaledesma

Motion Cast Vol. 25: Felisha Ledesma

Recorded live at S1 in Portland, OR on March 30, 2019. Collaboration between Felisha Ledesma and Alex Ian Smith for the 12 hour event '4:00-4:00'

Felisha Ledesma and Alex Ian Smith: live at S1

cyanescens airs every 4th thursday on @n10-as
tracklist: 

Dino Spiluttini - Rainbow Bridge @dino-spiluttini
Lyra Pramuk - Scrytch @lyra_songs
7038634357 - Balance Beam @neo_petal
Isabella & Felisha Ledesma  - Hypnic Jerk (first draft) @networkerror
Les Tempes Barbares - Un Velo, Un Mar Negro @lestempsbarbares
Angelo Harmsworth - Auctioneer @angeloharmsworth
Omeed Norouzi - lil stems  @omeednorouzi
Ssaliva - 2drown @ssaliva
Not Waving - Level 2 Importance @notwaving 
Felisha Ledesma - stems & whispers 
Klein - 99
Mica Levi & Oliver Coates -  Bless Our Toes @ollycoates @micachu-music
Felisha Ledesma - kiss (Isabella grain) 
KYO w/ Jeuru - To All My Future Lovers

cyanescens: end of

ZERO IS MORE THAN NOTHING - VARIOUS ARTISTS
@ecstaticrecordings @angeloharmsworth

https://ecstaticrecordings.bandcamp.com/album/zero-is-more-than-nothing

Felisha Ledesma & Angelo Harmsworth - PDA (ECSTATIC 057)

Originally composed for livestreaming events during the ongoing lockdown of 2020, Felisha Ledesma presents two extended pieces as a debut album, “Sweet Hour”. Ledesma’s first full length release arrives after much experience in creating collaborative works with artists such as Isabella and Angelo Harmsworth, site-specific installations, and high-profile festival performances.

Both pieces were realized using a new software synthesizer, called “AMQR”, which Ledesma built for personal use in collaboration with Ess Mattisson. Contrary to many digitally-based compositions, a distinctly warm and organic palette pervades these recordings. An almost playful leisurely pace is employed, engaging the listener to listen deeper; the pieces gracefully evolve with special attention to subtle shifts in stereo field and sonic coloration.

The time-of-day titles illustrate the two distinct moods conveyed: "7:00 AM" integrates field recordings and a hardware modular synthesizer, taking the listener through a psycho-acoustic journey exploring various nooks and crannies of subdued auditory rivulets: perhaps a hidden woodland brook, a sunny glen, a crunchy gravel walkway. "2:00 AM" harkens to the memories of nightclubs, opening with a synthesized arpeggio which could lead into a dancefloor-ready stomper. But instead, Ledesma steps back, allowing the arpeggio to develop into an encompassing ASMR-like timbral massage. The two compositions are united in a slightly melancholic grasping for connection; are they unfolding or are they unraveling? Ledesma does not answer the question outright, but instead finds joy in superposition and sublimation - while creating a space for the listener to inhabit, to live in, and to re-connect.

---

Felisha Ledesma is a multi-disciplinary artist currently based in Berlin, GER. In Portland, OR, Ledesma co-founded and directed numerous organizations focused on experimental sound and community engagement such as S1 (an artist-run space) and the Synth Library (a lending library for electronic music equipment). Most recently Felisha co-founded Fors (fors.fm), creating "novel instruments that are elegant to use and adventurous in sound" in collaboration with Ess Mattisson and is studying sonic arts at Universität der Künste, Berlin. 

releases January 29, 2021

mastering :: Ess Mattisson

cover artwork :: Felisha Ledesma

design ++ layout :: Robin JM Vanderheyden

all proceeds to Equitable Giving Circle :: www.equitablegivingcircle.org

Sweet Hour

Felisha Ledesma - 7:00 AM [Excerpt] (ENXPL04)

Originally composed for livestreaming events during the ongoing lockdown of 2020, Felisha Ledesma presents two extended pieces as a debut album, “Sweet Hour”. Ledesma’s first full length release arrives after much experience in creating collaborative works with artists such as Isabella and Angelo Harmsworth, site-specific installations, and high-profile festival performances.

Both pieces were realized using a new software synthesizer, called “AMQR”, which Ledesma built for personal use in collaboration with Ess Mattisson. Contrary to many digitally-based compositions, a distinctly warm and organic palette pervades these recordings. An almost playful leisurely pace is employed, engaging the listener to listen deeper; the pieces gracefully evolve with special attention to subtle shifts in stereo field and sonic coloration.

The time-of-day titles illustrate the two distinct moods conveyed: "7:00 AM" integrates field recordings and a hardware modular synthesizer, taking the listener through a psycho-acoustic journey exploring various nooks and crannies of subdued auditory rivulets: perhaps a hidden woodland brook, a sunny glen, a crunchy gravel walkway. "2:00 AM" harkens to the memories of nightclubs, opening with a synthesized arpeggio which could lead into a dancefloor-ready stomper. But instead, Ledesma steps back, allowing the arpeggio to develop into an encompassing ASMR-like timbral massage. The two compositions are united in a slightly melancholic grasping for connection; are they unfolding or are they unraveling? Ledesma does not answer the question outright, but instead finds joy in superposition and sublimation - while creating a space for the listener to inhabit, to live in, and to re-connect. 
credits
releases January 29, 2021

Felisha Ledesma

Miguel E.