Song by БЏМҐЯЏМРEҐ  https://soundcloud.com/3rd-armpit/atic-atac . Pretty good artist, very Aphexish. I heard this song on a deepfake channel on a video called "Sex Swapper" who credited the artist. Love it. Thanks alot for a bunch of the Tuss myspace tracks. I used to hunt all of those Myspace accounts down, but windows ate my music directory or a hdd crashed.

More Info:
www.nme.com/news/music/aphex-twin-17-1373326
(60-minute not a 90-minute opus!)

Setlist:
00:47 Jynweythek
03:11 54 Cymru Beats
09:18 Meltphace 6
15:41 Omgyjya-Switch7
20:41 Nanou2
24:06 Gwely Mernans
29:15 Bbydhyonchord
31:47 Cock/Ver10
37:06 Avril 14th
39:11 Taking Control
46:25 Gwarek2
53:12 Orban Eq Trx4
54:47 Aussois
55:01 Hy a Scullyas Lyf a Dhagrow
57:15 Kesson Daslef

Aphex Twin – Drukqs | Pre-Listening Session @ London Planetarium 08/2001

Méryll Ampe "W7E" CD
MAR060
Release Date: November 4th, 2022

A multitude of processes, techniques, and forms unfold and unfurl within the work of Méryll Ampe,
an intermedia artist from Paris working through sound, sculpture, and installation using a wide assortment
of materials. What is immediately striking about Ampe’s work is the vibrant, non-linear approach to
electro-acoustic composition.
Here on the debut for Misanthropic Agenda, Ampe liberally reconfigures / deconstructs / genetically mutates
all sources: hydrophone recordings of vibrations through skin, analog synths, tape machinations,
sequencing programmed through algorithmic variability, and plenty of digital processing.
As Ampe describes it, the music on W7E is "a research with an experimental dimension, guided by notions that
systematically translate a form of ambivalence, between inside/outside, micro/macro. These intentions are
vectors of the dynamics, reliefs, depths and rhythm. My training as a visual artist also leads me to go through
mental images (such as a steep landscape, a boiling organism, an organic matter) which will then find a
sound form, states that I would describe as syncope, sound effluvia, abrasive arrhythmias. I look for a form of
plasticity in the sound medium, and that this energy become a living matter."
This multi-dimensional overlay through composition telescopes in and out of the body (not necessarily always
a human body, it should be noted), through a connectivity with technology that can influence psychological states
of being. The work addresses liminality, transitory slippages, and quantum theories of a particle being the two
separate places at the same time. If that can occur at the atomic level, why not through sound?
W7E stands as a dynamic, polydactyl album reflective of the aesthetics (if not concepts) of Keith Fullerton Whitman,
Francisco Meirino, and Bernard Parmegiani.
- Jim Haynes

links:
https://misanthropicagenda.bigcartel.com
https://misanthropicagenda.bandcamp.com
https://meryllampe.com/

Méryll Ampe "Close To"

baby bloom – call bite

SCOTT

Normal Battle [Nocturne Speed Garage Mix]

Moblu

Cultivation of Light

Manege frei für verschiedene Sounds und Effekten
clear the way for various sounds and effects

Spotify

Circus

Travels to Unknown Lands

Ancient Of Days

colundi every1 - a2 (Krzysztof Oktalski)
release date: 22 Oct 2015
colundi every1 benelux tour artists vinyl collaboration
black vinyl lp format
300 limited edition release
7 artists 7 tracks
32 minutes 35 seconds duration 
physical release sold out
colundi track video (https://www.youtube.com/watch?v=IS0niuBVU_k)

all rights of the producer and of the owner of the works reproduced reserved. unauthorised copying, hiring, lending, public performance, and broadcasting of this record prohibited

colundi every1 - a2 (Krzysztof Oktalski)

Bargain Stinker

bargain stinker - atic atac

“I Care Because He Does.”









This is a page inspired by the artist Richard D. James, more specifically, his work on the Rephlex Records label, unreleased/rare releases, and the album he released under the alias “The Tuss”, called “Rushup Edge.” Leading up to this official release, there were multiple MySpace pages said to be accounts belonging to The Tuss. At this point in 2023, it is still unclear how much of these Tuss accounts Rich was involved in… the only confirmed RDJ Tuss material are the aforementioned “Rushup Edge”, and the ep the preceded it, called “Confederation Trough”.

This page also focuses heavily on the “SoundCloud Dump”, which was a series of releases uploaded to a number of anonymous accounts on SoundCloud that eventually became clear to the world to be Richard. It is an astonishing amount of material - spanning his entire artistic career. They eventually were taken down by his record label, but there are a number of folks that compiled each track in a zip archive and can be downloaded for free to this day on archive.org. 

Though this page is dedicated to and inspired by Aphex Twin - I came to a turning point with where to take this page. The main goal is to promote. In other words,  to provide a place online for fans of Aphex Tain to easily stream the best of their favorite artist, as well as showing younger fans of electronic music who I believe is the greatest electronic musician. 

I’ve also uploaded various tracks from a few other artists that are either collaborators, influencers or those influenced by Aphex Twin. You will find some original DJ mixes done by me and some straight up “mixtape” style hour long tracks arranged by and mastered by me. 

I do not profit in any way from this monetarily speaking, but I do get a lot out of seeing the comments and the joy that the songs uploaded bring about, and archives are important.

https://evel.bandcamp.com/album/adopt-me

https://aphextwin.bandcamp.com/album/blackbox-life-recorder-21f-in-a-room7-f760

https://squarepusher.bandcamp.com/album/dostrotime-1

https://mikeparadinas.bandcamp.com/album/grush



https://archive.org/details/aphex-twin-2023

bargain stinker - atic atac

user14041984001

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