Aphex Twin - Proper Release Singles

ITSAME

a star is bored

Polygon Window - clissold 101[dat28 otari] 48k.wav

We’ve reached book IV in Rupert Clervaux’s series of “Zibaldone” audio diaries, at which point we find him telling a different kind of story. 

“The first three all had very specific themes, while this one feels a little bit looser and doesn’t have just one thematic thrust,” he tells me, which maybe explains why listening feels a bit like annotating. I’m underlining, emphasizing, drawing arrows from here to there, highlighting symbols and noting motifs, realising, questioning, eureka-ing. An impressionistic meaning’s been encoded in and we’re lucky to be given the space to play that most poetic and boundless of all mental games: narrativization. 

There are no wrong answers, but Rupert offers some clues either way. If there’s any cipher here it’s “something like a meditation on the concept of ‘depth’––in all its connotative forms.” Think below the surface, (the) underground, yawning oceans, being ‘down in the dirt’, soil, roots, rootlessness, pulling at the dregs, collapse, profundity, stable and unstable horizons, distance, perspective, intuition, not to mention relative opposites: to be shallow, to be above, to be beyond. 

It’s got me thinking of Bresson’s “Bring things together that have as yet never been brought together and did not seem predisposed to be so.” His: “Dig deep where you are. Don't slip off elsewhere.” Rupert has realized these—two favourite goals of mine!—here. 

This is music that catches you at your own periphery, gives pause, has you offering a little “huh” to, asking “I wonder why” to. Again, it’s got me musing on another mindworm, this time from New York publisher and multi-sensory reading room Dispersed Holdings: “Feeling-making-knowing feedback loop; cartography of feeling; water as text, read to know the land beneath and around it, and body as reader.” 

Is it ok to offer up these other contexts out of context? I think so, because Zibaldone IV articulates a similarly swirly tone. Like, we’ve got Rebecca Solnit talking through Kropotkin’s “Mutual Aid” and later calling out to Michael Ruppert a ways away, and “Easy Rider” is playing in the wings. We’ve got Susan Sontag magically contextualizing Mariah Carey with poet Thylias Moss triangulating in order to sketch out (Rupert again) “something a little more interesting than wilful eclecticism or that laboured and patronising kind of pop-savvy.” 

Are we following? Whether yes or no Vanessa Bedoret follows on with a performance of a performance of Moss’s 'Water Road’: to be once or twice removed, via strange transitions, purposeful confusions, and, suddenly, seagulls. We’re on a boat with Ingeborg Bachmann—and how I wish I could actually be! But maybe thanks to this music I can as literature, films, friends, lethargy, coincidences, little mental links, eternal wormholes, lingering notions come together to imagine something better. 

Text by Natalia Panzer 
npanzer.com 

Artwork by Coline Cornélis 

Music by Rupert Clervaux 

with 
Vanessa Bedoret: voice and violin on Thylias Moss #2 
Eben Bull: trumpet and electronics on Mutual Aid and Departure from England 
Isis O’Regan; voice on Departure from England 
Nick Taylor: electronics on Chthonic ’97 
Ben Vince: saxophone and electronics on Chatsworth ’17 

Artwork by Coline Cornélis 

Warm thanks to James Marrs, as always, and Natalia Panzer 

Vanessa recreates and reads an excerpt from ‘Water Road’ by Thylias Moss. Isis reads ‘Departure from England’ by Ingeborg Bachmann (translated by Peter Filkins). This record is dedicated to both poets––with great respect and deep admiration.

02. Simple Food For Our Simple Taste

Aphex Twin - diskhat ALL  [snr2mix] [fast],e,+3.wav

mix about life without flowers--\\-8

tracklist:
1. ???  
2. Gidge - Hon
3. M. Sage - Spinnaker on a Southerly
4. múm - Sunday Night Just Keeps On Rolling
5. Approach - Inward 
6. sheyman - gul (feat. evanful chart)
7. Gorozhanin - Motion I
8. mu tate - 
9. Eberhard Weber - Granada
10. Narration (from "dadaisme" cassette tape)
11. Susumu Yokota - Flowing
12. Эдуард Артемьев - Медитация (к/ф "Сталкер")
13. бродячая собака - flute 
14. Gorozhanin - Motion V
15. ??? - February sketch 
16. HMOT - 𝕕𝕖𝕚𝕔𝕙𝕓𝕠𝕥 𝕗𝕠𝕣 𝕣𝕠𝕝𝕗 𝕛𝕦𝕝𝕚𝕦𝕤
17. bad lsd trips - Lavadora Levitando
18. Corell - Haunted By Shadows (feat. Kate NV)
19. Пейзажи Миссисиппи - Палмир. Болгарка
20. бродячая собака - едва уловимый радиосигнал 
21. Dyad and the Sleepers Club - Part X. Pure Black.

without flowers

https://www.discogs.com/release/32761-Caustic-Window-Joyrex-J5-EP

Caustic Window - Joyrex J5 EP [Rephlex CAT005]

https://www.discogs.com/release/4700-Caustic-Window-Joyrex-J4-EP

Caustic Window - Joyrex J4 EP [Rephlex CAT004]

https://mikeandrich.bandcamp.com/album/expert-knob-twiddlers

Mike & Rich - Expert Knob Twiddlers - Bonus Tracks

A remastered version of RDJ lp and ventolin digital releases - both can be obtained at aphextwin.warp.net

Aphex Twin - Richard D. James Album/Ventolin EP

Invité Spécial ⏤ Cotton Pills

https://acidwaxa.bandcamp.com/album/painting-with-acid-vol-1

Global Goon - 25.09.22 / gueredemaher02

More Home Less Less

Vodor L Zeck -- Kvartyranty

no more us

Finger cut

Link to bandcamp: www.tonofantasmas.bandcamp.com
Link to YouTube: www.youtube.com/@tonofantasmas
Link to Reverbnation: www.reverbnation.com/tonofantasmas
Link to N1M: www.n1m.com/tonofantasmas
Link to facebook: www.facebook.com/tonofantasmas
Link to Soundcloud: soundcloud.com/tonofantasmas
drp
Death Row Pardon
credits
releases September 5, 2025

Toni Martinez: Electric guitars, bass guitar, drum programming, recording, mixing and mastering.
All music by Toni Martinez
tonofantasmas

tonofantasmas - Pepsi ( Ain't no time around for Boogie )

From AEST-021: Various Artists “The Glamour Of Strangeness” CS

Two years have passed 

Perfect Aesthetics 2017

The Glamour Of Strangeness

Undveld - False Mirages

“I Care Because He Does.”









This is a page inspired by the artist Richard D. James, more specifically, his work on the Rephlex Records label, unreleased/rare releases, and the album he released under the alias “The Tuss”, called “Rushup Edge.” Leading up to this official release, there were multiple MySpace pages said to be accounts belonging to The Tuss. At this point in 2023, it is still unclear how much of these Tuss accounts Rich was involved in… the only confirmed RDJ Tuss material are the aforementioned “Rushup Edge”, and the ep the preceded it, called “Confederation Trough”.

This page also focuses heavily on the “SoundCloud Dump”, which was a series of releases uploaded to a number of anonymous accounts on SoundCloud that eventually became clear to the world to be Richard. It is an astonishing amount of material - spanning his entire artistic career. They eventually were taken down by his record label, but there are a number of folks that compiled each track in a zip archive and can be downloaded for free to this day on archive.org. 

Though this page is dedicated to and inspired by Aphex Twin - I came to a turning point with where to take this page. The main goal is to promote. In other words,  to provide a place online for fans of Aphex Tain to easily stream the best of their favorite artist, as well as showing younger fans of electronic music who I believe is the greatest electronic musician. 

I’ve also uploaded various tracks from a few other artists that are either collaborators, influencers or those influenced by Aphex Twin. You will find some original DJ mixes done by me and some straight up “mixtape” style hour long tracks arranged by and mastered by me. 

I do not profit in any way from this monetarily speaking, but I do get a lot out of seeing the comments and the joy that the songs uploaded bring about, and archives are important.

https://evel.bandcamp.com/album/adopt-me

https://aphextwin.bandcamp.com/album/blackbox-life-recorder-21f-in-a-room7-f760

https://squarepusher.bandcamp.com/album/dostrotime-1

https://mikeparadinas.bandcamp.com/album/grush



https://archive.org/details/aphex-twin-2023

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