colorsquadrecords.bandcamp.com/album/c-o…a-d-0-1-0

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silver city

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COLORSQUAD 015

NOÉMI BÜCHI - DOES IT STILL MATTER
Cat #: OUS050
Release date: May 24, 2024
Distributed by Kudos: https://kudosdistribution.co.uk
Label Bandcamp: https://ousooo.bandcamp.com

«The new avant-garde isn’t about creating something that doesn’t yet exist, it’s about abandoning and confusing rigid genres. I want to open up, in order to both abolish and reconstruct the musical past.» — Noémi Büchi @noemibuchi

Noémi Büchi’s album ‘Does It Still Matter’ completes a series of releases whose titles - ‘Matière’, ‘Matter’, and ‘Does It Still Matter’ - place the physicality of music in the center of attention. Büchi’s specific sound structures and aesthetic choices question the state of materiality in a world that is becoming more and more fluid and intangible.

From ‘Matière’ to ‘Matter’, Büchi subtly transferred from a focus on substance to questioning the enigmatic core of
being, passing from a noun to a verb, and from a single word to an inquiry. ‘Does It Still Matter’ weighs in on the importance of questioning. Her pieces juxtapose multi-layered analog synthesizer textures, crystal clear sounds and almost brutalistic noises, while they unfold in compositional structures akin to pop songs. Driven by an orchestra of myriad parts, her music creates transcendent intonations that resonate deeply with the listeners’ bodies. A daring blend of complexity and accessibility are molded into captivating sound sculptures that challenge and intrigue listeners alike.

Deviating from conventional time divisions, ’Does It Still Matter’ immerses listeners in a discordant succession of elements, and guides them towards an eternal present that erases the past with each new revelation, while maintaining it through recurring themes that serve as intimate memories. Büchi’s electronic maximalism questions our linear perception of time, offering a glimpse into a world where the past, present, and future converge into a singular moment. Her avant-garde approach rejects predictability, inviting listeners to immerse themselves fully in the present. Everything starts anew at any given instant. Each musical idea exists for one precise moment, rendering the future unpredictable.

‘Does It Still Matter’ unfolds against a backdrop of collective disaster and biocidal urgency, challenging the very essence of time. Büchi explains: «The world appears to have gone mad. It’s all but impossible to reflect on the meaning of avant-garde in music, considering the future in this sepulchral kind of stability of the human condition.» Her compositions resonate like an infernal machine, questioning the instantaneous dissipation of everything. Finally, echoes and fragments of sounds remain, haunting memories like ghostly companions.

’Does It Still Matter’ is an immersive experience that invites listeners to contemplate the impermanence of our world and the enduring power of sound.



CREDITS
Written and produced by Noémi Büchi 
Mixed & mastered by Manuel Oberholzer, Suoni Speziali (VFBM)
Album cover by Mirko Eremita, Encor Studio
Graphic design by Rebecca Morganti-Pfaffhauser

Does It Still Matter?

Window Display Of The Year

Buy on Bandcamp

Noémi Büchi - 4 - Window Display Of The Year

Sdtarted

Quick little cover I cobbled together when I noticed the chords I was sequencing were similar to this track.. 
Polyend Tracker
Korg Monologue
Roland JX-3P
Behringer 101 & 909
Midiverb II x2

Aphex Twin - Field Day 2017 Intro (Cover)

Global Goon - Shazbot - 02 WeeBow

FREE DL

SPREKI - SOUNDBOI

Sergeant Pepper

“I Care Because He Does.”









This is a page inspired by the artist Richard D. James, more specifically, his work on the Rephlex Records label, unreleased/rare releases, and the album he released under the alias “The Tuss”, called “Rushup Edge.” Leading up to this official release, there were multiple MySpace pages said to be accounts belonging to The Tuss. At this point in 2023, it is still unclear how much of these Tuss accounts Rich was involved in… the only confirmed RDJ Tuss material are the aforementioned “Rushup Edge”, and the ep the preceded it, called “Confederation Trough”.

This page also focuses heavily on the “SoundCloud Dump”, which was a series of releases uploaded to a number of anonymous accounts on SoundCloud that eventually became clear to the world to be Richard. It is an astonishing amount of material - spanning his entire artistic career. They eventually were taken down by his record label, but there are a number of folks that compiled each track in a zip archive and can be downloaded for free to this day on archive.org. 

Though this page is dedicated to and inspired by Aphex Twin - I came to a turning point with where to take this page. The main goal is to promote. In other words,  to provide a place online for fans of Aphex Tain to easily stream the best of their favorite artist, as well as showing younger fans of electronic music who I believe is the greatest electronic musician. 

I’ve also uploaded various tracks from a few other artists that are either collaborators, influencers or those influenced by Aphex Twin. You will find some original DJ mixes done by me and some straight up “mixtape” style hour long tracks arranged by and mastered by me. 

I do not profit in any way from this monetarily speaking, but I do get a lot out of seeing the comments and the joy that the songs uploaded bring about, and archives are important.

https://evel.bandcamp.com/album/adopt-me

https://aphextwin.bandcamp.com/album/blackbox-life-recorder-21f-in-a-room7-f760

https://squarepusher.bandcamp.com/album/dostrotime-1

https://mikeparadinas.bandcamp.com/album/grush



https://archive.org/details/aphex-twin-2023

Global Goon - Shazbot - 02 WeeBow

user14041984001

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