D. N.▽.
@dna_123music
https://on.soundcloud.com/b3rfGqkbPDyDBRf46
Conjure [Nate WhyNo+!?]
https://soundcloud.com/conjurewhynotsuture
WAVES OF ELEVEN
@wavesofeleven
REBERHEAD
@reberhead



I Want To See Through You
By Nate WhyNot

My eyes they see for you
My eyes they speak your truth
My eyes they see your lies
My eyes they see through you
My eyes they speak for you
My eyes they lie for you
Me eyes are haunting you
My eyes they are your truth

My eyes, my lies
They see through your lies
My eyes, my lies 
They see through your eyes

I want to see you 
I want to speak your truth
I want to see your lies
I want to see you through you
My eyes they speak for you
My eyes they lie for you
Me eyes are haunting you
My eyes they are your truth

My eyes, my lies
They see through your lies
My eyes, my lies 
They see through your eyes

I want to see through you 
I want to speak your truth
I want to see your lies
I want to see you

My eyes, my lies
They see through your lies
My eyes, my lies 
They see through your eyes

I want to see you 
I want to speak your truth
I want to see your lies
I want to see you through you
My eyes they speak for you
My eyes they lie for you
Me eyes are haunting you
My eyes they are your truth

My eyes, my lies
They see through your lies
My eyes, my lies 
They see through your eyes

D. N.▽.  - I WANT TO SEE THROUGH YOU

Lands of obscurity

Inner chaos

ɛӼքɛʀɨʍɛռȶǟʟ, ɢʟɨȶƈɦ, ռօռֆɛռֆɛ
https://soundcloud.com/demon_deejay & https://soundcloud.com/pxl47
h y p n o s i s w a v e
E K 4 T 3
▼

▲ɖ3ʍ0ռ▲ & քӼʟ - ɮɨʍɮʊʍɮǟʍ

▼ [EKT-DGT-096] ▼ https://soundcloud.com/user355824596
_ https://ek4t3.bandcamp.com/album/tess-conway-new-dark-age

Here, we attempt to convey the sounds of another reality—one that we feel and perceive on an intuitive level.
Music from the world of dreams, the collective unconscious, and ancient civilizations that still resonate in sound vibrations.

These sonic structures can serve as a tool for disconnecting from the material world and immersing oneself in altered states of consciousness.
It is akin to a shamanic journey, where rhythm, repetitive melodies, and sound effects transport the listener into an otherworldly space.

"New Dark Age" is a kind of bridge between a technogenic civilization and primal, archaic sensations that still dwell deep within us.
We provide the key to these sensations—now it's up to you to decide whether to open the door.

BANDCAMP

Primal energy

Violence In The Face of Adversity

Plastiq 1/3
More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/
https://llllllll.co/t/disquiet-junto-project-0697-first-third/71838/3?u=kn00t

Plastiq (disquiet0697)

Enjoy this with the visuals on the halF unusuaL YouTube channel at https://youtu.be/wkS2xkqAu-Y ... 

We recently unearthed a VERY rare set of tin cylinders with some of the creations from my unusually great uncle - dated 1910! I've taken the opportunity to riff on top of his proto-EDM - with sounds WAY ahead of their time! No way would they have found an audience in his lifetime ... Let's try again 😜

Family legend has it that my Great Uncle Crackleton P. Valve was not so much born as assembled! His crib rattled with loose copper coils, his lullabies were hummed through wax cylinders, and his first word was said to be a faint but distinctly glitchy “bzzzzzt” ...

By the turn of the last century, when most men were proud to own a sturdy hat, Uncle Crackleton was already soldering strange contraptions in the garden shed, where every evening the glow of red-hot valves spilled out into the hedgerows. He refused to play the piano “like a commoner,” preferring instead to hammer phonograph needles against tin cylinders until they shrieked, warbled, and sang with a peculiar beauty only he seemed to understand.

The neighbours swore they could hear his experiments late at night: a ghostly stutter of sound, like church bells melting, or a brass band tumbling downstairs. He called it Music of the Future, although others called it a dreadful racket.

It’s said he once built a mechanical echo chamber out of two bathtubs, a bicycle pump, and a dozen mismatched radio valves. When he cranked it up, it produced a looping hiccup that terrified the vicar's cats and made their milk curdle. Even so, he declared it his masterpiece.

Though none of his recordings were thought to have survived, until now (most cylinders were repurposed as makeshift candle holders), family lore insists that without him, modern glitch music would not exist. Every time a record skips, a tape warbles, or a speaker crackles, somewhere, faintly, Uncle Crackleton P. Valve is smiling.

More on the 717th weekly Disquiet Junto project, Generation Gambit — The Assignment: Layer two eras of recordings, one of them imaginary — at https://disquiet.com/0717/

visuals (YouTube)

halF 1910 [disquiet0717]

Atmospheric Follow-up and continuation to DRONES I-X

DRONE XV GO

A mysterious piano sets the tone, its sparse notes echoing through an evolving soundscape of atmospheric strings and deep, resonant bass. The tension builds slowly and deliberately, creating a cinematic sense of mystery, suspense, and emotional gravity. Perfect for psychological thrillers, investigative dramas, or dark cinematic storytelling. (Stem files available.)

For licensing, contact
https://www.LynnePublishing.com


Buy/License

Double Agent

uziuzi

Tess Conway is a mysterious and experimental musician who creates atmospheric soundscapes on the edge of electronic mysticism. This music is a portal to unexplored states of consciousness, where reality and the otherworldly intertwine.  
Working in the genres of witch house, dark ambient, post-industrial, and hypnotic drone, Tess Conway blends blurred textures and deep low-frequency vibrations, evoking a sense of mystery and the unknown in the listener.
It is sonic alchemy, where fear and beauty intertwine, creating an immersive experience into the unknown.

Inner chaos

Tess Conway

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