υπαρκτός βουκολισμός. ωραίο κομμάτι.

Trumpet Drones

Στη Σαλαμίνα Sti Salamina

a promo cut [extract] from forthcoming Triple Bath release "2" (February, 2017).
Kleitos Kyriakidis: tenor sax
Petros Lampridis: murmux analogue synth
Nikos Papavranoussis: drums
costinho: piano - composition

2 - mother sea - [promo extract]

Third Man Records is excited to announce their second Greek folk music compilation, Kitsos Harisiadis' Lament In A Deep Style 1929-1931. Another spellbinding compilation exploring the depths of overlooked Greek folk music from the curatorial genius Christopher King, Lament highlights the virtually unknown work of the heartbreakingly haunted hypnotic clarinetist Kitsos Harisiadis. Pre-orders of the album are available now. The compilation will be available in stores on June 1. Third Man Records first compilation of Greek folk music from Christopher King is Why The Mountains Are Black: Primeval Greek Village Music 1907-1960.

From 1929 through 1931, Harisiadis recorded instrumentals that have endured in the Epirotic repertoire well into the twenty-first century. Kitsos plays all fourteen pieces as if he were a Greek-Shaolin monk conversing with a grasshopper at his feet.

Through King's painstakingly thorough research and immersive storytelling, the listener is able to fully absorb the otherworldly aura that radiates throughout the release.

Painstakingly remastered directly from ungodly rare original 78 rpm discs and coupled with artwork by R. Crumb and design by Grammy Award-winner Susan Archie, the entire package is delightful in every sense.

Lament in a Deep Style 1929-1931

KITSOS HARISIADIS Lament in a Deep Style 1929-1931

Kitsos Harisiadis — "Skaros" off

Uomini. Uccelli. 
For speaking voice and 8 instruments. Commissioned by the Molyvos International Music Festival. Recorded live on the 16th of August 2018. Maria Skoula, voice.

Uomini. Uccelli.

10 minute excerpt of a recording of a big LED wall :: 45 LED tiles, each one with its own fan, resonating and vibrating in random frequencies - total duration 76:33

LED REC EXC

Voskopoula electronique

Νήμα

1.Seyyed Hossein Taherzadeh (voice) and Bagherkhan Rameshqar (kamancheh) - Homayoun - 1906
2. Ghamarol Molouk Vaziri (voice) and Morteza Neydavoud (tar) - Homayoun
3. Taj Esfahani (voice), Morteza Mahjoubi (piano), Arsalan Dargahi (tar), Hossein Yahaghi (violin), Reza Ravanbakhsh (tombak) - Homayoun - 1933
4. Adib Khansari (voice) and Ali Asghar Bahari (violin) - Bakhtiari - 1957
5. Hossein Ghavami (voice) 1909-1988 - “Sar Gashte" or “To Ey Pari Kojaee" - 1972
6.Jalil Shahnaz (tar and voice) - Homayoun
7. Emad Ram (flute) - Homayoun
8. Saeed Hormozi (setar) - Homayoun
9. Reza Varzandeh (santur) - Homayoun
10. Farhang Sharif (tar)- Homayoun
11. Mohammad Reza Shajarian (voice) and Parviz Meshkatian (santur and composition) - Bidad - 1982
12. Mehdi Azarsina (kamancheh) - Homayoun - 1996
13. Iraj Bastami (voice) and Hamid Motabassem (tar and arrangment) - Kiye Kiye Dar Mizne (from "Scent of Nowruz")
14. Siamak Jahangiri (ney) and Mehdi Emami (voice) - "Man Haman Ney Am"  - 2018 Mahoor Institute
*All music is intended for educational purposes only

Iranian Music Podcasts

Iranian Music Podcasts #3 Dastgah-e Homayoun

El clavel y la espada (composition by Thimios Atzakas, 2007)
Bijan Chemirani (zarb) - Thimios Atzakas (ud)
CD Myrtate, Raumklang 2007, distributed by harmonia mundi


El clavel y la espada

Selimbey (a folk song arranged and re-composed by Thimios Atzakas)
Martha Mavroidi (song, lavta), Sokratis Sinopoulos (lyra), Nikos Paraoulakis (ney), Evgenios Voulgaris (yayli tanbur), Thimios Atzakas (ud, guitar), Loukas Metaxas (bass)
Concert at Stegi Grammaton & tehnwn, Athens, 2013 


Voskopoula electronique

SIGANIDIS

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alexandros karlis

Trashos Gracefolded

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