Fucking Mark Knight man. Brings me back when I was 18 hm

always such pleasure to hear this track ... Loved it back then and it gives me goose bumps also now❤️

❤️Techno Techno ❤️

Mark Knight & Funkagenda - Man With The Red Face (Original Club Mix)

'We’re happy to hear another deeper groove from Beni G and Plus One, this one is favored for the club. Expect to hear this at SXSW and WMC, as it’s set for a release on the LA collective imprint OWSLA." 
- Gotta Dance Dirty

www.gottadancedirty.com/2014/02/21/pr…eats-beatbox/

Web: jackbeats.co.uk
Facebook: facebook.com/jackbeatsmusic
Twitter: twitter.com/jackbeats
Youtube: youtube.com/user/jackbeatsmusic


Download on iTunes

Beatbox

Paul Oakenfold & Cassandra Fox
“Touch Me”

Continuing the run of single releases from Paul Oakenfold’s recent Trance Mission album, we present a cover of what is arguably the biggest electronic vocal record of all time “Touch Me”. Originally by Rui Da Silva & Cass Fox and released in the early 00s the new adaptation by Paul Oakenfold took things in a more chilled direction – but still featuring a completely fresh take of vocals from Cassandra Fox. 

“If ever there was a timeless vocal classic to cover it’s “Touch Me” by Rui Da Silva and Cassandra Fox. Originally released in 2001 this was a number 1 hit in numerous countries around the world including the UK top 40. I adore this record. The lyrics and vocals are so perfect that when it came to make the cover version I knew two things had to happen – firstly we had to try and get Cass to re-sing the vocals (part of the rules of making a cover means you can’t use any audio from the original composition – everything needs to be remade or replayed) and secondly I wanted this to be a really stripped back almost chill out track so that the vocals had loads of room to breathe and take center stage. I love how this turned out and I was so excited that Cass got really involved when she came in to re-sing her vocals. It’s a completely fresh, exciting and emotionally charged take on the original record and I love it. “

Perfecto Records are proud to present a package of fresh & exciting club and radio mixes.

Traversing styles from progressive house to trance this package contains something for everyone. From Paul Oakenfold’s big room house ‘Stateside’ mix to the deep house interpretation with Marcellus Wallace, from the uber cool Mike Koglin take or the party vibe Joyriders mix. From the tougher Perfecto Club mix to the all out trance fest from Thomas Datt – this first package covers all bases. 

Watch this space for the release of the official “Touch Me” video. Coming soon. 

www.pauloakenfold.com
www.facebook.com/oakenfold 
www.twitter.com/pauloakenfold 
www.perfectorecords.com
www.facebook.com.perfectorecords
www.twitter.com/perfectorecords


Paul Oakenfold & Cassandra Fox - Touch Me (Paul Oakenfold vs Marcellus Wallace Mix)

We had  lot of fun with this track over summer 2011... now we make it free for you all! x :-)

Underworld - Born Slippy - CamelPhat Edit

Feel Inside x Sacred Cross / NA•RO Mash

3-06 Tracey In My Room (Lazy Dog Bootleg Vocal)

Krystal Klear   Neutron Dance (Gerd Janson Birkenstock Remix)

Eric Prydz - Pjanoo

II OUT NOW II 

Buy/Stream: lnk.to/HOTC126 

Young Irish-producer Rebūke continues his rapid ascent to the top with two original productions on Hot Creations, primed and ready for the dancefloor.

Rebūke recalls being worried that Along Came Polly may have been perceived as being “a bit too weird”, but once it caught the attention of Jamie Jones, there was no stopping it. He says that the hype surrounding this EP “is something I’ve never experienced before...and it always get a great reaction”.

On Along Came Polly, Rebūke showcases his innate ability to craft a weirdly, wonderful slice of techno. On the B-side, Rolo is a much housier affair, weaving together a bouncier bassline and sultry vocal stab.

The alias of Reuben Keeney, Rebūke, has only been in business for a short while, but his efforts have already proved to be fruitful. He has garnered support from the likes of Nic Fanciulli and released on labels including Saved and DFTD, as well as having a successful club night under his belt, where highly regarded names such as Camelphat, Darius Syrossian, Ejeca and Huxley have all played.

TRACK LISTING
A. Along Came Polly
B. Rolo

Along Came Polly

Buy/Stream

Rebuke - Along Came Polly

It's Love (Trippin')

It's Love (Trippin') (Goldtrix Club Mix) [feat. Andrea Brown]

Till West & DJ Delicious Same Man (Original Mix) youtube original

II OUT NOW II 

Buy/Stream: lnk.to/HOTC149

The 27th of March will see one of this year’s most sought-after releases, as Paradise founder and Hot Creations head Jamie Jones teams up with long-term friend and Paradise resident Alan Fitzpatrick on Fairytale Frequency. The stunning two-tracker is the debut collaboration from two of electronic music’s most in-demand talents and, as expected, the end result is an outstanding offering that showcases both artists at their best.

The lead track Fairytale Frequency instantly showcases the bespoke sounds of both artists. From the get-go we witness the tell-tale signature of Jamie in the tribal drum patterns and whispering female vocal hooks, whilst Alan’s trademark club sound comes through in the pulsing, acid-twinged lead synth. Sundancing rounds things off. Soulful and soothing, the track is reminiscent of Hot Creation’s early days with it’s warming bassline and deep, emotive vocals, as gentle hats converge on light kicks to form a Baleric-inspired closing cut that tugs deeply on the heartstrings.

As a world-renowned DJ and producer, head of Hot Creations and founder of the global Paradise event series, Jamie Jones has etched out a legacy on electronic music that few can attest to. His personally curated Paradise series offers an international showcase of house and techno’s most recognisable artists. A long term Paradise resident, Alan Fitzpatrick has risen to the upper echelons of electronic music with a constant stream of outstanding releases on the likes of Drumcode and his very own We Are The Brave label.

TRACK LISTING

A. Fairytale Frequency
B. Sundancing

Fairytale Frequency

Sundancing

HOTC149 B Jamie Jones & Alan Fitzpatrick - Sundancing 1644 PM

Sometimes you need to look back to look forward; marking the start of a new decade, Silicone Soul celebrate 20 years since their game-changing breakthrough hit with a brand new remastered version and two new remixes. 

‘Right On, Right On’ and on and on and on… The duo’s iconic Cutis Mayfield sampling single came in many shapes and sizes around the turn of the century. Beginning as ‘Right On 4 Tha Darkness’ in 1999, it then became ‘Right On, Right On’ in 2000 with that legendary hypnotic bongo loop that brought the soaring strings and warm jacking groove together so exceptionally well that another version popped up a year later; with added vocals from Louise Clare Marshall, ‘Right On!’ smashed the UK mainstream, hitting number 15 in the official charts… And led to the Glasgow duo famously declining an offer to go on Top Of The Pops. Two decades later and they still don’t regret that decision.

“We’ve had a lot of remix and licensing requests recently for 'Right On, Right On’ with even a dodgy progressive house cover version appearing back in January. Soma’s release schedule was sadly full, so we thought, f**k it, let’s do a re-release on our own Darkroom Dubs label, and as it’s been 20 years since the first release, we thought it would be perfect timing for an anniversary edition too. Conor Dalton, from Glowcast Mastering in Berlin, was kind enough to remaster the original direct from DAT and to complete the package, we’ve also included a new dynamite remix from Fango, with Matthias Tanzmann revisiting his much-loved remix for a 2020 version.”

Warmer than it’s ever sounded before, the new Glowcast remaster comes complete with remixes from Matthias Tanzmann and Fango. Originally released in 2012 as part of Soma’s own 20 year anniversary, Tanzmann squeezes every ounce of soul possible from the percussion elements while Italian Fango gives ‘Right On Right On’ a right old shoeing with a massive lolloping disco bassline, marching pianos and an injection of funk positivity 2020 has sorely missed so far.

20 years deep, still taking us through the darkness, still focused on a bright future. We need music like this now more than ever. Stay tuned for more Darkroom Dubs dispatches very soon.

Available now from our Bandcamp & Beatport (12th June for all other digital stores & streaming platforms).

Art & Design by Susie Cairns. 
Mastered by Conor Dalton at Glowcast Audio.
https://darkroomdubs.bandcamp.com

Right On, Right On

Right On, Right On (Fango Remix)

Bandcamp

‘Right On, Right On’ and on and on and on… The duo’s iconic Cutis Mayfield sampling single came in many shapes and sizes around the turn of the century. Beginning as ‘Right On 4 Tha Darkness’ in 1999, it then became ‘Right On, Right On’ in 2000 with that legendary hypnotic bongo loop that brought the soaring strings and warm jacking groove together so exceptionally well that another version popped up a year later; with added vocals from Louise Clare Marshall, ‘Right On!’ smashed the UK mainstream, hitting number 15 in the official charts… And led to the Glasgow duo famously declining an offer to go on Top Of The Pops. Two decades later and they still don’t regret that decision.

“We’ve had a lot of remix and licensing requests recently for 'Right On, Right On’ with even a dodgy progressive house cover version appearing back in January. Soma’s release schedule was sadly full, so we thought, f**k it, let’s do a re-release on our own Darkroom Dubs label, and as it’s been 20 years since the first release, we thought it would be perfect timing for an anniversary edition too. Conor Dalton, from Glowcast Mastering in Berlin, was kind enough to remaster the original direct from DAT and to complete the package, we’ve also included a new dynamite remix from Fango, with Matthias Tanzmann revisiting his much-loved remix for a 2020 version.”

Warmer than it’s ever sounded before, the new Glowcast remaster comes complete with remixes from Matthias Tanzmann and Fango. Originally released in 2012 as part of Soma’s own 20 year anniversary, Tanzmann squeezes every ounce of soul possible from the percussion elements while Italian Fango gives ‘Right On Right On’ a right old shoeing with a massive lolloping disco bassline, marching pianos and an injection of funk positivity 2020 has sorely missed so far.

20 years deep, still taking us through the darkness, still focused on a bright future. We need music like this now more than ever. Stay tuned for more Darkroom Dubs dispatches very soon.

Available now from our Bandcamp & Beatport (12th June for all other digital stores & streaming platforms).

Art & Design by Susie Cairns. 
Mastered by Conor Dalton at Glowcast Audio.
https://darkroomdubs.bandcamp.com

Mark Knight & Funkagenda - Man With The Red Face (Original Club Mix)

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