if we looking out on the day of another dream?

@drivera360: This would be a great song to sing to your child. Like a lullaby.

http://morsecode.scphillips.com/translator.html

VIDEO CLIP >> https://www.youtube.com/watch?v=h0TYxIOS_V8

MAGIC LADY

Branches - Helicopter

America (Simon and Garfunkel/ First Aid Kit Cover)

Seener

Floating Harmonies

Buy on iTunes

Júníus Meyvant - Signals

this a new song , blog: monkeytown.comule.com

Gorillaz On Melancholy Hill HyGrade Dubstep Remix  MonkeyTown.comule.com

The Lennings - You're The One That I Want

Golden Hour

Written by Taryn Randall
Produced by Jeremy McDonald
Engineered and Mixed by Christopher McDonald
Mastered by Joe Lambert

Jeremy McDonald - bass
Christopher McDonald - synths
Chris Parker - guitar
Taryn Randall - vocals
Sean Mullins - drums

Golden Hour

Gorillaz -  On Melancholy Hill  (BBC Radio 1 - Live Lounge)

ชอบเพลงนี้จุง  งิงุงิงุ xD
I like is song.

Levan polka

Sufjan Stevens - Chicago

Omnipony - Clouds

• Third and most accessible album by icelandic experimental pop artist Sin Fang
• Recorded & produced by Alex Somers (producer of Sigur Rós & Jónsi)
Although there is a certain reassuring quality to evergreens – you can rely on them to never drop their foliage – it’s the flowering plants, the ones that bud, blossom, and bloom, which really light up and even define a season. This is exactly what happens on Flowers, Sin Fang’s third solo album: Seabear’s founder and mastermind unlashes a melodic spring storm and explores even more corners of the lush and baroque gardens he spent the last five years in.
Following his Half Dreams EP, Flowers is a solo album that nevertheless opens with a lot of collective chanting, a sense of deep rootedness, togetherness, unity, shared experience: “We were young boys, smoking in the woods, I showed you how”, are the first words Sindri Már Sigfússon aka Sin Fang scatters across the less-beaten tracks, only to leapfrog across the lawn and switch on the stage lights for his own take of stadium pop. Don’t worry, there’s nothing wrong with your ears: A song like “What’s Wrong With Your Eyes” would indeed sound infinitely awesome in a stadium setting – it’s so massive, so outspokenly pop, when the beat meets layered vocals and the piano comes in just at the right moments. “I was thinking a lot about pre-teenage and teenage feelings,” he explains. “The exaggerated feelings and dramatic thoughts that most teenagers go through: Love and rejection, the constant ups and downs... I thought Flowers was a good name for that theme as they are used both for sad and happy occasions.”
A few albums and EPs and make-shift DIY beards later (he went from paper to knitted goods and now likes them freshly watered and soon withering), Mr. Sigfússon has obviously learned how to cultivate the heaviest crops of the pops: indie-rooted but vast, quirky at times but crystal-clearly aiming at the stars in other places, there’s more tracks with huge sing-along gestures, more of that well-rounded surround experience now stripped of any insecurities. This is a bold statement that’s a million miles away from cliché Icelandic indie stuff, but instead shows that you can indeed be a sucker for outlandish prison tattoos and at the same time go for rather timeless orchestrations that unfold like springs, followed by summers and autumnal winds.
There’s clearly a ghost at work here, still carrying him away, as he gathers more and more rosebuds and moves from epically marching (“Look At The Light”) to overgrown power pop (“Not Enough”) and back via lots of oh-uh-oh-uh-oohs (going up and down like those distant hills you can’t stop staring at) to fast-paced bliss (“Sunbeam”). “Weird Heart” takes a look at the things one doesn’t care about as one gets older (“so many things don’t mean a thing to me”), while “Feel See” is a call for like-minded individuals out there, as it moves from section to section, pushing onwards, now hesitant and soft-spoken almost, soon hopeful about the answer to the question it poses: “Is there someone that feels like me, that there’s nothing to feel or see?” There’s lots. To feel. To see. To discover and dive into. At least in this garden there is.

Sin Fang - Young Boys

"Satellite" from Guster's Live Acoustic Album. 
Live Acoustic is a collection of 16 recordings from Guster's Spring 2012 Acoustic Tour featuring the Guster String Players. 
Live Acoustic on iTunes: http://smarturl.it/i1vecb

Track Listing:

1. Backyard
2. Do You Love Me
3. Long Way Down
4. That's No Way To Get To Heaven
5. What You Call Love
6. Beginning Of The End
7. Diane
8. Rocketship
9. Empire State
10. Rise And Shine
11. Two Points For Honesty
12. Either Way
13. Satellite
14. Rainy Day
15. Hang On
16. This Could All Be Yours

Visit Guster on:
Web - http://www.guster.com/
Facebook - http://www.facebook.com/Gustermusic
Twitter - https://twitter.com/guster

Spotify: http://spoti.fi/7PoJV3
Merch: http://www.gustermerch.com

Guster - Satellite

Forest/Cave Theme, Route 1 Theme, Battle Theme, Victory!
This is pretty much what would happen if Ash Ketchum dropped acid &amp; ecstasy, ran through viridian forest, and then got into the most epic pokemon battle he's ever experienced. Though his brain is swimming in dopamine and serotonin, Ash pulls it together at the end to clench victory.
This was completely for fun, and intentionally over the top. Blue version holds a special place in my nostalgic heart, and I would ALWAYS get the music stuck in my head, because its so awesome.

EDIT: Thanks guys, you're all badass. Because the download limit is reached, use (http://www.mediafire.com/?eakv2qey81n8zn8) instead. Catch 'em all and stuff.


Pokemon Red&Blue (I Wont Let You Take Me Seriously Remix)

Dubstep, Nightcore, the living tombstone, love yu all 
When you have lost your childhood, would you do everything to get it back, wouldn't you?

Gorillaz - On Melancholy Hill (BBC Radio 1 - Live Lounge)

user3917367

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