SYNTH-WAVE

Atlantis

Marvel83' - Atlantis

Out now: mechatronica.bandcamp.com/album/data-phobia

EP playlist: soundcloud.com/mechatronicamusic/sets/credit-00-data-phobia-mtronw010

Credit 00 returns to manifest a lawless mirage of digital dread, paranoid energy and hallucinatory desire. Limited to 500 copies, no repress.

Mechatronica White
MTRONW010
14/1-2022

A1 Data Phobia
A2 Being Baked
B1 Fatty Acid
B2 Control Z

@credit00ratlife

Data Phobia

[ Buy on Bandcamp ]

Credit 00 - Data Phobia [MTRONW010]

* Subscribe for more premieres: https://bit.ly/2igyosu
* Read more: https://boltingbits.com/heinrich-dressel-eden-olympia/
* Watch on YouTube: https://youtu.be/mWtRukutV_Q
* Pre-order: https://bordelloaparigi.com/shop/vinyl/heinrich-dressel-the-obscure-cities-ep/

Few artists have done as much as Heinrich Dressel to rekindle the genre of soundtracks. Even fewer are as capable as the Italian at writing such silver screen scores. Yet, Valerio Lombardozzi is much more than just one style. He has shown this time and time again, doing so once more with The Obscure Cities. Works of fiction, rather than film, are the fount of inspiration with tracks drawing on the likes of J.G. Ballard, Francois Schuiten, Benoit Peeters and Valerio Mattioli. The listener is transported to worlds of Dressel’s own making, landscapes of melody, textures of bass punctuated by drums. “Galatograd” opens. From understated beginnings, the track expands into a symphony of strings as columns of warmth descend. Tempos rise for “Eden Olympia”. A different tone is set. Juddering arpeggios and clean snares are elevated by bright and hopeful keys that sparkle with an enthusiasm and innocence. Deep unctuous bass gives way to gliding notes for “Remoria”. A piece where melodies and memories melt in the morning dawn. “Mylos” is the last visit of the EP. Delicate, almost fragile, notes are buttressed by drum patterns in this hazy dreamlike finale.

PREMIERE: Heinrich Dressel - Eden Olympia

Kraftwerk - Das Model

In Aeternam Vale - Animals Don't Mind

Das Ding - H.S.T.A.

© ISOLAA Records 2017
ISRC  FR 0ML 17 00020
Music & Lyrics by Rémi Parson
Mixed by Jef Dominguez at 2000rockerz Studio

La Surprise available the 27th of January.

Follow Rémi Parson
Facebook - https://www.facebook.com/remiparsonuk/
Soundcloud - https://soundcloud.com/r-mi-parson
Instagram – https://twitter.com/remi_parson?lang=fr


Follow ISOLAA Records
Facebook - https://www.facebook.com/weareisolaa/
Soundcloud - https://soundcloud.com/weareisolaa
Instagram - https://www.instagram.com/weareisolaa/
Twitter - https://twitter.com/weareIsolaa?lang=fr

Lyrics :
ans des codex cornés
Des impressions tronquées
Perspectives tracées au hasard
Pour mieux fourguer mes bobards
J’ai pas perdu le nord
Chahuté par les remords

J’ai flanché…

J’ai pas foncé tout droit
Comme quand on sait où on va

Oh tu le dis souvent, 
Tout est si décevant
Astres fades et piètres radeaux
Le trajet n’est pas beau
Difficile d’une bavure
De faire une aventure
J’ai pas foncé tout droit
Comme quand on sait où on va

La surprise

Télécharger le titre

Rémi Parson - Du Pétrole

Techno Primitiv

Misunderstandings

Selbstportrait II

Alle Jahre wieder

Taken from the album, Stains on Silence, out 15th June on Tough Love. Pre-order here -  http://smarturl.it/StainsOnSilence

Formats:
LP  - black vinyl, with cream sleeve
LPX - orange vinyl, with black sleeve (indie stores-only - 300 copies)
LPXX - ultra clear vinyl, with black sleeve, poster and hand-numbered (Bandcamp only - 200 copies)
CD & digital

Biog

It stands to reason that many vital albums come critically close to never being made. The eight-track upshot of doubt, upheaval and financial strain, Stains on Silence by Girls Names is one such release.

Following 2015’s blitzing Arms Around a Vision, and the parting of drummer Gib Cassidy just over a year later, the Belfast band suddenly found themselves facing down a looming void. “There was a finished – and then aborted – mix of the album, which was shelved for six months,” reveals Girls Names frontman Cathal Cully. “We then took a break from all music and went back to full-time work. We chilled out from the stress of rushing the record and not being happy with it, as well as being skint with no impending touring on the cards and constantly having to worry about rent.”

The stumbling blocks that proved a strain became the album’s defining breakthrough. Recorded in various locations including Belfast’s Start Together Studio with Ben McAuley, Cully’s home and the band’s practice space, spontaneous creation, cut-up techniques and self-editing took centre-stage for the first time. "We started tearing the material apart and rebuilding, re-editing and re-recording different parts in my home in early Autumn last year,” says Cully. “When we got them to a place we were happier with we went back into Start Together Studio with Ben McAuley to finalise the mixes to what they are now."

Where AAAV proved a brazen statement of intent, Stains on Silence bounds forth as its feature-length comedown. What could have seen the band buckle became an opportunity for approaching things tabula rasa. During its two-year transmutation, Cully, bassist Claire Miskimmin and guitarist Philip Quinn had a single aim for their fourth album: to make an old-fashioned record clocking in around 30 to 35 minutes in length that made the listener reach straight for repeat. From the Bang Bang bar-summoning swoon of opener '25’ and the submerged disco doom of ‘Haus Proud’ to the rapt, dub-leaning ‘Fragments of a Portrait’, Girls Names have excelled in their goal by forging an LP of synchronous nuance and defiance.

Marked by the presence of drum machines and programming throughout, these eight masterfully-woven tales are once again commandeered by founder Cully, whose words, understated yet defiant, mine purpose and meaning from the mire ("I want to bathe again, I want to swim again / In a pool of twisting bodies, blackened gold." — ‘25’). But while Stains on Silence came critically close to never being made, having lived with it, reconfigured it, and guided its metamorphosis from flickers of inspiration and half-formed schemes, it’s both a statement of pure perseverance, and a head-on confrontation with ambivalence that couldn’t be more assured. (Brian Coney, March 2018)

https://www.facebook.com/GirlsNames
https://twitter.com/Girls_Names
https://www.instagram.com/girls_names/
https://girlsnamesbelfast.bandcamp.com

Girls Names - 25

Like the track? Click the [↻ Share] button!

For this new Premiere, we have a track by Das Muster (aka Marcus Mumm) from the upcoming LP "Traum und Wirklichkeit" on the label : Timeless Movement.

The track we have chosen to premiere is entitled ‘Dreiundzwanzig’ and it will be available from January 15th, 2019.
The German movie "23" inspired Marcus to make this track.
The release can be only pre-order here : tmlssmvmnt@gmail.com

Release Info :
Pre Order Listing : tmlssmvmnt@gmail.com
Release : Early 2019
Limited Edition Red Transparent Vinyl
High Quality Fullprint Cover
Mastering by Alek Stark
Visual by Antonin Le

Das Muster - Traum Und Wirklichkeit [Release 2019] Preview : https://soundcloud.com/tmlssmvmnt/tmlssmvmnt001

Follow Das Muster :
Bandcamp : www.dasmuster.bandcamp.com
Discogs : www.discogs.com/fr/artist/2176762-Das-Muster
Facebook : www.facebook.com/DAS-MUSTER-210516945680979
SoundCloud : www.soundcloud.com/das-muster
YouTube : www.youtube.com/user/mummstylesound

Follow Timeless Movement :
Facebook : www.facebook.com/tmlssmvmnt
SoundCloud : www.soundcloud.com/tmlssmvmnt

Traum Und Wirklichkeit

Dreiundzwanzig

TL Premiere : Das Muster - Dreiundzwanzig [Timeless Movement]

SYNTH-WAVE

SIDI86