DESCRIPTION: The whole of Argentina is gripped by a dramatic wave of sorrow upon learning of the untimely death of their legendary first lady, Eva Duarte de Peron, from uterine cancer.
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Slightly better version featuring much more realistic and expressive brass. The rest of the instruments have been left untouched. I'm not too pleased with this yet. It needs to soar but feels mostly anticlimactic. The improved brass helps somewhat but I think what will eventually do the trick is better mixed strings that harmonize with the supporting synths. A little volume tweaking should take care of that. There is also a huge amount of bass missing and that will undoubtedly give it a more 'epic' sound, if you will. There is still the midi instruments (added last minute temporarily for the sake of completion--cymbals and various other percussion) too, which I'm sure stifle its potential. The brass will likely not change as I'm more than pleased with their sound.

This orchestration is from the original stage adaptation of the musical, which began as a 2 LP concept album released in 1976, which had orchestrations similar to these but with a rock edge. The original London production, starring Elaine Paige at the Prince Edward Theatre, featured these orchestrations which were later refined and set as the standard all around the world for many years. Orchestrated by Andrew Lloyd Webber and Hersey Kay, variations with slight adjustments of these orchestrations have been recorded for both the film version starring Madonna and the recent Broadway and London revivals.

"Requiem For Evita" - Original Orchestration

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Re-Animated @frawstakwa 
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Re - Animated Frawstakwa & Paploviante

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Hello everyone. This is my tribute to the musical Les Miserables, which I've been a fan of since age 6. I've since known and loved many other musicals but Les Mis holds a special place. I have an especially soft spot for the show's original orchestration, so thought I'd try recreating it!

Here is my humble attempt at recreating even a semblance of that iconic John Cameron orchestration and not-so-humble attempt at asserting how much better his orchestration is to the copy and paste cliche mess that claims to be the show's "updated" orchestration these days.. Sadly, that original orchestration has since gone through significant downgrades and MTI is no longer licensing the original orchestration. They offer now the 25th ann. reduction, which makes pretentious claims of being more classical with a chamber sound but it's first and foremost a money generating ploy to reduce costs, at the expense of character, cohesion, and integrity--the new concoction features work by 3 additional orchestrators. To say it is a train wreck is an understatement. I keep faith one day this will all just go away and the show's signature sound and gritty musical language restored...someday.

John Cameron's original work is the voice of Les Miserables to me and it can't be bettered, much less replaced.

I got the idea one summer to make my own backing tracks as a response to the cheap quality "Karaoke" tracks that were being mass produced at one time. I vowed to only use a real orchestra in my tracks but not being a millionaire and not having a full orchestra at his disposal, what was a fan to do? An emerging technology at the time (circa 2002) was the answer. It was called "Orchestral Instrument Sampling."

Many hours of trial and error and fumbling around with thousands of individual snippets of orchestral instruments playing a single note, I've reached a level of maturity in my work that I feel confident sharing it. I use NOTHING but REAL orchestral instrument samples in my tracks, all meticulously sequenced. It is arduous but rewarding work.

Most of all,  I've had a blast working with a score that has inspired me so much, and gotta love John Cameron's quirky mix of acoustic orchestral and synthetic "pop" sounds and styles that give this musical a uniqueness like no other, a hybrid musical style that at once sounds as classical as it does mainstream and is incredibly expressive.

Please forgive the so-so mixing as these are ALL work-in-progress preview tracks. A lot of them have crazy tempos in places and all could benefit from some equalization and better mixing / individual instrument positioning within the stereo image. 

At any rate, I'm not a composer and none of the work I present are my own original compositions. I merely recreate what I hear. I do NOT claim to represent or to have mastered anyone else's work/creation. I only represent my interpretation of their work and it comes from a place of deep respect and admiration, as well as strong focus on integrity.

These tracks are not for commercial use. They are for private individual home listening. 

All Les Miserables tracks feature orchestrations by John Cameron, to music by Claude Michel-Schonberg; Evita tracks feature orchestrations by Andrew Lloyd Webber and Hershey Kay--all as interpreted by me.

As for me? Hey, this isn't about me, it's about the music!!! XD

"Requiem For Evita" - Original Orchestration

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