I am seriously in love with this, great performance

Viola_d_amore_Concerto_in_A_Minor_RV_397_II_Largo.mp3

R. Schumann: Kinderszenen, Op. 15, Waldszenen, Op. 82 & Arabeske Op. 18

Kinderszenen, Op. 15: No. 4, Bittendes Kind

Paganini, Caprice No. 4 in C minor. Maestoso    Jinjoo Cho, violin

1st two movements of Bach's amazing 1st Partita. Written

Bach Partita 1 I. Prelude

Pomp and Circumstance no. 2
Sir Edward Elgar wrote his Pomp and Circumstance March no. 2 in 1901 and dedicated it to the composer Granville Bantock. Although this second march is less known than the first, it is not less beautiful. A loud call for attention by the brass section is followed by a nice staccato theme with the woodwinds, completed by different instruments in a construction leading to the trio. This trio in major key contains a simple melody written in thirds played respectively by the woodwinds and the brass. The work ends with a short but powerful coda.
https://www.molenaar.com/details/1/19148/en

Pomp And Circumstance No. 2 (arr. Ton van Grevenbroek) - Edward Elgar

Composer’s Note
Today, new music — or perhaps more accurately, postmodern music — has found within the contemporary soundscape its own set of conventions. These conventions impose upon the composer a particular mode of sonority and a specific way of handling the musical material. In the present work, I have sought to distance myself from such prescriptions by remaining faithful to my own aural heritage, for it is precisely this heritage that sets my musical imagination in motion.
No tradition, rule, or sound possesses the power to mend the fractured porcelain of our listening experience. Only the composer, through the act of composition itself, can forge a new alloy from all that exists — granting melody a renewed definition and being.

The recording was made in Iran, by an Iranian performer, for I believe that both the performer and the real context of performance constitute the final link in a work’s contemporaneity — capable of reawakening, within the piece itself, the very wounds that first set its creation into motion

3. Crooked and Twisted

Rudolph Reuter plays in 1919 Cyril Scott Lotus Land Op.47  No.1  Eb, Duo-Art Piano Roll 6096.
Re-recorded in 2016 by VViljanen (by permission from Terry Smythe, Winnipeg)from digitally simulated original reproducing piano roll with a modelled Grand Bluethner Model One, tone/sound modified/reconfigured by VV.
COMMERCIAL USE PROHIBITED. 
Photo: Cyril Scott 1879-1970.
LOTUS LAND, Op. 47, no l
Roll Number: 6096, 60968
Composer/Creator: Scott
Pianist: Reuter
Roll System: Duo-Art
Country: US
Date: January, 1919
Category: classical
Original Price: $2.00 (Price after 1922)

Cyril Scott: Lotus Land Op.47  No.1  Eb. Rudolph Reuter plays1919  on Duo-Art 6096

Rebelles Baroques, concerto pour 2 flûtes, cordes et basse continue en sol mineur, QV 6:8A (mouvement presto)

Paganini, Caprice No. 4 in C minor. Maestoso Jinjoo Cho, violin

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