Harsh Electronics Distorted Beats Harmonic Dissonance Beautiful Corrosion

Stolen

ThisIsReal

YouGotNoSoul

TheSkyIsFalling

This is the full un-edited track for my 2011 entry to mixage fou. 

Contestants were supplied with about 11 sound recordings to mold into a 80-second composition. The rules were limited only to the limitation of sound sources. No synths/VSTS or sound generators were allowed, but any alteration, edit, deconstruction/reconstruction of the provided audio files was allowed. 

The supplied sounds ranged from a french radio interview, kids running down a hall way, mechanical machinery, to the tuning of a badly out of tune guitar. 

I began work on this song about 1 week from the deadline, so this song represents quite a lot of work done in a very short period of time. I originally built the song to be around 4 minutes in length but when it came time to upload my final I realized I had to edit it down to only 80 seconds! I may have never gone this route and gotten as involved and laborious as I did if I had realized this from the beginning... 

So here is the full song as I had intended it.

can You hear me? (mixage fou 2011, original extended version)

Electronic minimalism slowly grows and takes your ears on a journey through experimentation and expression written and played on a waldorf microwave xt.

A song written and recorded completely using renoise, mixed and mastered in reaper as a part of RPM Challenge 2011 to write an album in the 28 days of February. 

Handling it all

Balance

Constraints

Beyond Perspective

Simple Orchestral track I've been working on in renoise 2.7.2 on avlinux (debian squeeze)



In due time

This is a very simple track I created in jasuto pro on the ipad2 on my bus commute home from work. There are six modular sequences running in tandem, all mixing and sound tweaking was done in one take w/o any post editing done at all. 

It's a free-form track with minimal glitchy electronics all coming from what I once considered nothing but a toy.

ThinkingBigger

Clarity

Rationalize

This is a song I wrote which was originally released on "Deep Sea Creatures" 

End of an Era

First round with current "final" mixes, all tracks ran through an automated mastering bus

Rpm2013 02

Shed My Skin - Perseids Mix

Rising

re-arrangement of a track I originally wrote for monstrum sepsis

You're Always Here

collection of tracks written worked on between 2004 and 2020

Mastered Export

Introspect

Blissfulness

Subway

Freestyle percussion remix by Robert Wentz of the upcoming Displacer track from 2013, "unbreakable". Image used for this song is an AP photograph from the SWAT raid on Watertown, MA on April 19, 2013.

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