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Rey Pila - No Longer Fun

Duncan Dhu desde el Auditorio Nacional el 7 de octubre de 2013.

* http://www.vuelveduncandhu.com

Duncan Dhu - No Puedo Evitar (Pensar en ti) @ Mexico City, 2013

Base Musicale & arrangiamento per flauto dolce

Breakfast In America - Supertramp

Justice - D.A.N.C.E.

God Gets You Back

God Gets You Back (Edit)

Idolise

[ intro instrumental ]
life is like a holliday, 
if you feel it all this way, 
someone ask you what's the time, 
answer fly somvhere far from your mind,

don't care about hours an days
[ bridge]
months and years pass by, 
[ bridge] [ drop ]
and you just stay

life is like a movie where you took a hero's part, saving the world?  it means nothing
your role is here and you keep that part

[ instrumental intermezzo ]

no fears, no tears, no worries
your heart is beating 
your eyes are open
full breath oxygen flows
and you  feel you'r alive again
[ bridge]
you are strong 
[ bridge ]
and ready now.

life is like a holliday, if you feel it all this way, someone ask you what's the time, 
answer fly somwhere far from your mind,
[ bridge]
don't care about hours an days
[bridge]
months and years pass by, 
and you just stay

[ outro ]

No fears, life is like a holliday

"Ice Eyes" is a guitar driven song inspired by the 2000's and early 2010's indie rock landscape, fusioning catchy pop sensitivities with quirtky textures. This song serves as a battlefield between pride and love, as well as the nostalgia that prevails from that particular relationship that shaped who you are. When, after so much pain and "back n' forthing", it's hard to say hello to them... But even harder to say goodbye. It's a refusal to let go, but a desperate call to do so too. The synergy of ambivalent thinking carried by a raw and nasal voice, groovy bass-lines and synthetic melodies that tightly wrap this 4 minutes 17 seconds of a tune.

Ice Eyes

inst  https://www.youtube.com/watch?v=8OotU7sXePU

Can't Feel My Face (The Weeknd)

I've been chasing horizons that will never come.
Eyes fixed on the illusion; till the day I'm done, you're the only one.

www.twitter.com/mattwoodsmusic
www.facebook.com/mattwoodsofficial

Stream on Spotify

Nothing Less

"Caught in a Lie" is the second single from Chastity Belt's highly anticipated I Used to Spend So Much Time Alone, out 06/02/17 on CD, LP, digital, and cassette from Hardly Art records. Pre-order the album today from flyt.it/usedtospend

Follow Chastity Belt on Twitter: https://twitter.com/CHAST1TYBELT
Follow Chastity Belt on Instagram: https://www.instagram.com/chazzybelt/
Like Chastity Belt on Facebook: https://www.facebook.com/chastitybeltmusic/

I Used to Spend So Much Time Alone

Chastity Belt - "Caught in a Lie"

Benjamin Schoos feat. Dent May - ‘All Night Every Night’ 
Copyright Freaksville Records 2018

The story behind Benjamin Schoos’ sumptuous new single, ‘All Night Every Night’, is a very modern tale of connectivity. It’s a meeting of musical minds five-and-a-half thousand miles apart and separated by the Atlantic Ocean. It’s a bromance where the protagonists have never met outside of an email thread (they will hook up for the first time for promotional purposes in 2018). 

The Belgian crooner was listening to streaming services one day at home in Liege when the provider threw up Dent May’s sweet psychedelic soul music. The mathematical data packets selected a song of May’s and Schoos was instantly hooked. The algorithms were on fire that day, because the more he listened, the more he liked, and having secured the services of Laetitia Sadier (ex of Stereolab), Mark Gardiner from Ride and Chrissie Hynde of the Pretenders as guest vocalists on his international debut China Man vs Chinagirl, he made a note to contact this kindred musical spirit - wherever in the world he might be - with the suggestion of a collaboration. 

“The first time I heard Dent’s music was in 2013,” he says. “It was Do Things, which is a great pop album. I really fell in love with his music! Great songs, great vocals and melodies with a sixties flavour, but with very modern production.” The pair have much in common: Schoos produces lush, string-laden, melancholic French pop at his Freaksville studios; May has “a voice like Brian Wilson,” according to Pitchfork, “a winsome persona - intergalactic lounge singer, spaceship yacht-rock star”. Releasing music on Animal Collective's Paw Tracks label, the L.A. based musician (having relocated from Oxford, Mississippi) counts iconoclastic chansioner Serge Gainsbourg as a major influence, as well as sardonic country pop legend Lee Hazlewood. Benjamin’s and Dent’s collaboration would prove to be a match made in heaven, or cyberspace to be more precise.

“I wrote and produced the music, played all the instruments and provided a few backing vocals at the Eastview studio in Liege,” says Schoos. “Dent wrote the lines and the vocal melody in L.A.” Gilles Martin, who was an engineer at the legendary Factory label alongside Martin Hannett, and has since overseen work by the likes of Hector Zazou and Bony Bikaye, provides the mix. 

Benjamin Schoos’ 2014 album Beau Futur was a 6Music album of the day, while ‘Je ne vous que vous’ with Laetitia Sadier was playlisted on the same station and received airplay all over the world, including on the influential KCRW radio station in the States. ‘All Night Every Night’ is his first single written entirely in English, and it promises to reach yet further afield with its sultry sonics and titular tenacity. At just under four minutes, it’s a sublime slab of sunshine pop that will appear in the middle of winter and should hopefully help dispel the winter blues. “Great pop music is powerful,” Schoos testifies. “It brings serotonin to our brains and love to our hearts.”

Benjamin Schoos feat. Dent May "All Night Every Night"

Violens' forthcoming album, "True," finds the Brooklyn three-piece further amplifying their innovative songwriting with a palette of exquisitely crafted sound. The band's music eludes classification, expertly blending percussive guitar work and silky harmonies, seeking the silver lining yet to be discovered between the sounds we know and love. With a wash of 90s sonic pop drawn from artists like Pale Saints, Cocteau Twins and McCarthy, Violens paint soft watercolor notes across their compositions, adding crucial emotional depth via layered vocal harmonies.

The album's first single, "Totally True," demonstrates this with its stone-washed, semi-improvised feel, celebrating bands like The Chameleons and Martin Newell's Cleaners From Venus. The guitars are clean and jangling, meshing perfectly with the driving bassline. The lovely vocals have an almost 60s feel; their debt to such soft-rock touchstones as The Association and Sagittarius is one of the unique elements of Violens' sound that sets them well-apart from many of their contemporaries. The b-side "Something Falling" is a dreamy ballad marked by an effectively spare production, sweeping synths and the band's trademark harmonies. Simply gorgeous.


Violens - Totally True

Chapter 2: Learning: Early Recordings, B-Sides, Covers, Y Mas

Take My Breath Away!

Wolfmother - White Unicorn

The Strokes Modern Age (US Version) 03 Barely Legal

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Rey Pila - No Longer Fun

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