Run Run Run

Pearl Jam   Even Flow

Alanis Morissette - You Oughta Know

Republica - Ready to go ( Remodernos Edit ) FREE DOWNLOAD

Release Date Monday 11th May

1. Kydus - Transatlantic (Original Mix)
2. Kydus - What You Feel (Original Mix)

After delivering two of last summers most talked about, universally supported and successful global anthems, FREE SPIRIT & CALA EL VERANO, Kydus returns to his home label Circus Recordings with a incredible three tracker, which has already been ignited at the winter music conference by Carl Cox, Nic Fanciulli, Pete Tong, and of course Yousef who’s been personally slipping out the EP to some of his closest dj allies at Miami Music Week.


 
First up Transatlantic gives a nod to Bangalter’s seminal Roule’ label. A cruising disco bassline loop over nasty drums head toward a potent crescendo, a real moment track, If you’ve seen the video of Carl Cox playing it to 10000 people at Ultra Music Festival this Miami WMC you’ll know exactly what we are talking about. Ridiculous!

 
Next up What You Feel is a mature techno record yet with all the warmth and energy Kydus is becoming known for. The relentless groove pulsates as the subtle sirens lift the energy as it unfolds. Another tornado from Kydus.

Kydus - Transatlantic EP

Adventure Of A Lifetime

Angie Stone - Wish I Didn't Miss You (Groove Station Edit)

Available now via Atlantic Records
Spotify: http://smarturl.it/KTLSpotifyRemixes
iTunes http://smarturl.it/KTLRemixesiTunes 
Apple Music http://smarturl.it/KTLRemixesAppleMusic 

Follow DJ Cassidy:
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@DJCassidy

Follow Alex Newell:
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Follow Dimitri From Paris
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Alex Newell, Jess Glynne, DJ Cassidy - Kill The Lights (w/ Nile Rodgers) (Dimitri From Paris Remix)

Click to buy:>> http://bit.ly/1MEQApt

Here at Groove Odyssey records the soulful sound of Spring has arrived, and we are overwhelmed to share it with you.
Produced by the ever so talented Hallex M and featuring the super heavy weight silky tones of Darien, this super fly gem is entitled "Feeling".
From the start,  the journey of "Feeling" will elevate you and leave you spent by the end. The vocal and musical arrangements fit like a glove and is a true masterpiece of a track.

Remember it's all about the "Feeling"

Click to buy:>> http://bit.ly/1MEQApt


Feeling - Hallex M Ft: Darien

Facts

Audiowhores Feat.Stee Downes - Facts (Deeft, The Miners Remix)

Huff And Herb - Feeling Good (Epic Mix)

Seal - Crazy                       ( 4 months producing backing track/ high budget + guitar player

Snow Patrol - You're All I Have

@the-spencer-davis-group "Gimme Some Lovin'"

I Love The 60s
https://soundcloud.com/cleopatra-recs/sets/60s

Get the #60s on CD & Vinyl:
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(P) (C) 2012 Cleopatra Records, Inc.. All rights reserved. Unauthorized reproduction is a violation of applicable laws


#60s #the60s #Sixties #Soul #ClassicRock #funk #PsychedelicRock, #ProtestMusic #RootsRock #HardRock, #FolkRock #BritishInvasion #Motown #SurfRock #Bubblegumpop #retro

The Spencer Davis Group  - Gimme Some Lovin'

Available now on Defected

Buy on Beatport: http://www.beatport.com/release/he-not-in/1024159
Buy on iTunes: https://itunes.apple.com/gb/album/he-not-in-ep/id271344134

http://www.facebook.com/chickenlipsofficial

Chicken Lips: He Not In (Noir's Personal Edit)

We've seen this story in music time and time again; Al Kent - the ambitious producer who spent his life's earnings making his dream project. The project was the Million Dollar Orchestra, an army of musicians whose sole mission was to complete a fully orchestrated Disco LP born in Al's mind and inspired by the lost sounds of classic '70s material much in the vein of the Salsoul Orchestra or MFSB. The MDO LP achieved just that. The music was rich with lush strings, thick brass sections and filled out with arrangements of epic Disco proportions. The LP was magnificent, however much like history has also shown us time and time again; this ambitious project left the producer completely spent, both emotionally and financially.

As we all know any producer worth his salt rises from the ashes and always comes back, usually with a newer stripped down sound and condensed studio budget. This is Al Kent's rise from the ashes that sees him coming at us full throttle even with his bruises and broken bones. This is part of the natural cycle we've seen before in Disco history. Private press Disco records sell for hundreds of dollars on ebay because of the mixture of raw energy that is harnessed in one studio take and the underfunding involved creates a distinct sound on those vinyl platters that can't be replicated. That is unless of course like Al Kent, you record much of your new secretive LP in your bedroom hence using a lot less musicians than you did last time around and then complete the rest of the project in a fully analog studio called The Barn.
 


Al dug out some old tracks he'd been working on previously. Some were half finished, others were little more than ideas, and a few were demos he'd put together for the Million Dollar Orchestra. He got some musicians back together to record a few bits and put these nine new tracks together. It didn't take as long as MDO, but then he didn't record a brass or string section this time. However the tunes do focus on neck snapping drum breaks, heavy boogie bass lines, the bottom heavy aspects of Disco, or as I like to think of it - the underbelly of real independent Disco. It was all mixed at The Barn again, "because that desk and reel to reel tape is just too nice." On the technical side, the difference between digital and analog especially in the right hands is night and day. When it goes through a proper desk where all the effects and all the reverbs etc, are real, it makes a massive difference. It throws up all sorts of challenges which on a computer would be fixed in seconds with some preset. It takes a lot of time and thought to do this using more traditional methods but it's worth it when it works out. 

The finished mixes were bounced to tape - i.e. played back through the mixing desk to a reel to reel machine then recorded back to the computer via valve compressors and other gizmos. That process just pulls everything together and the tape adds a certain something - a warmth that's totally missing in digital recording. 

On the creative side Al thought that an album of all up tempo tracks that were primarily DJ friendly didn't make for a particularly interesting album, except to DJs. He wanted to find a way to make it more interesting for the general public to listen to as well. The LP starts off with a banger and track tempos vary from fired up dancers to mid tempo hustles and down tempo steppers, all the while woven through recordings of lost DJ interviews, commercial advertisements for old Discos, and even revisits the Disco Sucks riot in Chicago's Comiskey ball park over the course of the LP. Al expropriates the Disco Sucks chants and even including it in one of the tunes. The phrase "Disco's Revenge" immediately comes to mind. Don't forget Al got his start as a soul boy and the star tune of this LP may even just be the vocal anthem "Come Back Home" featuring Tyrone Taylor on vocals. This is a welcome addition to Al's discography and brings his sounds full circle.

This independent Disco LP is woven from the mind of a true Disco aficionado (some may even say Disco obsessive) using both real history and new sounds to create a modern disco fantasy for all to enjoy on their headphones or on the dance floors. It is with great honor that I introduce Al Kent's latest burner of a Disco LP: SECRET SOUNDS - So turn up that stereo or put on your best outfit for the discothèque, and get down-get down... 

Love On The Run, New York, August 2009

Come Back Home

Vince Montana Jr left us on April 13, he was 85 years. 

He spent most of them writing, playing and arranging beautiful music. You can hear playing vibraphone (or vibes for short) on pretty much EVERY recording that came out of Philadelphia's Sigma Sound Studio from the late 60s to the mid 80's.

He was playing the vibes with MFSB, composers Gamble & Huff's studio supergroup, the core of what is known as the Philly Sound. He conducted the same musicians as his own Salsoul Orchestra giving them many classic Disco songs, amongst them the infamous Runaway with Loleatta Holloway on vocals on which you can clearly hear Vince's trademark vibes licks. 

In the 90's newer school House producers got him back in the studio and he arranged strings for Mousse T, DJ Meme and most notably for MAW collaborating on the Braxton's cover of the Boss and remaking his own classic Runaway.  

When I first heard "The Way U Love Me" I immediately asked to remix it and a budget to be able to get Vince to score the strings and vibes in Philadelphia. I was certain the song could be turned into a Philly Sound classic. Despite suffering with major illness at the time Vince enthusiastically accepted and made my dream come true.

The T.S.O.P. version of "The Way U Love Me" is the remix I'm the most proud of. It features a cast of more than 30 people, each one of them putting a part of their soul in the recording.
The mix you can hear on this page is an unreleased instrumental edit where the forefront is taken by the string orchestra and vibraphone solos.

As India was saying in the NuYorican Soul remake of Runaway:
"Vince, play them vibes for us just one more time"

Full credits below: 

Ron Hall & The Muthafunkaz Feat. Marc Evans - The Way You Love Me (Dim’s T.S.O.P. Version) Unreleased Dubstrumental
Written by Gary Ahrens, Marc Evans, Gary Hudgins, Irvin Madden, Sean Spencer & Dimitri Yerasimos
Original Produced by DJ Spen & The MuthaFunkaz

Lead Vocals by Marc Evans
Background Vocals by Marc Evans, Jada Davis & KT Spencer

Original Keyboards by Gary Hudgins
Original Bass by Irvin Madden
Original Programming by Ron Hall & DJ Spen
Originally Mastered By Gary Deane @ Code Red Recording Studios Baltimore MD
Executive Producers: DJ Leo & Neil Pierce

T.S.O.P. Remix Exclusively Produced & Arranged by Dimitri from Paris for La French House of Entertainment
New Rhythm Section by Los Amigos Invisibles
New Drums by Juan Manuel Roura
New Bass by Jose Rafael Torres
New Keyboards by Armando Figueredo
New Guitar by Jose Luis Pardo
Congas by Mauricio Arcas
New Strings Arranged & Conducted by Vincent Montana, Jr.
New Violins by Igor Szwec, Diane Barnett, Gloria Justen, Louigi Mazzoechi, Olga Konopelsky & Elizabeth Kaderaback
New Violas by Davis Barnett & Nina Cottman
New Cello by Anthony Pirollo
New Vibraharp by Vincent Montana, Jr.
New Rhythm Section recorded at Tu Casa New York City & Casa del rhythmo, Brooklyn
New Strings recorded at The Studio, Philadelphia
New PA engineered by Jeff Chestek
New Vibraharp recorded at Philly Sound Works
Vibraphone recorded by Louis Benedetti

New Mix by Dimitri from Paris
Additional engineering by Julien Jabre at La French House Studio, Paris

Published by Defected Music Ltd & Blonde Music
P 2006 Defected Records
C 2008 Defected Records


Ron Hall & The Muthafunkaz Ft. Marc Evans-The Way You Love Me (Dim’s T.S.O.P. Version) Dubstrumental

Cover of Everlong,

I love the Foo Fighters, so i covered this song :-)

If you want the Pro Tools or Cubase 8 project for this song, please let me know.

Vocals and Instruments played by Mick Dreeling

================================
PT 9 M-Powered (besides Ozone to master, I only used default PT9 plugs, so the project should open on PT9 any machine)
M-Audio Firewire 410
Line 6 Spider Amp
Squier Jagmaster
Peavey milestone $50 bass
Roland TD-4K kit into Addictive Drums
Studio Projects VTB-1 and C-1
Big Muff Pi
Boss FZ-5

Mixed and Mastered by Mick

Foo Fighters - Everlong

AC DC    Highway To Hell

Disco Edit - Patrice Rushen - Haven't you heard
A DJ friendly edit of a classic Patrice Rushen track!!... If you like please leave some feedback on the timeline. Thanks

Run Run Run

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