Deadly Fun (Deluxe Edition)

Cold (Cinematic)

The End (feat. BABYMETAL)

The End (feat. BABYMETAL) (2025 VERSION)

AxAxC returns after a month-long hiatus, damaged, scarred, savage, and stronger than ever.
Never Fold is a distorted mirror of our generation’s struggle, from cult trauma to city nights, from drill satire to heartfelt love ballads.

This is the comeback.
This is AxAxC. 
Distort. Distrust. Destroy.

Featured Highlights:

- Never Fold – A brutal testimony of survival beyond cult control.
- Pray For Me – A confession, a prayer, a promise.
- Chemtrail Contrail – Savage drill satire, surreal but sharp.
- Bullshit – Chaotic, offensive, funny, and deadly accurate.
- Don’t You Know (By Hell Teaser) – A sultry ballad of love, stripped raw.
- Freaktopia, Where The Angels Hide – Mockery of a broken generation’s freakshow.
- Nine Nine – Cold UK drill anthem, 99 problems but weakness ain’t one.
- Money – Reggae-drill sermon on survival, responsibility, and truth.
- ur burial – Straight disses, no mercy.
- Chemtrail Contrail (Part 2) – Double down on chaos.
- Never Fold (P2) – The final defiance.

Stream it. Comment your hardest bar. Share it with your crew.
If you feel broken, betrayed, or silenced, this album is for you.

AXAXC is back.
#AXAXC #NeverFold #Drill #Metal #Deathcore #Alternative #NewMusic

Justice For Me

Raised By Shadows

Brothers on the Frontline

"Blood and betrayal turned Rome from republic to empire." - National Geographic
"A cinematic metal epic about Power, Betrayal & Legacy - Caesar's Rome told as thunder, choir and truth" -  AxAxC

IMPERIVM: Blood of Rome is AxAxC’s cinematic war-saga: a 13-track ascent from Veni, Vidi, Vici to the Ides and beyond. Built like a documentary set to blades and choirs, this record fuses Christian Rock • Deathcore • Nu-Metal • Symphonic/Cinematic metal with trap-core pulses, Latin chants, and battlefield drums. It’s Caesar’s story told in real dates, real battles, real consequences — and the mirror it holds to our present.

Across Italy, Greece, Egypt, and Hispania, the album follows the rise, the civil war (49–45 BC), the dictatorship (46–44 BC), the Ides of March (44 BC), the vengeance at Philippi (42 BC), and the legacy that crowns Augustus. This is historical metal, just blood, law, and destiny.

Personal note from AxAxC: this project carries the nostalgia of a father’s films and the reality that ambition invites knives. IMPERIVM is for anyone who builds; who believes anyway.

- VENI. VIDI. VICI. — 47 BC; Zela (Pontus)
Caesar’s famed dispatch after defeating Pharnaces II (“I came, I saw, I conquered”). Opens the saga with the certainty that defines his rise.

- CAESAR’S THRONE (Remastered) — 59–50 BC; Rome & Gaul
From his consulship (59 BC) to the Gallic command (58–50 BC), triumphs, and the cult of persona that made him inevitable.

- The Die Is Cast (Alea Iacta Est) — Jan 49 BC; Rubicon, near Ariminum (Rimini)
Defies the Senate’s order; crosses with a legion and triggers civil war. No return.

- BLOOD OF ROME — 49–45 BC; Italy, Greece, Egypt, Africa, Hispania
Civil-war arc in hard dates: Dyrrhachium (48, Pompeian edge) → Pharsalus (48, Caesar wins) → Pompey assassinated in Egypt (48) → Thapsus (46) → Munda (45). Republic broken.

- JUDAS IN THE SENATE (Remastered) — 50–44 BC; Rome
Hostility in the Curia: indictments, intrigues, and the moral panic around “king” that seeds the conspiracy.

- FIFTEENTH OF MARCH (IDES) — 15 March 44 BC; Theatre of Pompey, Rome
Assassination: Brutus, Cassius, over twenty conspirators; 23 wounds; the act meant to “save” the Republic.

- SENATE OF SERPENTS — 46–44 BC; Rome (flashback dossier)
Dictatorship and reforms: Julian calendar, land/provincial reforms, public works (Temple of Venus Genetrix), then the move to dictator perpetuo (44 BC) that precipitates the knife.

- Idus Martiae! Caesar mortuus est! (feat. Pure Addiction) — Alt cut of 44 BC scene
Choral/trap dirge of the Ides—same day, different lens; grief, shock, and the crowd’s turning tide.

- I AM JULIUS (POST IDUS) — 44–42 BC; aftershock
The revenant speech: legacy claims (calendar, laws, roads), propaganda wars, and the truth that “they killed the man, not the movement.”

- MARCH OF THE LEGIONS — 44–42 BC; Macedon & Greece
Antony and Octavian avenge Caesar; the two Battles of Philippi (Oct 3 & 23, 42 BC); suicides of Cassius and Brutus. The conspirators’ end.

- LEGION (Remastered) — Timeless creed
Eagles, standards, formations; the soldier’s oath that outlives politics.

- THE FALL OF ROME — 44–27 BC → 27 BC
From chaos to order: Octavian consolidates, and in 27 BC becomes Augustus; the Republic’s ghost yields to the Empire.

- IMPERIVM — Epilogue/Credo
The price of will. Empires fall; purpose endures. Title motif that binds our personal thesis to Caesar’s arc.

Drop your thoughts, quote your favorite line, and tell us which track hit hardest. Share with a friend who loves history and heavy music.

Credits:
AxAxC — vocals, guitars, bass, orchestration, programming, choir design.
Feat. Pure Addiction on Track 8.
All songs written & produced by AxAxC Studios.

© AxAxCStudios™ — All rights reserved. Distort. Distrust. Destroy.

JUDAS IN THE SENATE (Remastered)

Crimson Ritual – Tio Klarus
Dive into the dark, cinematic world of Tio Klarus with Crimson Ritual. This 12-track journey fuses crushing riffs, pounding drums, and haunting synths with tales of sin, rebellion, and raw desire. From blood-soaked corridors to chaotic fury, every song is a ritual in aggression and emotion — a relentless, cinematic metal experience.

Sigil Of Satan

Scapegoat Son __ Golden Child (Brothers to the End)

KORŌ (Lone Wolf)

Chapter IV “Event Horizon Collapse”


Return Signal

For a moment, it felt like victory.

The Anthem had united millions. Creator drones fell. Fleets reclaimed orbit. Survivors dared to whisper a forbidden word again, hope.


Then came the return signal.


A ripple spread through space, not light or sound, but a vibration that made stars flicker and blood boil. Sensors flagged it as background radiation… until the readings inverted.


Dormant black holes began to breathe.

Event horizons expanded like lungs exhaling annihilation.

Reality itself started to rewrite from the inside out.


The Great Folding


Universe 11 fell first. Its suns dimmed. Orbits warped. Entire fleets were dragged backward into nothing.


The Harrowguard tried to flee, but gravity had turned against them.

The Creators no longer needed armies, they could tilt reality.


Planets folded in half, their crusts peeling like pages before dissolving into the dark.

Final transmissions ended mid word:

“We’re falling, up”

Then silence.


Fractured Fleet


The remaining universes locked down.

Half their forces defended what was left of the living; the rest investigated the collapse.


Commander Serin Vahl, hero of the Siege of Caladrex, led the Eclipse Meridian into the distortion fields near Universe 10’s edge.


Gravity flowed sideways.

Time fractured like glass.

Stars bled colors no eye had ever seen.


At the center: something alive.

A Creator Engine, a machine larger than galaxies, humming in impossible silence.


It was rewriting existence, erasing entire histories in seconds.

Vahl ordered full recordings before contact was lost.

Those frequencies later became the foundation of the song “Event Horizon Collapse,” translating gravitational distortion into rhythm.


Graviton War


When the Harrowguard broadcast the data, the sound itself became destructive.

Planets shook apart under the bass frequencies of collapsing gravity.


Scientists called it Resonant Stabilization.

Soldiers called it Praying with Noise.

They played the Anthem constantly during battle, hoping it could hold reality together for a few seconds longer.


But the truth was clear:

The Creators weren’t fighting anymore.

They were erasing the board.


Cmdr Vahl’s Last Message


Three days after contact was lost, the Eclipse Meridian’s final transmission arrived, audio only, no visuals.

A trembling voice beneath the hum of distortion:


“We’ve seen it. The machine isn’t making war, it’s deleting memory, thought, history itself.

If anyone hears this… don’t look into the light. Save what you can. Hide it. Before the collapse reaches your skies.”


Then came the Harrowlight signal, warped, slowed, still human.

It became known as The Mourning Pulse, the first universal requiem.


By the time it faded, only eight universes remained.

The Harrowguard withdrew to deep orbit fortresses, their anthem reduced to static and whispers.


From the last transmission, the orphaned girl’s voice returned, older now, hardened by loss:


“If they erase us, we’ll rewrite ourselves.

This isn’t extinction.

This is reinvention.”


And thus began The War Protocol, the final defiance, a desperate plan to turn the Creators’ own machines against them.



Event Horizon Collapse

"shut down the static, kill the feed, and feel something real again"
------
LYRICS:
------
KILL THE NOISE — 
DA BUZZ
KILL THE NOISE —
DA BUZZ
KILL THE NOISE —
DA BUZZ

DA BUZZ

Screen’s too bright, mind’s too dark
Sinking in static, losing the spark

Digital Burst
KILL THE NOISE 
DA BUZZ, DA BUZZ

KILL THE NOISE 
DA BUZZ, DA BUZZ

Screen in my face, screen in my mind
No room left to dream or unwind
Static breathes through every vein
Information drip drives me insane

Wires tighten / I can’t breathe
Every click’s a micro-bleed
Toxic echo feeds the void
Living dead but barely employed

Buy this car-
da buzz 
Buy that house- 
da buzz 

Rip it up, wipe it off
Shove it down- 
DA BUZZ 

Kill the noise, kill the feed
Simplify — that’s what we need
Drop the act, quit the game
Seek yourself / break the chain

da buzz, da buzz, da buzz

Kill the noise — da buzz, da buzz
Kill the noise — da buzz, da buzz

Kill the noise 
da buzz, da buzz, da buzz

Kill the noise — da buzz, da buzz
Kill the noise 
da buzz, da buzz

Kill the noise
da buzz, da buzz

Kill the noise

Streaming live / half-alive
Eyes burn blue / just to survive
Greed on loop, lust on tap
Click my sin into the data trap

Virtual friends with hollow hearts
Factory dreams, plastic arts
Burn it down, set it free
Melt the code / rebirth me

Hold a lover, kiss a face
Some human grace 
A real-world place
Make the soul breathe again 
Disconnect 
Live again

Get out! Get out!
Kill the feed!

Get out! Get out!
Da buzz bleeds!

Kill the noise, kill the feed
Simplify — that’s what we need
Drop the act, quit the game
Seek yourself / break the chain

Kill the noise, kill the feed
Simplify — that’s what we need
Drop the act, quit the game
Seek yourself / break the chain

Noise — 
da buzz, da buzz
Kill the noise — 
da buzz, da buzz
Kill the game — 
da buzz

Kill the noise — 
da buzz, da buzz, da buzz

Kill the noise

Kill the noise

da buzz, da buzz...

da buzz

--------






KILL THE NOISE (DA BUZZ)

Unrelinquished is more than a band—it is survival carved into sound. Born from the ashes of unbearable loss, betrayal, and trauma, Unrelinquished embodies the refusal to let go of truth, memory, and identity. Fronted by songwriter and vocalist Mark, the project channels grief, rage, and love into a raw fusion of griefcore, metalcore, and myth-inspired storytelling.
Every song is an exorcism of pain: the death of Mark’s twin brother, the scars of adoption, the weight of abandonment, the chaos of addiction, and the haunting guilt of survival. Yet threaded through the heaviness is resilience—a voice that refuses silence, a fire that will not die, a phoenix that keeps rising even when its wings are scorched.
Unrelinquished is not polished for the mainstream. It is brutal honesty. It is myth and memory colliding. It is grief made eternal through music. This is not just art—it is a declaration: I will not be relinquished.

Brothers on the Frontline

Unrelinquished

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