listening on subway with active noise cancellation 

Bless, this is v beautiful. Is there a way to buy? Would love to play this out.

Written, performed and produced by Joa Joys (Joaquín Ledesma).
Recorded, mixed in "El círculo de Pasto" studio by Joa Joys.
Cover by Joa Joys.
Buenos Aires, Argentina. 2021.
https://jooa.bandcamp.com/
https://cargocollective.com/joaledesma

Mastered by Lorenzo Targhetta

DOWNLOAD

Joa Joys - Plen Air

"You cannot put your foot in the same river twice. Once ᴇʀᴏꜱɪᴏɴ ᴛʀᴀᴄᴇ begins, the listener is quick to draw comparison to previous Glyn Maier releases, as in ɪɴᴅᴇꜰɪɴɪᴛᴇ ʟᴀᴛᴛɪᴄᴇꜱ or the B-Side from the Jungle Gym release ʜʟɪɴᴄ. Instead, what happens is the truest descriptor of a “departure” in style and pacing.

Going back into the deeper catalog of Maier’s work you would likely cross influences of dub techno in the clicking and delaying bass tones, with sharp field recording rustling and chirps that create a fecund listening ecosphere.

This new album instead changes the pace to a glacial presentation, starting with a dark and sleek motif, generously pouring into rhythm and more subdued field recordings of the Appalachian wilderness. It almost seems like an album showcasing Maier’s ability to listen as much as it is his ability to produce. The finishing work with synth and string sections is a sublime reminder of his deft and capable craft in sound. We may not stand in the same water as before, but the river has the same name."

- David Coccagna

An Industrial Coast production

Recorded by Glyn Maier in White Mountain + Pisgah National Forests 2019-2022 - B2 contains source material from Joe Hisashi "Kikujiro"

Audio finalized by Glyn Maier

Artwork by Laura Arteaga Charlton (www.lauraarteagacharlton.com)

Erosion Trace

Emerald Pool

Wandering

@sdssssssssssssssss “Le Rêve de Morphée” is a step into our dreams and the ethereal “monde onirique”.

This ambient record aims to ease you into a state of slumber, allowing you easy access to the first stage of the sleep cycle. A soft twenty-six minutes journey through which you’ll be able to release the stress and anxiety felt throughout the day and let yourself fall into the mattress of your bed.

Mastered by FMSAO

Artcover by Andréa Baritaud Figueroa, Matteo Delas, Étienne Baritaud Figueroa

sds - Vertige

i made you a playlist

🛒: amphibianrecords.bandcamp.com/album/tran…-palestine

Instagram: 
https://www.instagram.com/elsadekomar/
www.instagram.com/amphibian_rec/

Soundcloud: 
QOW:https://on.soundcloud.com/NpPcy

For months we have been witnessing genocide and violence against Palestinians in Gaza and the West Bank. Our community is based on values of solidarity and empathy and we cannot and won’t stay silent. Thus we are releasing under the ‘Transmission for Palestine’ project, native to our home club - Ankali. Our effort is to raise awareness of the struggle and suffering of the Palestinian people. We believe in anti-colonialism and freedom of the Global South from Western imperialism.
Free Palestine 🇵🇸

All proceedings from this album will be donated to the Palestine Children's Relief Fund and Middle East Children's Alliance.

www.pcrf.net
www.mecaforpeace.org

IMPORTANT!
If you donate - not 100% of your donation will proceed to the PCRF because PayPal and Bandcamp take a decent amount of the earnings.
credits
released January 13, 2024

Artwork by Omar El-Sadek

Mastered by Ladislav Sterba

Amphibian Records 2024

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QOW - -2026

At the Gate

MYBESTGIRLILOVEYOUSOMUCH<3ILOVEYOUREYES

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sub tgc: t.me/sileightyuy
sub inst: www.instagram.com/zxcdimka228/
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рукитрясутся

Taken from the forthcoming album "Printemps-Ete" on In Paradisum, to be released April 11 2016.


After a couple of EPs, qoso reveals his first LP on In Paradisum, a label he joined in 2013 for the Like It Soft EP he cosigned with Low Jack. Charlie Janiaut opens up a third way between physical energy and experiments on sound textures. The producer originally from Franche Comté has dusted his fingers on battle scratch and his playing with computer is totally instinct driven. Playing techno from the viewpoint of rap music, qoso’s music is entirely based on samples and feeds on mistakes, frequency translation and a piling up of effects leaving space to randomness. The tracks on Printemps Ete were composed all at once and speak more to the body than the head - they’re rhythm tracks as stated by Emotional, which opens the record where most electronic albums like to put a nice ambient track. After being compared to Blawan or Levon Vincent by Resident Advisor, qoso is now leaving most references points behind with a syncopated sound that puts some fun into the raw.

Qoso -  Peaches N Cream

SKY H1 — Motion EP
Label: CODES
Cat.No.: CDS004
Release Date: 15 July 2016

‘Motion’ is the new EP release on PAN’s sublabel CODES from Belgian producer SKY H1.

Having previously collaborated with producers and collectives such as Bala Club and Creamcake, Brussels-based SKY H1 has since performed at the likes of multi-media 3HD Festival and Amsterdam’s Sonic Acts to high acclaim for her distinctly forward-thinking sound.

Drawing from a background of widely-varying musical tastes from Ambient to Grime, her own work is an amalgamation of emotive compositions of orchestral Elysian synths, often displaced with sparse percussive elements.

The new record, ‘Motion’ is a highly personal endeavour, constructed from the results of a turbulent time - where she describes it as ‘a flash of her emotional state over the last few months’. “It signi-fies leaving behind a period in my life and stepping into something new.” She explains.

Moving through bleak soundscapes layering vaporous choral synths, ethereal vocals and glassy, lucid tones crafted in complex structures, the record bears moments of melancholy as well as joy on tracks like ‘Tell Me’ and ‘I Think I Am’. “It's about going through the different stages of grief and accepting the positive effects the loss of someone can have on you.” She says. “It's about experiencing an intensely emotional time with a lot of ups and downs, and I think this is transparent in the way the tracks are ordered.”.

http://p-a-n.org/

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