jetzt Szene endlich tiefer verstanden danke

For this second release Soleil Rouge focuses its attention on Jonnnah, one of the key artists since the creation of the project. After a versatile first release on Worst, the artist continues his creative process in the same line. The sequence of atmospheres and landscapes on this album was conceived as a journey into the psyche, more specifically as an analysis of the depressive state and the healing process. Jonnnah recreates familiar feelings and memories and writes an abstract story to allow the listener to interpret. 

"Terra Incognita" introduces us through a phase of doubt and leads to a loss of orientation, then the feeling of anxiety is explored before arriving at "Sounds of Silence" where energies are transformed, the following landscapes allow a slow reconstruction to close this metaphorical journey with "Enter Paradise". “Poppy's Star” was co-produced with French artist Tryphème, whose work was a source of inspiration in the creation of Jonnnah's universe. The fusion of their sound results in a sentimental 80’s pop atmosphere, that is characterized by heavenly sounding delay processing as well as the melancholic voice of Trypheme. Throughout the quarantine, the artist and his father (also a musician) set up a daily artistic ritual in order to use this interlude to promote their common artistic creation, from this sharing was born the track “Young Man, Old Boy”. 
This album takes us through interludes of gritty noise, melancholic pop, avant-garde experimental music and powerful bass music. The artist treats each of these sounds with the same ethereal and melancholic layer creating a link between the atmospheres of his narrative.

This album marks the birth of the Jonnnah artistic entity, right down to the creation of a physical appearance conceived in collaboration with designer William Mora. The two artists worked together to create a series of masks that draw on intimate visuals from the history and culture of Jonnnah. The various masks were conceived as ritualistic costumes for the upcoming performances, participating in the creation of an alter ego between mysticism and chivalry.


Crédits
Music by Jonnnah, Tryphème, Apple Bun
Lyrics by Tryphème, Christine Denamur
Hood art, tape art and design by William Mora
Hood manufacture by Karine Vazeille & Florence Galvao
A&R Marie Desseauves & Antoine Odin

limited to 50 tapes.

Jonnnah • Reminder, Routine, Reward

I am Asinun

Amper Clap - Boltzmann Brain [EP] [2021]

A1. The Universe Expands
A2. Boltzmann Brain
B1. Inject The Sound
B2. Unknown World

Released August 5, 2021

Catalog Number: URON-26

All music and production by Amper Clap
Mastered by Amper Clap
Cover by Amper Clap

Boltzmann Brain

Boltzmann Brain EP

Amper Clap - Boltzmann Brain [EP] [2021]

a deeper undestanding of the scene (aux4436)

Industrial Day
@tikitula

Paying hommage to 80s industrial music movement. Wave, EBM, Ambient and many more subgenres out this great time.

Organized by Loris Feijóo
SC22 @ Rote Fabrik, Zürich

Tikitula @ SC22 – 22.07.22

Pour la rentrée de Wreckers ov Civilisation je vous propose une percée à travers la très fournie discographie de Nurse With Wound. Projet de musique expérimentale britannique, formé en 1978 par Steven Stapleton, John Fothergill et Heman Pathak. En 1981, Stapleton devient le seul membre permanent de NWW avec une multitude de collaboration au fil des années (la liste est longue) avec notamment Andrew Liles, Colin Potter, James Mannox. À l'écoute des formes multiples du projet, on évitera les étiquettes musicales, notons quand même l'influence évidente du mouvement Surréaliste et de Dada. Une heure de collage avec beaucoup d'édits, car il s'agit souvent de pièces sonores longues qui sont ici agencées en extraits pour la plupart.

Wreckers Ov Civilization - NWW SPECIAL w/ Officium (14.10.22)

“@imrekiss is a producer and DJ active in the electronic music scene for several years, well-known for his works with various labels and collectives such as Farbwechsel or CRISIS. He has a distinct style of faded, dreamlike echoes with crisp, analog beats, saturated with a hint of mesmerizing, distorted house narratives. EXILES welcomes Kiss’ latest release ‘Keys to Cassiopeia’ to their catalogue, presenting a fresh direction in the artist’s newest interstellar ventures.

Beyond the black sky above our heads, filled with countless bright sparkles lies the vast, ever-expanding system of celestial bodies, galaxies, nebulae and unknown fields. Outer space catched the imagination and fascination of humankind since the dawn of time, calling all scientists, artists and dreamers on a voyage of wondrous explorations. We are still just scratching the stardust from the surface of all of this, whether they are the hottest takes from the James Webb Telescope or the latest mind-blowing sci-fi series, but one thing is certain: ‘Keys to Cassiopeia’ invites us on a journey that opens up new horizons and unheard perspectives.

The 9-track album describes a cosmic trip to uncharted territories, deep into the spheres of mythical constellations. The various chapters of ‘Keys to Cassiopea’ evoke themes such as the innocent dreams of exploring the universe, the energetic blasts of rockets (‘Theme I’) or the dreadful coldness of being alone, thousand miles away from the Kármán line (‘Theme II’). Floating like a confused spacecraft, ‘Theme III’ opens with gentle subharmonics and ambient pads, when out of a sudden, friendly plucks of strings and woodwinds appear, offering their companionship and soothing the fright.

With two interludes on its both ends, ‘Theme IV’ offers a look on the highlight of the journey, that fills the passenger with joy, vocation and a sense of ineffable composure. Coming with a dynamic and bright movement, ‘Theme V’ approaches us with a rather playful and light manner. It suggests a safe trip onwards, filled with meandering thoughts that remain with the listener, tempting us to return back to them again and again. The closing track draws an ending line to the narrative arc: it suggests ease and a fading image of a star’s collapse, leaving behind nothing but a stellar remnant. Echoes of the past, endpoints of an evolution, the final moments of an intergalactic tale.”

– Nemerov

music by Imre Kiss
mastered by Roland Nagy
artwork by Márton Tóth

www.instagram.com/marutonkun

Buy Album

Imre Kiss – Theme V

Live At Epigraphic Museum - 21102022

The next episode in our archive is a special one: Berlin duo @crouds are serving one hour of fast paced state of the art industrial techno. With both Andi and Johann being ardent gearheads, the set is a recording from a live performance at Mensch Meier back in April. Watch out for their second Molten Moods EP "Switchblade" to be released in December!

a deeper undestanding of the scene (aux4436)

Usual Crabp

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