空気求めて僕らはアブクの様に
波打ち際でそっと音を奏でている

透明にそう透明になりたくてただ
息を潜めた
透明にそう透明になりたくてただ 
息を殺した

酒を残して朝になった日
戸惑いも晒して今日だけは
置き去りにして朝を迎える
戯れで濡れた 瞼が渇く

Coast（sample beats）

あれから

ベッドの空白（demo）

ふれる

話のつづき - haruko


半音下げ
a
Cadd9 G Cadd9 D Em
Cadd9 G Cadd9 D G

E7

サビ
DM7 E F#m7 A7
DM7 E F#m A7
DM7 E F#m7 Ddim
DM7 E 

C
F#m7 Dadd9 E Aadd9


今日、魔法に
かけられ
忘れていくんだ
妄想でいい
溢れては
落っこちた

だから話のつづきを
ここで夜が来るまで
していたいなぁ
もう言葉もいらないほど
綺麗に伝わるから  

もう忘れた？
かくれんぼ
丘の上で
共犯者になって
目をふさぎ
座ったまま

だけど話のつづきを
ここで花が枯れるまで
していたのに
もう心もいらないほど
綺麗に忘れるから

列車を待っている
レールが揺れている
笑ったのは誰だおまえか？
自分のせいだ
列車を待っている
レールが揺れている
遠くへ

だれも聞こえない話を
ここで夜が明けるまで
探したいよ
もう透明でいらないほど
綺麗に

だから話のつづきを
鉛のような夢から醒めたらほら
言葉もいらないほど
綺麗に伝える　いま

話のつづき

酒を残して朝になった日

くぬぎ

出かけたら
帰ったら
また初めからだ

お湯の中
闇の中
知りきった坂の外れ

飛行機の
音だけを
電話越しに聞いていた

君よりは
マメだから
雲の切れ間を見つめた

キスをしよう

キスをしよう


キスをしよう

キスをしよう

淡く解ける

I Dreamt a Dream! what can it mean?
And that I was a maiden Queen:
Guarded by an Angel mild:
Witless woe, was ne'er beguil'd!

And I wept both night and day
And he wip'd my tears away
And I wept both day and night
And hid from him my heart’s delight

So he took his wings and fled:
Then the morn blush'd rosy red:
I dried my tears & armed my fears,
With ten thousand shields and spears.

Soon my Angel came again;
I was arm'd, he came in vain:
For the time of youth was fled,
And grey hairs were on my head.

———————————-
My melody to Blake’s words 
Instrumental and recording by Phil Marcs
————————
I see this as a kind of warning to seize the moment for something that seems important, and not let our fears persuade us to put it off for another time that may not return. However, there is more…

https://en.m.wikipedia.org/wiki/The_Angel_(Songs_of_Experience)
Blake has had a distinct fascination with angels from a young age, as when he was around nine years old and walking through the countryside, he had a vision of a tree filled with angels...

Joseph Wicksteed interprets the poem as the angel initially representing a comforting presence that nourishes sadness. The speaker clings to this comfort, hiding her deeper desires behind the vale of tears. However, when the angel leaves due to the lack of genuine reciprocation, she is left feeling betrayed. Wicksteed defines this shift from sorrow to bitterness as a missed opportunity for authentic love, where both sadness and anger replace the deeper, emotional truth, and a moment where the two share a real connection is lost.

S. Foster Damon particularly focuses on the angel's symbolic role as a messenger from Eternity, or from the inner self. He states that angels in Blake's work are often connected to one's that are guiding virtue or inner force. This perspective makes the angel represent the speaker's better self or an inner calling she initially resists. When she eventually embraces the hardened identity and armor against emotion, the angel returns but finds the figure to be changed and emotionally closed. This someone is no longer able to receive the spiritual message or guidance it brings.

酒を残して朝になった日

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