This recording was made by the SuperCam instrument on NASA’s Perseverance Mars rover on Feb. 19, 2021, just about 18 hours after landing on the mission’s first sol or Martian day. The rover’s mast, holding the microphone, was still stowed on Perseverance’s deck, and so the sound is muffled, a little like the sound one hears listening to a seashell or having a hand cupped over the ear. Just a little wind can be heard.

Credit: NASA/JPL-Caltech/LANL/CNES/CNRS/ISAE-Supaero

First Audio Recording of Sounds on Mars

This is the first acoustic recording of laser impacts on a rock target on Mars from March 2, 2021, the 12th sol (Martian day) from Perseverance’s SuperCam instrument. The sounds of 30 impacts are heard, some slightly louder than others. Variations in the intensity of the zapping sounds will provide information on the physical structure of the targets, such as its relative hardness or the presence of weathering coatings. The target, Máaz (“Mars” in Navajo), was about 10 feet (3.1 m) away.

Credit: NASA/JPL-Caltech/LANL/CNES/CNRS/ISAE-Supaero

First Acoustic Recording of Laser Shots on Mars

This recording was made on Feb. 22, 2021, on the fourth sol (Martian day) by the SuperCam instrument on NASA’s Perseverance rover after deployment of the rover’s mast. It provides a different overall sound than the SuperCam audio recording from the mission’s first sol. Some wind can be heard, especially around 20 seconds into the recording. Rover background sounds have been removed.

Credit: NASA/JPL-Caltech/LANL/CNES/CNRS/ISAE-Supaero

Perseverance Rover’s SuperCam Records Wind on Mars

Since 2003, the black hole at the center of the Perseus galaxy cluster has been associated with sound. This is because astronomers discovered that pressure waves sent out by the black hole caused ripples in the cluster’s hot gas that could be translated into a note — one that humans cannot hear some 57 octaves below middle C. Now a new sonification brings more notes to this black hole sound machine. A new sonification — that is, the translation of astronomical data into sound — is being released in time for NASA’s Black Hole Week this year.

In some ways, this sonification is unlike any other done before because it revisits the actual sound waves discovered in data from NASA’s Chandra X-ray Observatory. The popular misconception that there is no sound in space originates with the fact that most of space is essentially a vacuum, providing no medium for sound waves to propagate through. A galaxy cluster, on the other hand, has copious amounts of gas that envelops the hundreds or even thousands of galaxies within it, providing an avenue for the sound waves to travel.

In this new sonification of Perseus, the sound waves that were previously identified were extracted and made audible for the first time. The sound waves were extracted in radial directions, that is, outwards from the center. The signals were then resynthesized into the range of human hearing by scaling them upward by 57 and 58 octaves above their true pitch. Another way to put this is that they are being heard 144 and 288 quadrillion (1,000,000,000,000,000) times higher than their original frequency. The radar-like scan around the image allows you to hear waves emitted in different directions. In the visual image of these data, blue and purple both show X-ray data captured by Chandra.

Learn more: https://chandra.si.edu/photo/2022/sonify5/ 

Sonification Credit: NASA/CXC/SAO/K.Arcand, SYSTEM Sounds (M. Russo, A. Santaguida)

Black Hole Sonification: Perseus

An einem kaltgrauen Januarmorgen treffe ich Marion Brasch im "Café
Gagarin". Dort trinken wir Kaffee und reden über Musik, Familie,
Literatur und die Zukunft des Radios.

>>> www.marionbrasch.com

Serendipity featuring Marion Brasch

Hear intriguing radio waves that our Cassini spacecraft collected near Jupiter in January 2001.

Jupiter Sounds 2001

New research from the up-close Grand Finale orbits of NASA’s Cassini mission shows a surprisingly powerful interaction of plasma waves moving from Saturn to its moon Enceladus. Researchers converted the recording of plasma waves into a “whooshing” audio file that we can hear -- in the same way a radio translates electromagnetic waves into music. Much like air or water, plasma (the fourth state of matter) generates waves to carry energy. The recording was captured by the Radio Plasma Wave Science (RPWS) instrument Sept. 2, 2017, two weeks before Cassini was deliberately plunged into the atmosphere of Saturn. 

For more information, visit: saturn.jpl.nasa.gov 

Credit: NASA/JPL-Caltech/University of Iowa

Sounds of Saturn: Hear Radio Emissions of the Planet and Its Moon Enceladus

Synestet - Blues to blues to (Comp. Hélène Duret)
Live @festival de Radio France Montpellier Occitanie 24/07/2019
Hélène Duret - Clarinette Basse, Composition
Benjamin Sauzereau - Guitare
Sylvain Debaisieux - Sax tenor
Fil Caporali - Contrebasse
Mix & Master - Dries Van Ende
Photo - Jean de Peña

Synestet - Blues To Blues To live @Festival de Radio France 2019

A performative sound piece for two performers utilizing each one a
chair being dragged along. Vibration provoqued by the friction between the chairs and the surface’s ground causes noise. 
Acoustic impressions and mental spaces appear and transform the present along the wandering.


performance (45 minutes); two chairs, two performers

Poems for two chairs - variation #2

Oblique Rain In The Garden Of Earthly Delights

Dear friends & strangers! I am the host & producer of "Serendipity", formerly known as "Kaffeeklänge" a live-Radio-Show playing Jazz, Funk, Soul, Interviews, Lyrics & other Serendipities running every 2nd and 4th sunday of the month from 5 till 6 p.m. on "Radio Corax 95,9". Needless to say that I'm always looking for new bands and musicians. So, please feel free to contact me! And: Thanx for listening!

listen to all the past episodes: https://www.mixcloud.com/radiyan

Serendipity featuring Marion Brasch

radiyan

Related tracks