Name: SWEPT BY WINDS WAVES AND RAIN by uttermore
Duration: 7 min 3 s
Description: Produced by BotNikStudio2, Bottna, Sweden.

Victor Frankenstein
I've just finished a new song after 27 days. There are four themes, each with a different sound design, and I wanted to combine them into one song. It's like "Victor Frankenstein's monster" that combines fragments of human emotions.

Victor Frankenstein（317）

«WALKING UNDER THE MULBERRY TREES». Op.91 (2017). New edition and execution (2025).

Produced by BotNikStudio2, Bottna, Sweden.

SWEPT BY WINDS WAVES AND RAIN

Guitar instrumental with a hint of the Autumn Leaves classic turnaround progression. I'll let you figure out where it is. Enjoy!

Pathways

A Blend

Mesmerised (2009) Lost Tracks

A sonic journey woven with the eternal sands and the breath of the Nile. This piece recalls ancient Egypt, a land of mystery and power, where life and death were bound by the invisible thread of the soul. “Ba Merut” – Soul of Love – becomes a call to inner purity: for among pyramids, stars, and endless deserts, what truly remains immortal is the power to cherish and to give love.

Ba Merut

wartsnall XXIV

Ethereal, dreamy and meditative synths create a melancholic atmosphere, well suited for space topics, sci-fi or technology.

Cover design by Mirko (https://www.fiverr.com/mirkodellamonic).

Deep Space 2

While you’re Lying next to him (Mixdown)

Binary Orbital Dynamics is a graphic score composition exploring gravitational interaction between two orbiting bodies. Inspired by the physics of orbital mechanics, the piece renders dynamic relationships—proximity, mass disparity, velocity, eccentricity—as abstract visual forms. These images guide the performers in creating sound through interpretation rather than conventional notation. The work may be performed by one or more musicians, with or without electronics. In this version, a fixed audio track—created specifically for this performance and never before heard—acts as a gravitational counterpart, shaping the musical field like a second celestial body. The performers respond to the sonic environment not as accompaniment, but as a force: pulling, resisting, drifting, or converging, depending on the evolving context. Rather than following a fixed tempo or score order, the players navigate the piece as a kind of sonic orbit—interpreting each graphic relationship as a moment of interaction. When performed by two musicians, they may represent distinct bodies (A and B), each with their own trajectory and influence. Binary Orbital Dynamics was commissioned by Bowerbird in Philadelphia for the Arcana New Music Ensemble. Like much of Vidiksis’s work, it explores systems of interaction—between performer and environment, between structure and interpretation—using sound to investigate complex, often invisible forces that shape our experience. 

This track is a live concert recording from the Accademia Filarmonica Romana, Rome, Italy, July 2, 2025. 

Binary Orbital Mechanics (Rome.2025.07.02)

In daily collaboration with other music creators at Bottna, a cultural hotspot on the Swedish West Coast.

SWEPT BY WINDS WAVES AND RAIN

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