CONNA HARAWAY 17.10.23

Fresh Marseille based label Cimetières de France trap crew member Oliver Foster for a mix, featuring an hour of picks from the wider collective and beyond, including new and unreleased material… 

 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/guests/episodes/cimetieres-de-france-w-oliver-foster-11th-october-2024

cimetières de france w/ oliver foster 111024

Track from album: Gary Gwadera - "Far, far in Chicago. Footberk Suite"
POINTLESS GEOMETRY 2024 / POINT#60
Pre-order date: 11.11.2024 / Release date: 21.11.2024

https://pointless-geometry.bandcamp.com
Limited edition of 100 copies / C-43 cassette
The material is also released in an audio-video version on VHS cassette. The visual side was created by Darek Pietraszewski (Copy Corpo).

Music composed, performed, recorded, edited and mixed by Piotr Gwadera
Recorded in Łódź, August/September 2024
https://www.instagram.com/gary_gwadera
@gary-gwadera

Mastered by Paweł Cieślak (Hasselhoff Studio) 
Artwork and design by Jakub „ Hakobo” Stępień
https://www.instagram.com/hakobo
Conceptual collaboration – Hanna Szczęśniak (Polish Radio Folk Centre)

The publishing partners are:    
KODY Festival of Traditional and Avant-garde Music
ROZDROŻA Centre for Intercultural Creative Initiatives
Polish Radio Folk Centre

Media patron:  
Dwójka – Polish Radio
℗ 2024 Polish Radio
© all right reserved

“It’s nothing else but a Chicago-style oberek!’ – that was my first thought when I heard the compilation ‘Bangs & Works’, an album that introduced the footwork style to a global audience. At first I was drawn by the triple, syncopated rhythm, based on the iconic sounds of the Roland TR-808 drum machine. My musical explorations have long been centering around triple rhythms of rural Poland. The clash of this archaic, distinctly Polish form with the freedom of the underground, electronic sound from the Black suburbs of Chicago seemed to aesthetically hit the perfect spot. As an anthropologist - dreamer, I also imagined that the presence of a triple rhythm in Chicago – the largest hub of the Polish diaspora in the USA – was not a coincidence. It was a result of a meeting between our native musical tradition and the musical sensitivity of the Black community in the United States. I must admit that this hypothesis was, and still is, purely my musical dream, unsupported by any scientific evidence. However, regardless of the actual roots of this fascinating phenomenon known as footwork, it is hard not to notice certain correlations between footwork and the Polish oberek tradition. This is in both cases music rather meant for dancing than for listening. It’s supposed to present a certain musical and rhythmic challenge to dancers, who can test themselves in a fun-oriented setting, where competition is an integral part. In Polish villages, these are traditional battles of village bands, while in Chicago, they are footwork battles in underground clubs. Both in the oberek and footwork, the most important are a sense of community, energy, and excitement built around dance, accompanied by a characteristic triple pulse.
Therefore, the footberk suite “Far, far in Chicago”, is intended as an imagined musical journey through time and space, where the Polish oberek and Chicago footwork find a common ground in dynamic, triple rhythms. I aim to show that the syncopated rhythm of the mazurka (or of the oberek) can sound just as contemporary and bold as the beats created for Chicago dancers. The composition is meant to be an auditory tribute to both cultures’ dance spirit and their sense of community. It is an attempt to capture the emotions that accompany both footwork dancers and participants of rural dance parties – spaces where music and dance become tools of self-expression.
To connect these two seemingly distant worlds I use a specially designed rhythmic machine. At its heart lies a rural jaz, with build-on Lem-esque pads packed with samples from the TR-808 and TR-909, as well as other electronic sounds."

Far, far in Chicago. Footberk Suite

Gary Gwadera - II. Battle („kasowanie”) / POINT#60

live at Shuffle - series of iconic events curated by Peauty Fute [Kyiv, Ukraine]

Tracklist:
#1-5 NFNR unreleased

Last two tracks are released:
NFNR - No Matter What https://systemnapotvora.bandcamp.com/track/no-matter-what 
NFNR - Fragility https://waage.bandcamp.com/album/fragility

NFNR - live at Shuffle / Otel` 20.10.24


      Played & Recorded at Burnout-Regula by Antonina Nowacka
      
      ┈┈┈┈․° ☣ °․┈┈┈┈
      
      freeminded non-commercial music diffusion
      www.radio-bollwerk.ch
      

Antonina Nowacka | Full Of Lava  - Radio Bollwerk - 22.11.2024

WHITE DOVE | AE-11 | OUT NOW!
Available in 8" Lathe Cut Vinyl and Digital.
Only 55 copies on sale / Adepta Bandcamp 
https://adepta.bandcamp.com/album/white-dove-ae-11

Roberto Semeraro (Pearl River Sound), under the pseudonym White Dove, presents the first installment of the second chapter in his ongoing musical tribute to his late father.

Released on Adepta Editions, this three-track EP serves as a direct follow-up to his 2022 album "The White Dove Pt.1" on Furthur Electronix. Each track is a poignant exploration of grief and longing, capturing the feeling of a life abruptly cut short. Like shattered pieces of a beloved object, these compositions confront the acute pain of loss while simultaneously revealing the delicate beauty of pure emotion..

We hope you enjoy this new, always different and unexpected proposal from Adepta Editions.

Thank you very much for the support.
AE_

Performed by Roberto Semeraro
Mastered by Gabriel Covacich
Photo by Al Brydon
Design by Aplauso Studio
Curated by Peter Furlan


AE-11 - White Dove - The More Evolved

https://soundcloud.com/juliettehenriu

https://www.retreatradio.net/radiant

Listen 24/7 at www.retreatradio.net

Radiant #19 w/ juliettehenriu (03/11/24)

SCHEINTOT is a new trio consisting of Mats Gustafsson (sax, flute), Henrik Rylander (no input mixing desk) and Joachim Nordwall (Korg MS20) and this is a track off their new split LP with JOHN DUNCAN. 200 copies made. Head over to Sound OHM, Rumpsti Pumsti, Boomkat, Discreet Music or something, will you? They will hit you up.

SCHEINTOT - ERWEITERUNG

Bored with winter, harsh rain and grey sky I am starting my fantasy from fairy’s who lurk me into the dark woods. This brown landscape smells like benzoline, moss and dirt,  yet a floral tone comes afterwards, reminding me of irises. While following the lights of their wings, it becomes darker and darker. The wind force me into the core of the woods. I am standing on the edge of pond, and when I take a closer look into the reflection of the water, I see the moon shining upon my face.


Mathilde Nobel @ Kiosk Radio 26.01.2025

a very simple demo of the hall impulse file modulated first with audio rate am, then audio rate fm. first a simple sine wave, then the dry osc input signal, so basically self fm with convolution

c0 - am/fm

uzala