everything else

Childhood home

This is a track from my debut album PERHAPS THERE... ( انگار همان جا ) coming out in November 2013

A Tale Told Again (poetry by Nima Yushij)

Darren Wall.................Upright Bass
Shahrouz Molaei.........Drums
Robbie Grunwald........Accordion
Sina Salimi.................Santour & Vocals

Recorded, Mixed and Mastered by Ali Kamali @ Arkwaves studio
Album Artwork & Design by <a href="http://www.kajart.com/" title="Kajart Design and Production">KAJART Design & Production</a>


داستانی نه تازه - A Tale Told Again

موسیقی فیلم سیمرغ| محمدرضا علیقلی

شاید روزی، بارانی دوباره صورتهای مارا بشوید، شاید چشمانمان را به حال دیگری باز کنیم و نقشهای دیگری ببینیم. هزاران شایدهای خاک خورده در خیال منست.

به تمام رفتنها، گذشتن‌ها ،از دست دادن‌ها، به تنهایی‌ها، به شروع های دوباره، به باران عزیز و خاطره‌هایی که برای ما می‌آورد و یادهایی که با خود می‌برد.
بگویم که حال روزهای غمگین مرا باران شست، 
باشد این قصه همینجا،
شاید،
 حال غمناک تو راهم،
روزی،
 با خود بُرد... 





ممنونم از بهادر دوستی ندیده که از لایو تهران پیگیر رکورد این قطعه بود.

والس باران Waltz for Rain

“SyMPHoniC EcHoEs: Epic Journey” is a symphonic exploration of power, beauty, and imagination. Blending classical orchestration with cinematic intensity, this album takes the listener on a grand musical odyssey from delicate strings and soaring brass to thunderous percussion and triumphant climaxes. Each track is crafted to feel like a story in motion, carrying both the elegance of classical symphony and the drama of modern epic soundtracks.

78 BPM, D minor. Powerful symphonic orchestral mar

شهرداد روحانی (نام اصلی: شهداد روحانی) ( زاده ۶ خرداد ۱۳۳۳ در تهران) آهنگساز، ویولنیست، پیانیست، و رهبر ارکستر ایرانی است.

آنِ نوشين-شهرداد روحانی

آهنگساز: ستار اورکی
آکاردیون: پیام اقدامی (https://www.instagram.com/payameghdami/)

موسیقی تیتراژ پایانی فیلم فروشنده - اصغر فرهادی/اثر ستار اورکی

Zbigniew Preisner - The End

🔴 The Red Moon
(Live Record)

Piano and Composition: Shayan Shekarabi
Percussion: Shayan Riyahi
Contrabass: Dariush Azar

Audio Recording: Reza Farhadi 
Mixing and Mastering: Hami Haghighi

Cover Art: Babak Germchi

🔴 ماه سرخ
 (اجرای زنده)
پیانو و آهنگسازی: شایان شکرآبی
سازهای کوبه ای: شایان ریاحی
کنترباس: داریوش آذر

صدا بردار: رضا فرهادی
میکس و مسترینگ: حامی حقیقی

عکس: بابک گرمچی

The Red Moon ماه سرخ

حباب
حسین علیزاده

حسین علیزاده (یکم شهریور ۱۳۳۰، تهران -) آهنگ‌ساز، ردیف‌دان، پژوهش‌گر و نوازنده تار و سه‌تار ایرانی و نامزد دریافت ۳ جایزه گرمی است. وی از چهره‌های تحسین‌شده موسیقی فیلم در ایران به شمار می‌آید و آثاری چون دلشدگان (۱۳۷۰)، گبه (۱۳۷۴)، زشت و زیبا (۱۳۷۷)٬ زمانی برای مستی اسب‌ها (۱۳۷۸)٬ لاک‌پشت‌ها هم پرواز می‌کنند (۱۳۸۶)٬ آواز گنجشک‌ها (۱۳۸۷) و ملکه (۱۳۹۰) از ساخته‌های اوست. علیزاده، دبیر و سخنگوی شورای عالی خانه موسیقی ایران است.[۱] وی با کسب ۴ سیمرغ بلورین برای فیلم‌های گبه، زشت و زیبا، آواز گنجشک‌ها و ملکه٬ مشترکاً به همراه مجید انتظامی برنده بیشترین سیمرغ بلورین در بخش بهترین موسیقی متن از جشنواره فیلم فجر می‌باشد.
حسین علیزاده تا به حال سه بار برای آلبوم‌های فریاد، بی تو به سر نمی‌شود و به تماشای آب‌های سپید نامزد جایزه گرمی در بخش «بهترین آلبوم سنتی جهان» شده‌است.[۷] جوایز گرمی معتبرترین جایزه صنعت ضبط و پخش موسیقی در آمریکا محسوب می‌شوند.

http://en.wikipedia.org/wiki/Hossein_Aliz%C3%A2deh

حباب-حسین علیزاده |  Bubble-hossein alizadeh

www,mahanmirarab.com
Mahan Mirarab: Fretless guitar
Robert Jukic: Bass
Wolfi Rainer: Drums

Mahan Mirarab (Jazz guitarist, Fretless guitarist, Composer, Architect)

Born on 13 July, 1983 in Tehran, started his first experience of art with painting, he spent his childhood during the war of Iran-Iraq in 80's. He started his first musical activities with playing piano at the age of 12 and after a year he switched to classical guitar. At that time there was no opportunities in Iran to listen to jazz music but at the age of 16 he could find the access to some tapes of Wes Montgomery and he started transcribing his tunes. In spite of lack of any approach to the basic learning instrument or any kinds of media in the form of books or any kind of recordings, he started to learn jazz. Although there was no teacher and school of music in Iran and the first step of his learning process was really hard, later after the development
of media in Iran in Mid 90`s he had the opportunity to listen to other jazz musicians and Kept continuing transcribing and analyzing the music of jazz legends like Charlie Parker, Bud Powell, Clifford brown, John Coltrane and many more.
Nearby tacking the first steps of learning music, according to his excessive passion to get influences from Persian traditional music, he started to play one of the main Persian musical instruments, called TAR. The influences and inspirations that he achieved from getting involved in learning traditional music have an indispensable role to shape his character as a musician, that is not only interested in jazz music but also is always grateful for Persian folk and traditional music. The main idea of playing
fretless guitar is on the one hand the difference between Persian and classic scales, because of existence of quarter tones in Persian music which makes it possible to be played by F.Guitar, and on the other hand it derived from his intention to find an appropriate and sufficient instrument that can accurately describe and express Iranian identity in his musical character.
The summer of 2003 was an important point of jazz music in Iran because the Legendary Armenian Pianist, Vahag Hyrapetian, organized the first jazz workshop in Iran since the Revolution of 1979.

It was a determinative event that was held for the first time in the realm of jazz music in Iran. Mahan attended to this workshop and also was asked by Vahag to play a duo concert with him.
Right after that he established his first Band as a Trio
set up with Dara Daraeei on bass and Amin Taheri on Drums. After some Concert Hamzeh Yeganeh a great Persian pianist and composer joined the band.
Beside his own project he cooperated with many concert and recording sessions as a side man during all this time. in 2008 he finished his studies in architecture in Tehran
art and architecture university and decided to move to Vienna. There he recorded his first Album with Wolfi Rainer(drums) and Robert Jukic(bass).This album is
a combination of Persian folk and traditional music with jazz .
The composition and arrangement of this project that started in Iran in 2006 is already
concluded and recorded in Vienna’s session in title "The Persian Side of Jazz" After moving to Vienna Mahan played with different Jazz and World music ensembles in Different European countries as well as United States.

9:40 am

Music By Parnaz & Robert 
Vocal & Violin : Parnaz Partovi 
Guitar : Robert Gharakhan 
Sound: Shayan 
Taar: Ali 
Lyrics : Nader Naderpoor

FB PAGE :http://www.facebook.com/Vitarband
YOUTUBE : http://youtu.be/pnOs8iucCow

"Hich" Parnaz Partovi

Araam Araam (A Lullaby)

Giving Voice to 'Silent City': Kayhan Kalhor Bridges Tehran and Brooklyn

شهر خاموش...کیهان کلهر

در هضم‌ِ بَزم - سوُم /آن شبِ اردیبهشت 
هر کس خاطره را یک جور نگه می‌دارد برای خودش. برای من این جور است؛ ترانه‌هایی با یاد و در هضم‌ِ بَزم‌ها.ـ 
سوم٬ حکایت‌ِ بازی با نام‌ها بود و یادها؛ حکایت‌ِ آن شب‌ِ شیرین و آن حال‌ِ فرهاد؛ حکایت‌ِ آن شبِ اردیبهشت ...ـ


Zbigniew Preisner - The End

uzuncteyze4

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